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You need semi-playbacks for live-performances? You plan to add specific sounds to your real studio-recordings? You need a pre-production for guest-musicians? Alpine Volksmusik covers all of this with ease. Use the outstanding instruments of this library to compose and arrange songs in your digital work station to your liking and in highest quality.\u003c\/p\u003e \u003cp\u003eAlpine Volksmusik can sound both traditional and modern. Simply choose the instruments that fit your music. Select a dulcimer and an accordion for family music or go for a small marching band from the upper Carniolan region! Are you in need of a soft sounding nylon-string guitar for a ballad or do you want modern drums, brass, vocal effects and a special synth-bass from Zillertal? Alpine Volksmusik will deliver it all! 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Please Be Aware That Software Is Non-Cancelable and Non-Returnable.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eBest Service Black Box. \u003c\/strong\u003eFar off terrestrial audio experiences. Space sounds from distant galaxies. Strange, bizarre, dark. Extraterrestrial - soundtracks and special effects for multimedia, TV and ambient music. Goodies and sound food for science fiction and ambient producers. Black Box contains one of the world's most impressive sound libraries. 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Please Be Aware That Software Is Non-Cancelable and Non-Returnable.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eBest Service Blue Box 16, \u003c\/strong\u003eState-of-the-Art sound effects SFX Set mixed mode WAV\/Audio. With an incredible variety of sounds, Blue Box represents one of the world's most impressive sound libraries. Diversity with authentic Sound FX distinguishes this Box from all others. 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Please Be Aware That Software Is Non-Cancelable and Non-Returnable.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eWorks with Engine Version 2.8.0.58 or higher.\u003c\/b\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eThe authentic Sound of Celtic Myths. \u003c\/b\u003eLet us take you on a musical journey back in time. With Celtic ERA 2 by Eduardo Tarilonte the gates to the high north have been unlocked. Discover Celtic culture through sounds which have shaped Ireland's landscape musically for generations. Eduardo Tarilonte's Celtic ERA 2 marks a major upgrade to his Celtic instrument collection, adding additional instruments as well as a revamped and streamlined GUI. \u003c\/p\u003e\n\u003cp\u003e Celtic ERA 2 proves to be not only the perfect instrument collection for film scores and TV documentaries about the Emerald Isle, but also for composers that want to add unique and high quality sounds to their music. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTop Features at a Glance\u003c\/strong\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n25 GB library with a total of over 25,000 samples \n\u003c\/li\u003e\n\u003cli\u003e\n 36 Celtic Wind, String and Percussion instruments, rich in detail and recorded in pristine quality \n\u003c\/li\u003e\n\u003cli\u003e\n Four additional instruments from the Bronze Age: Cranyx, Cornu, Dord and War Horns \n\u003c\/li\u003e\n\u003cli\u003e\nAll instruments consist of extensive multisamples (24 bit\/44.1 kHz) with several dynamic levels, various articulations, round-robin, real legato as well as glissando samples \n\u003c\/li\u003e\n\u003cli\u003e\nRecorded using selected Kahayan U47-microphones into preamplifiers by the same manufacturer \n\u003c\/li\u003e\n\u003cli\u003e\nRecorded by outstanding musicians of the Irish music scene \n\u003c\/li\u003e\n\u003cli\u003e\nIncluding authentic phrases as MIDI-patterns as well as inspiring soundscapes  \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFor Celtic ERA 2 multi-instrumentalist and sampling-expert Eduardo Tarilonte meticulously captured 36 Celtic wind, string, and percussion instruments in full detail and with immaculate quality. Among them you will find catchy flutes, dreamy harps, the famous Uilleann bagpipes, and striking bodhran drums. To achieve an even greater variety, some sounds were created by recording two different instruments of the same kind. This allows you for example to play a harp duet with different sounding instruments. In addition, authentic phrases were recorded as MIDI-patterns as well as inspiring soundscapes. Naturally, the instruments are offered in all of their typical articulations with an added true legato function. \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eList of Instruments\u003c\/b\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eWinds:\u003c\/b\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eFlutes:\u003c\/b\u003e Asubio, Galician Ocarine, Folk Low Whistle, Folk Tin Whistle, Folk Whistle, Irish Flute, Low Whistle D, Whistle D, Wooden Low Whistle  \n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003ePipes:\u003c\/b\u003e Breton Bombarde, Gaida, Galician Bagpipe, Highland Pipes 1, Highland Pipes 2, Scottish Smallpipes, Uilleann Pipes \n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eKeys: \u003c\/b\u003e2 Concertinas \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eStrings:\u003c\/b\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n2 Acoustic Guitars (fingered, plucked \u0026amp; strummed), Irish Bouzouki (fingered, plucked \u0026amp; strummed)   \n\u003c\/li\u003e\n\u003cli\u003e\nTenor Banjo, 2 Celtic Harps, 2 Celtic Zithers, Fiddle  \n\u003c\/li\u003e\n\u003cli\u003e\nAncient Instruments: Carnyx, Cornu, Dord, War Horn \n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDrums \u0026amp; Percussion:\u003c\/b\u003e Bodrahns, Scottish Snare Drum, Small Skin Snare, Tom, Bass Drum  \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eInstruments from the Bronze Age. \u003c\/b\u003eA true highlight of this library are four additional instruments, unheard in any previous sample library: Cranyx, Cornu, Dord and War Horns which already existed in the bronze age. These instruments allow you to tap into unexplored sonic worlds. The instruments of this 25-GB-heavy library (consisting of more than 25,000 samples) are elaborated multisamples (24 bit\/ 44,1 kHz) with several dynamic levels, various articulations, round-robin- and real legato-samples as well as dedicated glissando samples. \u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eThe Engine. \u003c\/b\u003eCeltic ERA 2 transports the sounds of the high north, into today's DAW-based production environment. Composing with this library becomes incredibly simple thanks to a carefully and elegant user interface, enabling musicians to be fully inspired by the sounds. \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eWho is it for? \u003c\/b\u003eCeltic ERA 2 can be used for a wide range of musical projects and genres. Its spectrum ranges from traditional scoring with authentic sounds, to fantasy games, movie soundtracks, and new age music. 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All instruments were played by superb musicians from the Irish music scene: Martino Vacca (Uilleann Pipes, Irish Flute, Low Whistles and Whistle), Karen Hickey (Fiddle), Carlos Martín Aires (Acoustic Guitar, Irish Bouzouki, Tenor Banjo), Fernando Mosquera (Highland Pipes 2, Gaida, Galician Bagpipe, Scottish Smallpipes, Wooden Low Whistle and Asubio), Jean Yves Magre (Highland Pipes 1), Marie Agnes Magre (Breton Bombarde), Pablo Vergara (Bodhrans), and Álvaro García \"Pichu\" (Scottish Drum, Skin Snare, Bass Drum and Tom). \u003c\/p\u003e\n\u003cp\u003eEduardo Tarilonte, the creator of this library, single-handedly played the Concertinas and Celtic Harps while the four historical instruments were performed by Abraham Cupeiro. \u003c\/p\u003e\n\u003cp\u003eAll instruments were recorded using selected Kahayan U47 Mics \u0026amp; Preamps as well top-notch Ribbon Mics. Micing was carried out intentionally close and thus without room detail. This procedure offers full control over the subsequent sculpting of the sounds and effects. 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Please Be Aware That Software Is Non-Cancelable and Non-Returnable.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eBest Service Chris Hein Bass.  \u003c\/strong\u003eSix exceptional noble bass instruments, detailled sampled. Producing this outstanding collection of six exceptionally noble bass instruments, sampled with all imaginable details took more than a year for Chris Hein. A \u003cstrong\u003eMusicman Stingray\u003c\/strong\u003e electric-bass picked \u0026amp; slapped, a \u003cstrong\u003eLeFay fretless\u003c\/strong\u003e bass and a \u003cstrong\u003eunique upright bass\u003c\/strong\u003e with three different sets of strings: steel-strings (the classic jazz sound), nylon-strings (the high-fidelity sound) and gut-strings (the old-school swing sound of the 40s).\u003c\/p\u003e \u003cp\u003eThe exceeding script programming in Kontakt allows sound design that overtops even the possibilities of the real basses. 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Please Be Aware That Software Is Non-Cancelable and Non-Returnable.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eBest Service Chris Hein Chromatic Harmonica. \u003c\/strong\u003eThe most detailed sampled Chromatic Harmonica on the planet.  Play harmonica like Stevie Wonder or Toots Thielemans - but on your MIDI-keyboard. With almost 7.000 samples, 14 articulations, up to 8 dynamic-layers and a full range of 4 octaves, CH-Harmonica is definitely the most detailedly sampled Chromatic Harmonica on the planet. The \u003cstrong\u003euser interface\u003c\/strong\u003e holds tons of features on several pages to shape the sound the way you want it. However, if you do not feel like editing, just play and explore the 26 pre-programmed Key-Switch presets ranging from A-1 to A#1 on the lower keys of your MIDI-keyboard. To achieve the feeling of a live performance, the user interface offers four \"Dynamic Modes\", \"Key-Vibrato\", \"Hot-Keys\" and a revolutionary new concept of articulation presets.\u003c\/p\u003e \u003cp\u003eOne of the most unique features in CH-Harmonica are the \u003cstrong\u003ePhase-Aligned\u003c\/strong\u003e samples. After six months of research, Chris Hein found a solution to phase-synchronize the samples. This enables an absolutely perfect blending between six dynamic layers. During the development of CH-Harmonica, most attention was spent on how to work with dynamic expression.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eThe Player. \u003c\/strong\u003eWe were very happy when \u003cstrong\u003eBerthold Matschat\u003c\/strong\u003e gave us permission to sample his rare harmonica. There are very few chromatic harmonica players worldwide, and he is the leading player in Germany. Berthold Matschat is also an accomplished jazz pianist and composer. Since he extensively works with sampled instruments in his own studio, he had a detailed concept of what needed to be played on and sampled of the harmonica.\u003cbr\u003eHis tone is particularly soulful and emotional. We recorded an old rare \u003cstrong\u003eHohner Harmonica\u003c\/strong\u003e, that dates back to those times, when Hohner could impress with the words \"Made in Germany.\"\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003e1 Single Instrument for Kontakt 5.2.1 or higher (full version required)\u003c\/li\u003e \u003cli\u003e4 octaves range \/ 3.5 GB Content \/ 7.000 Samples \/ 14 Articulations\u003c\/li\u003e \u003cli\u003eUp To 8 Dynamic Layers \/ Unique Phase-Align Technique \/ 4 Dynamic Modes\u003c\/li\u003e \u003cli\u003eHot-Keys \/ Intelligent Legato \/ Glide-Mode to play realistic runs\u003c\/li\u003e \u003cli\u003e10 built in DSP-Effects \/ 2 independent Convolution Reverbs \/ 63 high class IRs\u003c\/li\u003e \u003cli\u003eAttack- \u0026amp; Release controls\u003c\/li\u003e \u003cli\u003eSpecial Noise Controls\u003c\/li\u003e \u003cli\u003eEnsemble Maker\u003c\/li\u003e \u003cli\u003eMicro-Tuner\u003c\/li\u003e \u003cli\u003eAdjustable Fader Settings in the GUI\u003c\/li\u003e \u003cli\u003eIntelligent LFO-Vibrato including EQ\u003c\/li\u003e \u003cli\u003eCustomizable Auto-Vibrato\u003c\/li\u003e \u003cli\u003eKey-Vibrato\u003c\/li\u003e \u003cli\u003eHand-Damping simulation\u003c\/li\u003e \u003c\/ul\u003e ","brand":"Best Service","offers":[{"title":"Chromatic Harmonica","offer_id":48454478692569,"sku":"Best-Service-73166","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Upgrade from Harmonica Lite","offer_id":48454478725337,"sku":"Best-Service-78768","price":89.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0416\/5232\/2456\/products\/Best_Service_Chris_Hein_Chromatic_Harmonica__27637.jpg?v=1751493488"},{"product_id":"best-service-chris-hein-ensemble-strings","title":"Best Service Chris Hein Ensemble Strings","description":"\u003cp\u003e\u003cstrong\u003eBest Service Chris Hein Ensemble Strings\u003c\/strong\u003e || Guildwater Gear is an Authorized Best Service Dealer. Please Be Aware That Software Is Non-Cancelable and Non-Returnable.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eBest Service Chris Hein Ensemble Strings. \u003c\/strong\u003e Chris Hein Ensemble Strings - the designed String Ensemble. Chris Hein - Ensemble Strings is an incredibly detailed, flexible and musical string-ensemble-library. A special feature of this library is that the ensemble-sounds were not recorded in a group. Instead, the carefully selected and matched instruments were recorded and edited separately. Thus, each instrument is perfectly in tune, offering excellence in timing and still (or thereby) seamlessly fits the ensemble's sonic character. You will not find a wrong note that ruins the whole ensemble. Recorded with greatest care, precisely edited and combined into ten useful Kontakt Player instruments with a custom made user interface and comprehensive scripting, Chris Hein - Ensemble Strings offers highest sound-quality, lots of articulations and incredibly realistic results.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eLibrary Content. \u003c\/strong\u003eChris Hein - Ensemble Strings has been compiled out of a pool of more than 120,000 samples of violins, cellos and double basses being combined into harmonic ensembles. Each individual recording was carefully adjusted in tuning, timing and the panorama placement. Subsequently, these files were mixed with other recordings (naturally in 24 bit resolution) to forge an ensemble. Because of this procedure, articulations such as pizzicato or col legno can be played in \"loose\" and \"tight\" versions.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e2 Ensemble sizes \"Full\" \u0026amp; \"Small\". \u003c\/strong\u003eThere are two ensemble-sizes for different applications available:\u003c\/p\u003e \u003cul\u003e \u003cli\u003e \u003cp\u003e\u003cstrong\u003e\"Full\"\u003c\/strong\u003e offers a big and wide sound experience\u003c\/p\u003e \u003c\/li\u003e \u003cli\u003e \u003cp\u003e\u003cstrong\u003e\"Small\" \u003c\/strong\u003eprovides a tinier, more delicate character\u003c\/p\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eBoth sections offer up to eight dynamic layers. As in Chris Hein - Solo Strings, Ensemble Strings offers four \"dynamic modes\", functions such as \"note-head-designer\", \"key-vibrato\", \"hot-keys\" as well as the practical concept of articulation-presets which, in combination with the user-interface, really gives the musician the feeling and impression of playing these instruments live. Chris Hein - Ensemble Strings and \u003cstrong\u003eChris Hein - Solo Strings\u003c\/strong\u003e perfectly play together. The string ensemble provides the best possible background for solo instruments.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eThe Articulations. \u003c\/strong\u003eChris Hein - Ensemble Strings offers no less than 32 different articulations and play-styles for its instruments. Thanks to a straightforward key-switching-system, these can be easily used with highest musicality while playing. The articulation tempo, especially for repetitions and runs, can easily be adapted to the host-tempo of your DAW. 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Please Be Aware That Software Is Non-Cancelable and Non-Returnable.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eBest Service Chris Hein Guitars. \u003c\/strong\u003eSeven Guitars, professionally sampled in one virtual instrument. Chris Hein - Guitar is an outstanding, sampled virtual guitar library. Thousands of samples, many articulations and dynamics all in one preset per instrument. With about 40.000 samples and 10 GB content, its one of the largest guitar libraries available. 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Please Be Aware That Software Is Non-Cancelable and Non-Returnable.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eBest Service Chris Hein Horns Compact. \u003c\/strong\u003e54 Brass \u0026amp; Woodwind Instruments. Brass- \u0026amp; Woodwind instruments for Jazz, Pop, Big-Band and Funk. CHH-Compact is a powerful Brass \u0026amp; Woodwind instrument including all 54 solo-instruments of the highly acclaimed Chris Hein Horns Complete plus six synth-brass instruments.\u003c\/p\u003e \u003cp\u003eEach of the solo-instruments has six velocities for the sustained notes and five different articulations available via Hot-Keys. No key-switching is required to access different articulations and playing-techniques. The main window shows an eight channel mixer which makes it easy to combine the solo-instruments to powerful sections. Create your own combinations of instruments, play them all together or build your own live-setup with separate sections in different keyboard zones. 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This procedure optimises interdependent samples and allows silky smooth velocity crossfades from piano to forte. Use the instrument's full dynamic capabilities to create a vivid performance.\u003c\/li\u003e \u003cli\u003eExtremely customisable Articulation Presets including copy paste feature\u003c\/li\u003e \u003cli\u003eThe articulation presets are now even more customisable, using the latest features of the Kontakt engine - for example the time machine and the transient designer. Individually control speed, panorama, volume, transpose and many more parameters of each instrument's playing style.\u003c\/li\u003e \u003cli\u003eNew Key-Switch preset management\u003c\/li\u003e \u003cli\u003eWe re-invented the management of key-switch presets. Each setting of a preset can now easily be copied to any other preset. You can even save all presets of a patch, including your personal key-switch preferences, and import them into another one. Save time and organise key-switches the way you want them.\u003c\/li\u003e \u003cli\u003eNew flexibel Hot-Key management\u003c\/li\u003e \u003cli\u003eArticulations can be unloaded to save memory\u003c\/li\u003e \u003cli\u003eImproved Ram Management. All articulations and ram-demanding effects can be loaded or unloaded individually. Remove unused articulations and switch off ram-demanding effect settings to free up memory and keep the memory footprint as low as possible.\u003c\/li\u003e \u003cli\u003eSpeed Change for all articulations\u003c\/li\u003e \u003cli\u003eThe speed of all articulations can be adjusted individually. This is not only useful for the time-depending articulations like Crescendo, Runs or Falls. Also sustains, shake and trills benefit from the time adjustment, because it changes the attack and the general sound of the sample.\u003c\/li\u003e \u003cli\u003eThere are now five different velocity X-Fade Modes providing you with maximum flexibility to control the dynamic of the instrument. Play realistic Crescendi and Swells locked to the song tempo using the two new Auto X-Fade Modes.\u003c\/li\u003e \u003cli\u003eVelocity Fade Filter\u003c\/li\u003e \u003cli\u003eTransient Designer\u003c\/li\u003e \u003cli\u003eNew Effects: Attack Shapes, Air, Noise, Release Effects\u003c\/li\u003e \u003cli\u003eThe new effects are perfect to dial in liveliness. Add up to three layers of different Attack Samples to give your sound more punch or dirt, or blend in sounds of playing-noises and air flowing through the instrument to bring it closer to the listener\u003c\/li\u003e \u003cli\u003e16 new Convolution Impulses for Reverb\u003c\/li\u003e \u003cli\u003eCHH Pro contains 16 additional Convolution Impulses of reverbs. Place your instruments on a scoring stage or play them in a small room.\u003c\/li\u003e \u003cli\u003eImproved Key-Vibrato\u003c\/li\u003e \u003cli\u003eTwo independent, intelligent LFO-Vibrato types\u003c\/li\u003e \u003cli\u003eAuto vibrato\u003c\/li\u003e \u003cli\u003eAuto Vibrato uses musical values, based on the song tempo, to blend in natural modulation of tune and volume.\u003c\/li\u003e \u003cli\u003eAssignable Pitch-Bend\u003c\/li\u003e \u003cli\u003ePopular playing styles like falls or shakes are now assignable to the Pitch-Bend Wheel. Trigger these effects intuitively without having to remember key-switches.\u003c\/li\u003e \u003cli\u003eiPad \u0026amp; iPhone real time remote controller\u003c\/li\u003e \u003cli\u003eBased on Hexlers TouchOSC we programmed a real time controller for all features in CHH-Pro. Instead of fiddling with CC data in your DAW, you just record the automation data from your iPhone or iPad.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eDue to highly intelligent programming the solo instruments can easily be combined to small or large sections via section mode. Several \"out of the box\" section instruments are also included. The intuitive user interface is mainly focussed on best playability. Various legato and glide-mode features allow very realistic note transitions, while outstanding new functions like key-vibrato, hotkeys and the revolutionary new key-switch concept are essential for live performance.\u003c\/p\u003e \u003cp\u003eAll instruments obey the same concept, so once you know one, you know them all. Each volume contains solo-instruments as well as section combinations.\u003cbr\u003eEvery instrument was played by famous big-band musicians in separate sessions but to one another, which results in perfect harmony of the sections and allows maximum flexibility for the producer.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eGeneral Features\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eChris Hein Horns is an outstanding brass instruments sample library.\u003c\/li\u003e \u003cli\u003eaprox. 2.000 Samples per instrument\u003c\/li\u003e \u003cli\u003eabout 80.000 Samples (~44 GB Content)\u003c\/li\u003e \u003cli\u003e18 different playing techniques\u003c\/li\u003e \u003cli\u003eAll playing techniques in one programm\u003c\/li\u003e \u003cli\u003eUp to 8 Velocities per note\u003c\/li\u003e \u003cli\u003e72 control-features in 11 edit-pages\u003c\/li\u003e \u003cli\u003e6 DSP Efx\u003c\/li\u003e \u003cli\u003e21 high class convolution reverbs\u003c\/li\u003e \u003cli\u003eKey-Switch Presets, Hot-Keys, Key-Vibrato, Legato- and Glide-Mode, Growl-Control, and more.\u003c\/li\u003e \u003cli\u003ebuilt with Kontakt 5.0.1\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eArticulations - \u003c\/strong\u003eThe large amount of up to 38 articulations is what makes \"Chris Hein - Horns\" so realistic. All articulations can be assigned over 18 keyswitch-keys, located on the lower notes of the keyboard. Access to every articulation is made possible via an intuitive combination of keyswitches and midi-controllers.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eKey-switches - \u003c\/strong\u003e‘Keyswitching' is an elegant way of enabling the user to directly and immediately access different playing techniques from within a single patch. It uses pre-programmed MIDI notes to instantaneously switch between different articulations, meaning it is no longer necessary to reload each variant individually. The keyswitches themselves are only controller keys. They make no sound, but instead are used to switch the entire group of samples which the main instrument keys trigger.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eKey-switch Presets - \u003c\/strong\u003eUsually key-switches just switch between different fixed articulations or other pre-programmed sound variations. In CHH Vol1 the keyswitches are used to switch between complex sets of presets with 21 adjustable parameters. There are 18 Key-Switch presets available. The KS-Presets are allocated to C0 - F1, in the lower area of your keyboard. You must press the keyswitch before playing actual notes. The switchover occurs instantly without any time lag.\u003c\/p\u003e \u003cp\u003ePressing a key between C0 and F1 on your keyboard has the same effect as turning the KS-Preset knob in the GUI. You can also assign the KS-Presets to any midi controller in the CC-Settings page. The selected articulation is displayed on the left side of the GUI. All parameters on the settings page, except Vib. Vol, Vib.Tune, Crescendo-Speed and Glide-Speed are adjustable parameters which are stored in the KS-Presets. If you make changes to any of these parameters, they are automatically stored in the KS-Preset. 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Please Be Aware That Software Is Non-Cancelable and Non-Returnable.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eBest Service Chris Hein Orchestra Compact\u003c\/strong\u003e. Essential Collection of Chris Heins Orchestra Instruments.\u003c\/p\u003e \u003cp\u003eChris Hein Orchestra Compact offers solo and ensemble strings, brass and woodwinds that make your orchestral productions incomparable. This collection features the most important and common articulations while maintaing the same high-quality samples as Chris Hein Orchestra Complete.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eContent Overview\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003e \u003cp\u003e\u003cstrong\u003eOrchestral Winds Compact\u003c\/strong\u003e contains a total of 13 instruments from Chris Hein Winds Complete. The Kontakt interface is designed to be simple with 5 of the most useful articulations, ensuring a seamless workflow. Dynamic layers, legatos and phase alignment originate from the full version.\u003c\/p\u003e \u003c\/li\u003e \u003cli\u003e \u003cp\u003e\u003cstrong\u003eChris Hein Orchestral Brass Compact\u003c\/strong\u003e offers the same solo and ensemble instruments as the Complete version. The Kontakt interface features 5 of the most useful articulations, keeping it simple for a seamless workflow.\u003c\/p\u003e \u003c\/li\u003e \u003cli\u003e \u003cp\u003e\u003cstrong\u003eChris Hein Strings Compact\u003c\/strong\u003e is the compact version of the renowned libraries Chris Hein - Solo Strings Complete EX and Chris Hein - Ensemble Strings. It contains all instruments of its big brothers with all functions and is only reduced to the nine most important and common articulations.\u003c\/p\u003e \u003c\/li\u003e \u003c\/ul\u003e ","brand":"Best Service","offers":[{"title":"Default Title","offer_id":35210068852888,"sku":"Best-Service-77587","price":399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0416\/5232\/2456\/products\/Best_Service_Chris_Hein_Orchestra_Compact__46022.jpg?v=1751493481"},{"product_id":"best-service-chris-hein-orchestra-complete","title":"Best Service Chris Hein Orchestra Complete","description":"\u003cp\u003e\u003cstrong\u003eBest Service Chris Hein Orchestra Complete\u003c\/strong\u003e || Guildwater Gear is an Authorized Best Service Dealer. Please Be Aware That Software Is Non-Cancelable and Non-Returnable.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eBest Service Chris Hein Orchestra Complete. \u003c\/strong\u003eComplete collection of Chris Hein's Orchestra Instruments. For the ultimate in symphonic realism, this exceptional bundle features solo and ensemble strings, brass and woodwinds ready to take your orchestral productions beyond the box. All of these orchestral libraries were created with one thing in mind - playability. Whether you prefer to play right out of the box or spend your time crafting the perfect combination of articulation, note head and reverb, you'll find what you need within Chris Hein Orchestra Complete.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eContent Overview.\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eChris Hein Orchestral Winds \u003c\/strong\u003elibrary features 13 deeply sampled flutes. clarinets, oboes and bassoon. With over 30GB of sample content, 14 articulations and up to 8 dynamic layers these woodwinds shine in the mix. True scale runs, dynamic sustains and intelligent legato all combine to make these woodwinds the most detailed sample collection on the planet.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eSolo Strings\u003c\/strong\u003e is a huge collection of 14 instruments: Violins, Violas, Celli and Basses that can take on any style from romantic leads to string quartets, gypsy and jazz. With 4GB of samples and up to 8 dynamic layers per patch, you'll find instruments from France, Italy, Germany and Russia, as well as detailed first chair solo patches.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eEnsemble Strings\u003c\/strong\u003e takes string sampling to the next level, meticulously combining a raw pool of over 120,000 samples to create gorgeous ensemble instruments with an unmatched level of performance realism. Two full ensembles, full and small, cover all individual instrument ensembles plus combined patches for fully playable string sections. This 30GB library features 8 dynamic layers and up to 32 articulations, including unusual effects, octaves, col legno, ponticello and clusters.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eOrchestral Brass EXtended\u003c\/strong\u003e is absolutely comprehensive - a massive source of trumpets, trombones and french horns and even f-tuba, sousaphone, euphonium and ensemble groups. So whether you're recreating a fanfare, brass band or full orchestral brass section, these precisely sampled instruments will make you sound truly authentic. The articulation range is staggering with all the bread-and-butter styles, plus rips, falls, flutters, runs, repetitions and effects - not to mention 5 different kinds of mutes.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eFeatures Overview\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eChris Hein's groundbreaking phase-align technique achieves articulations that are clean of phasing and volume bumps as you move through the dynamic layers. So if you need powerful crescendi or flowing legato lines you won't hear any audio artefacts - the transitions are completely smooth.\u003c\/li\u003e \u003cli\u003eThe note-head function gives the opportunity to define exactly how hard the players bite down on the notes. Combining different articulations and note heads will bring your virtual instrument parts to life like never before.\u003c\/li\u003e \u003cli\u003eA full range of advanced options within these orchestral libraries ensures precise control. Set the instruments just as you like them with multiple options for dynamics, legato, vibrato, glide and much more.\u003c\/li\u003e \u003cli\u003eIt's simple to set up separate convolution reverb routings for both the instrument body and the room it's playing in - so you can match these orchestral instruments with the rest of your template. 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Please Be Aware That Software Is Non-Cancelable and Non-Returnable.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eBest Service Chris Hein Orchestral Brass Compact. \u003c\/strong\u003eThe light Version of Chris Hein - Orchestral Brass. \u003cstrong\u003eOrchestral Brass Compact \u003c\/strong\u003eis the light-version of the unique library Chris Hein - Orchestra Brass Complete. \u003cstrong\u003eIt offers the same number of instruments: three trumpets, three trombones and three french horns, being recorded as nine individual instruments and three ensembles.\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eBecause of its exceptional and highly versatile sound quality \u003cstrong\u003eOrchestral Brass Compact is a perfect addition to any orchestral library\u003c\/strong\u003e, especially for productions with brass instruments playing a prominent role; be it in \u003cstrong\u003eclassical compositions, epic film-scores or orchestral pop music.\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eFor the compact edition, we assembled the most important and common articulations and functions of the complete edition\u003c\/strong\u003e. At the same time, this brass-library doubtlessly meets the highest expectations of sound quality, expression and applicability. \u003cstrong\u003eThe library's instruments use meticulously, carefully prepared multi-samples with detailed phase-alignment for phase-correct blends and crossfades of dynamic layers. Up to eight dynamic layers guarantee realistically sounding results.\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eAmong the undeniable highlights of the library are true legato, variable attacks per note, innovative play-aids such as hot keys, note heads and MIDI remote controllability of all functions via TouchOSC.\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eChris Hein - Orchestral Brass Compact relies on Native Instruments' powerful sample-engine Kontakt Player with its custom-tailored user-interface and extensive scripting to live up to the specific requirements of these instruments. \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eOrchestral brass sounds tailored to perfection. \u003c\/strong\u003eBoth the high quality gear such as selected Neumann microphones and the musician's significant performaces drive the sound aesthetics. Unlike the award-winning Chris Hein - Horns, this library takes advantage of the renowned \u003cstrong\u003eWDR Symphonic Orchestra\u003c\/strong\u003e. For this library, dry close mic'ing was an intentional decision. All instruments were recorded individually avoiding any crosstalk. Despite that CH Orchestral Brass Compact incorporated the inevitable interaction of an orchestra. Therefore, the participating musicians used headphone monitoring, to complement each other.\u003c\/p\u003e \u003cp\u003eDue to the sample-engine's dual convolution reverbs and the intentionally dry sound of Chris Hein - Orchestral Brass Compact, you can easily adapt the instruments to various situations. The Kontakt Player permits free instrument-placement in the stereo panorama. In addition, separate convolution engines for both the corpus-sound (body) and the ambience (room) allow creating any spatial environment, ranging from close intimacy to large orchestral halls. This makes CH Orchestral Brass Compact significantly different to many competitors and their fixed spatial characteristics. It makes this library greatly variable and, additionally, combinable with almost any other library available.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUnique functions. \u003c\/strong\u003e\u003cstrong\u003ePerfect dynamic transitions thanks to phase alignment. \u003c\/strong\u003eOver a research-period of six months, all samples were fully aligned in phase. Accordingly, the instruments offer perfect, seamless transitions of dynamic layers without sonic degradation.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUnique combination of short and long notes. \u003c\/strong\u003eThe combination of long and short notes is a major problem in sample-libraries that often fails to deliver authentically sounding results. With real musical instruments, the note length often influences the attack behavior as well as the note end. Chris Hein - Orchestral Brass Compact addresses these aspects by its \"Note Head Designer\". For every sustain, you can call up short, adjusted sample variations, so called shorts, via the controllers. These shorts not only offer the corresponding correct attack-behavior but also a note-end that perfectly matches the note length.\u003c\/p\u003e \u003cp\u003eThese user-defined selections of short-note-variations are available in up to eight dynamic layers each and can be combined with the corresponding sustained phases, leading to astonishing, realistic results that cannot be achieved using random round-robin based selections. Of course, these shorts are also available as individual articulations.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eTrue Legato. \u003c\/strong\u003eThe instruments of Chris Hein - Orchestral Brass Compact offer true legato. The corresponding in-depth recordings and edits result in unexpectedly realistic sounds with perfect note-transitions. 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Please Be Aware That Software Is Non-Cancelable and Non-Returnable.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eBest Service Chris Hein Orchestral Brass EXtended. \u003c\/strong\u003eOrchestral Brass Instruments in unheard perfection! \u003cstrong\u003eChris Hein Orchestral Brass EXtended \u003c\/strong\u003eis an extensive orchestral brass library meeting highest expectations regarding sound quality, expression and applicability. What started out as a functional and fun brass library in its first iteration, has been taken to the next level with the EXtended Version. \u003c\/p\u003e \u003cp\u003eProducer \u003cstrong\u003eChris Hein\u003c\/strong\u003e has brought his thirty years of sampling experience into this masterpiece, giving the user maximum flexibility, highest level of customization and benefit in use. For the EXtended Version Chris Hein pushed the limits of Kontakt scripting and modelling to power the most realistic and dynamic brass collection ever seen.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eInstruments Overview. \u003c\/strong\u003eWhile the original library featured nine instruments, Chris Hein Orchestral Brass EXtended comes with twelve instruments in total. Included are all nine original instruments plus three additional instruments, six ensemble instrument patches, and two effects articulation patches. All in all, Chris Hein Orchestral Brass EXtended contains 20 GB of additional content - more than twice as much as the original library and over 43,000 new samples.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eInstruments from Orchestral Brass Complete:  \u003c\/strong\u003ethree Trumpets, three Trombones, and three French Horns recorded as individual instruments and as three ensembles. Each instrument builds upon almost 8,000 single samples, 14 articulations and up to eight dynamic layers.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eAdditional instruments in the EXtended Version: \u003c\/strong\u003eF-Tuba, Sousaphone, and Euphonium.\u003c\/p\u003e \u003cp\u003eIn fact, these three Low Brass Instruments have more articulations and samples than the original Brass Instruments - there are 24 articulations in total for each of the Tuba, Sousaphone and Euphonium. In addition to 5 different sustains, 6 different shorts and 5 different special articulations, you'll find:\u003c\/p\u003e \u003cul\u003e \u003cli\u003eAdded Repetitions in 16th and 8th notes with adjustable speed\u003c\/li\u003e \u003cli\u003e6 new short articulations and hundreds of stunning one shot effect samples\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eChris has sampled these instruments in exquisite detail, with 16 dynamic layers for the normal shorts. This provides a huge range of variation and expression. Short repetitions, dirty attacks, growls and ornaments were deliberately recorded with character and expression, so they'll bring unparalleled realism to your parts, simulating the natural playing nuances of a real-life player.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eEnsembles Overview. \u003c\/strong\u003eFor an epic Hollywood sound Chris Hein added six Ensemble Instrument patches using the same mixing techniques he used for his Ensemble Strings library, Chris has created extra large, epic Brass Ensembles from a careful mixture of the solo instruments. Thanks to the sonic quality and the extremely wide dynamic range, this version of Orchestral Brass offers instantly fat and full sounding Ensembles for each instrument group.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eIncluded are: \u003c\/strong\u003eTrumpet Ensemble large, Trombone Ensemble large, Horns Ensemble large, Low Brass Ensemble, Full Brass Ensemble, Full Brass Ensemble without the Trumpets\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eThe low brass ensemble is a particular highlight, with extended articulations including:\u003c\/strong\u003e Ensemble repetitions, 6 new short articulations, 12 different Note Heads and a large variety of spectacular Ensemble Effects.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eMore Features inside Orchestral Brass EXtended\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eNote-Head Variations\u003c\/strong\u003e - Changing the Note-head variations has always been a standout feature of Chris Hein libraries, and with Orchestral Brass EXtended the number of different attack articulations increases from 6 to 12. This is the easiest way to bring more character, variations and nuance to your brass performances. Instantly switch between all versions of clean or dirty attacks by just moving the Note-Head fader.\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSimulated Mute Controls\u003c\/strong\u003e - The simulated mute controls inside Orchestral Brass EXtended are effective, realistic and first and foremost lots of fun. Because they're modelled, rather than sampled, Orchestral Brass EXtended consists of a reasonable size without multi-sampling every different type of mute. All the EXtended instruments are armed with the mute modelling, accessible from the front panel.\u003cstrong\u003e Included are five different Mutes: \u003c\/strong\u003eBucket, Cup, Harmon, Straight, and Stop mute.\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eTrue Legato\u003c\/strong\u003e - The instruments of Chris Hein Orchestral Brass Complete offer true legato. The corresponding in-depth recordings and edits result in unexpectedly realistic sounds with perfect note-transitions. At the same time you can expand these realistic articulations by additional, artificially inserted legatos.\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003ePerfect Dynamic Transitions thanks to Phase Alignment\u003c\/strong\u003e - All samples were fully aligned in phase. Accordingly, the instruments offer perfect seamless transitions of dynamic layers without sonic degradation.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eThe User-Interface. \u003c\/strong\u003eThe custom-tailored user-interface for Kontakt Player not only offers numerous functions to adapt the library's sound character and articulations but also provides immense configuration choices to live up to specific demands and workflows. At the same time, you can effectively play the library without any deep edits. Pre-programmed key-switch-presets allow fast tryouts of all available types.\u003c\/p\u003e \u003cp\u003eThanks to four \"\u003cstrong\u003eDynamic Modes\u003c\/strong\u003e\", the \"\u003cstrong\u003eNote-Head Designer\u003c\/strong\u003e\", \"\u003cstrong\u003eKey-Vibrato\u003c\/strong\u003e\", \"\u003cstrong\u003eHot-Keys\u003c\/strong\u003e\" and the revolutionary concept of articulation-presets, the user-interface will give you the impression to really play these instruments live.\u003c\/p\u003e \u003cp\u003eInside\u003cstrong\u003e Orchestral Brass EXtended\u003c\/strong\u003e the playback engine received a few tweaks - the most notable one being the\u003cstrong\u003e \"offset\" fader \u003c\/strong\u003ewithin the Legato engine. This offers a whole new world of portamento transitions, from a full slide between two notes, to a more subtle glide. Using the offset function in combination with the speed fader brings and even wider range of options, especially when using MIDI controller data for automation inside your DAW.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eOrchestral Brass Sounds tailored to Perfection. \u003c\/strong\u003eBoth the \u003cstrong\u003ehigh quality gear\u003c\/strong\u003e such as selected Neumann microphones and the musician's significant performances drive the sound aesthetics. Unlike the award-winning Chris Hein - Horns, this library takes advantage of the renowned \u003cstrong\u003eWDR Symphonic Orchestra\u003c\/strong\u003e. For this library, dry close mic'ing was an intentional decision. All instruments were recorded individually avoiding any crosstalk. Despite that CH Winds Compact incorporated the inevitable interaction of an orchestra. Therefore, the participating musicians used headphone monitoring, to complement each other, forming perfectly balanced ensembles. 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Please Be Aware That Software Is Non-Cancelable and Non-Returnable.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eBest Service Chris Hein Solo Cello EXtended. \u003c\/strong\u003eSimply the best virtual Cello ever created!\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eChris Hein - Solo Cello EXtended\u003c\/strong\u003e outshines all previous Cello libraries. Never before, a sample library of this extent has been dedicated towards a single string instrument: Recorded with greatest care and endless details, precisely edited and merged into a practical and musical instrument for NI's Kontakt Player offering an elaborated custom-tailored user-interface with comprehensive scripting. Chris Hein - Solo Cello features high-grade sound quality and incredibly realistic articulations. This library offers everything you have been missing out on previous virtual string instruments.\u003c\/p\u003e \u003cp\u003eYou receive over 30,000 samples, up to 38 articulations, four different legato transitions as well as extensive phase-alignment of all samples to guarantee smooth inaudible crossfades of up to eight velocity layers. This feature-set allows the creation of unparallel, authentic cello-arrangements on a computer.\u003c\/p\u003e \u003cp\u003eThis library benefits from producer Chris Hein's 30 years of experience in the field of sampling and library production, resulting in a product offering highest versatility, configurability and practical use. \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eChris Hein - Solo Cello\u003c\/strong\u003e EXtended is a bundle of four fantastically sounding Solo Cello Instruments, all with a unique sound and played by professional studio musicians. All instruments have been recorded with great care and detail. Their virtual counterparts have been further optimized for playability and performance (EX instruments), thus saving your computer resources and still granting you access to all required articulations for authentic performances.\u003c\/p\u003e \u003cp\u003eThe following instruments are included:\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eVLC1 Romantic Cello \u003c\/strong\u003ehas a hifi sound with extreme dynamic and a precise and clear tone.\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eVLC2 Modern Cello \u003c\/strong\u003ehas a more warm and rich sound. You can hear the old and noble wood.\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eVLC3 British Cello \u003c\/strong\u003eas EX-Instrument\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eVLC4 German Cello \u003c\/strong\u003eas EX-Instrument\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eChris Hein - Solo Cello EXtended delivers outstanding, detailed and highly expressive results as a solo instrument or as part of an ensemble - in all relevant genres ranging from classical music and film scores to gypsy-jazz, folk and pop ballads.\u003c\/p\u003e \u003cp\u003eAnd there is even more: Chris Hein - Solo Cello EXtended provides sound-designers, composers of film- and game soundtracks and experimental musicians with special effect-sounds and uncommon articulations with exceptional dynamics, such as flautando, flageolets and ponticello. The special effect sounds are further supported by the internal tenfold DSP-effects-rack. Feel free to create complex sound clusters, dense atmospheres and surreal sonic worlds out of a single Cello for incredible moments of suspense.\u003c\/p\u003e \u003cp\u003eBy using the Ensemble Maker, the two solo instruments can easily be turned into an ensemble with the advantage of all available articulations. A voice division in the stereo image and fine detuning intensifies this effect.\u003c\/p\u003e \u003cp\u003eChris Hein - Solo Cello EXtended equally satisfies demanding string instrument enthusiasts as well as composers who not only expect excellent samples but also comprehensive details, a wide range of articulations and a versatile adaptation to their preferred workflow.\u003c\/p\u003e \u003cp\u003eOn one hand, the instrument offers an extensive set of samples, with every articulation mapped on your keyboard. On the other hand it can also run in a low memory consuming mode, due to its modular concept and its significantly reduced variations, resulting in faster loading times.\u003c\/p\u003e \u003cp\u003eBy using the clean start configuration, the instrument is initially loaded in a sustain variation. Further articulations and functions can simply be added at any time if needed. That way you can work on compact and mobile systems with a lot less memory available just as fluently and efficiently.\u003c\/p\u003e \u003cp\u003eAs with all his productions, Chris Hein decided to go for close mic'ing in a dry recording environment. Combined with the twin impulse response based reverberation sections, the intentional dry sound of the library enables adapting and fitting of the instrument perfectly into variable contexts. Dedicated convolution engines for the instrument's body and the room itself allow creating nearly arbitrary acoustic environments ranging from intimate closeness to large concert halls. In difference to the fixed acoustics of several competitive products, Chris Hein - Solo Cello EXtended is sonically exceptionally variable and additionally easy to combine with almost any other library being offered.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUnique functions. \u003c\/strong\u003ePerfect dynamic transitions thanks to phase alignment. Over a research period of several months, all samples had been fully aligned in phase. Accordingly, the instrument offers perfect, seamless transitions of dynamic layers without sonic degradation.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUnique combination of short and long notes. \u003c\/strong\u003eThe combination of long and short notes is a major problem in sample-libraries that often fail to deliver authentically sounding results. With real musical instruments, the note length often influences the attack behavior as well as the note end. Chris Hein - Solo Cello EXtended addresses these aspects by its \"Note Head Designer\" which we significantly expanded for this library. It offers a selection of 102 attack shapes. This allows calling up twelve matching short sample variations (Shorts) along with each sustain-articulation. These shorts not only offer the corresponding correct attack-behavior but also a note-end that perfectly matches the note length.\u003c\/p\u003e \u003cp\u003eThese user-defined selections of short-note-variations are available in eight dynamic layers each and can be combined with the corresponding sustained phases, leading to astonishingly realistic results that cannot be achieved using random round-robin based selections. 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Please Be Aware That Software Is Non-Cancelable and Non-Returnable.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eBest Service Chris Hein Solo ContraBass EXtended. \u003c\/strong\u003eThree comprehensive Solo Contrabasses! Chris Hein - Solo Contrabass \u003cstrong\u003eEXtended\u003c\/strong\u003e outshines all previous available Contrabass libraries. Never before, a sample library of this extent has been dedicated towards three single Contrabass instruments. Recorded with greatest care and endless details, precisely edited and merged into a practical and musical instrument for NI's Kontakt Player offering an elaborated custom-tailored user-interface with comprehensive scripting. Chris Hein - Solo Contrabass features high-grade sound quality and incredibly realistic articulations. 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This feature-set allows the creation of authentic, unparalleled viola-arrangements on a computer.\u003c\/p\u003e \u003cp\u003eThis library benefits from producer Chris Hein's 30 years of experience in the field of sampling and library production, resulting in a product that offers highest versatility, configurability and practical use.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eChris Hein - Solo Contrabass EXtended contains:\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\u003cstrong\u003eCB1 Solo Contrabass\u003c\/strong\u003e\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eCB2 German Bass \u003c\/strong\u003eas EX-instrument\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eCB3 Italian Bass \u003c\/strong\u003eas EX-instrument\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eChris Hein - Solo Contrabass delivers outstanding, detailed and highly expressive results as a solo instrument or as part of an ensemble - in all relevant genres ranging from classical music and film scores to gypsy-jazz, folk and pop ballads.\u003c\/p\u003e \u003cp\u003eAnd there is even more: Chris Hein - Solo Contrabass provides sound-designers, composers of film- and game soundtracks and experimental musicians with special effect-sounds and uncommon articulations with exceptional dynamics, such as flautando, flageolets and ponticello. The special effect sounds are further supported by the internal tenfold DSP-effects-rack. Feel free to create complex sound clusters, dense atmospheres and surreal sonic worlds out of a single Contrabass for incredible moments of suspense.\u003c\/p\u003e \u003cp\u003eBy using the Ensemble Maker, the solo instrument can easily be turned into an ensemble with the advantage of all available articulations. Or use Chris Hein's ensemble Multis with predefined stereo imaging and fine detuning for an intense ensemble effect.\u003c\/p\u003e \u003cp\u003eChris Hein - Solo Contrabass equally satisfies demanding string instrument enthusiasts as well as composers who not only expect excellent samples, but also comprehensive details, a wide range of articulations and a versatile adaption to their preferred workflow.\u003c\/p\u003e \u003cp\u003eOn one hand, the instrument offers an extensive set of samples, with every articulation mapped on your keyboard. 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Dedicated convolution engines for the instrument's body and the room itself allow creating nearly arbitrary acoustic environments ranging from intimate closeness to large concert halls. In contrast to the fixed acoustics of several competitive products, Chris Hein - Solo Contrabass is sonically exceptionally variable and additionally easy to combine with almost any other library available.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUnique functions. \u003c\/strong\u003ePerfect dynamic transitions thanks to phase alignment Over a research period of several months, all samples had been fully aligned in phase. Accordingly, the instrument offers perfect, seamless transitions of dynamic layers without sonic degradation.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUnique combination of short and long notes. \u003c\/strong\u003eThe combination of long and short notes is a major problem in sample-libraries that often fail to deliver authentically sounding results. With real musical instruments, the note length often influences the attack behavior as well as the note end. Chris Hein - Solo Contrabass addresses these aspects by its \"Note Head Designer\" which we significantly expanded for this library. It offers a selection of 102 attack shapes. This allows calling up twelve matching short sample variations (Shorts) along with each sustain-articulation. These shorts not only offer the corresponding correct attack-behavior but also a note-end that perfectly matches the note length.\u003c\/p\u003e \u003cp\u003eThese user-defined selections of short-note-variations are available in eight dynamic layers each and can be combined with the corresponding sustained phases, leading to astonishingly realistic results that cannot be achieved using random round-robin based selections. Of course, the shorts are also available as individual articulations.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eArticulations Overview. \u003c\/strong\u003eTrue Legato. Chris Hein - Solo Contrabass offers true legato in up to four dynamic layers for short and long note variations. The corresponding in-depth recordings and edits result in unexpectedly realistic sounds with perfect note-transitions. At the same time, it is possible to combine these realistic combinations with additional artificially inserted legatos.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eLibrary extend. \u003c\/strong\u003eThe performance-data of Chris Hein - Solo Contrabass directly reflects the immense investment in recordings and configuration possibilities. The instrument builds upon almost 16,000 single samples, up to 38 articulations and up to eight dynamic layers. 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Please Be Aware That Software Is Non-Cancelable and Non-Returnable.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eBest Service Chris Hein Solo Strings Complete. \u003c\/strong\u003eThe ultimate collection of virtual Solo Strings by Chris Hein in the EXtended Version.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eChris Hein Solo Strings Complete\u003c\/strong\u003e is an extensive Solo Strings Library including Chris Hein Solo Violin EXtended, Solo Viola EXtended, Solo Cello EXtended and Solo ContraBass EXtended\u003cstrong\u003e \u003c\/strong\u003e- all recorded with greatest care and endless details, precisely edited and merged into a practical and musical instrument for NI's Kontakt Player. The fourteen instruments, with a total of 100,000 single samples, up to 38 articulations and 4 different legato transitions were treated with unique phase align techniques for perfect X-fade blending between up to 8 dynamic layers. 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Please Be Aware That Software Is Non-Cancelable and Non-Returnable.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eBest Service Chris Hein Solo Viola EXtended. \u003c\/strong\u003eSimply the best virtual Viola ever created! Chris Hein - Solo Viola EXtended outshines all previous Viola libraries. Never before, a sample library of this extent has been dedicated towards a single string instrument: Three violas recorded with greatest care and endless details, Viola Instrumentprecisely edited and merged into a practical and musical instrument for NI's Kontakt Player offering an elaborated custom-tailored user-interface with comprehensive scripting. Chris Hein - Solo Viola EXtended features high-grade sound quality and incredibly realistic articulations. This library offers everything you have been missing out on previous virtual string instruments.\u003c\/p\u003e \u003cp\u003eYou receive over 20,000 samples, up to 38 articulations, four different legato transitions as well as extensive phase-alignment of all samples to guarantee smooth inaudible crossfades of up to eight velocity layers. This feature-set allows the creation of unparallel, authentic viola-arrangements on a computer.\u003c\/p\u003e \u003cp\u003eThis library benefits from producer Chris Hein's 30 years of experience in the field of sampling and library production, resulting in a product offering highest versatility, configurability and practical use.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eChris Hein - Solo Viola EXtended \u003c\/strong\u003eis a bundle of three fantastically sounding Solo Viola Instruments, all with a unique sound and played by professional studio musicians. All instruments were recorded with great care and detail. Their virtual counterparts had been further optimized for playability and performance (EX instruments), thus saving your computer resources and still granting you access to all required articulations for authentic performances.\u003c\/p\u003e \u003cp\u003eThe following instruments are included:\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\u003cstrong\u003eVLA1 Solo Viola\u003c\/strong\u003e\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eVLA2 Canadian Viola \u003c\/strong\u003eas EX-instrument\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eVLA3 French Viola \u003c\/strong\u003eas EX-instrument\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eChris Hein - Solo Viola EXtended delivers outstanding, detailed and highly expressive results as a solo instrument or as part of an ensemble - in all relevant genres ranging from classical music and film scores to gypsy-jazz, folk and pop ballads.\u003c\/p\u003e \u003cp\u003eAnd there is even more: Chris Hein - Solo Viola EXtended provides sound-designers, composers of film- and game soundtracks and experimental musicians with special effect-sounds and uncommon articulations with exceptional dynamics, such as flautando, flageolets and ponticello. Therefore, the pitch range of the virtual instrument was expanded in comparison to the original violin. The special effect sounds are further supported by the internal tenfold DSP-effects-rack. Feel free to create complex sound clusters, dense atmospheres and surreal sonic worlds out of a single violin for incredible moments of suspense.\u003c\/p\u003e \u003cp\u003eBy using the Ensemble Maker, the solo instrument can easily be turned into an ensemble with the advantage of all available articulations. Or use Chris Hein's ensemble Multis with predefined stereo imaging and fine detuning for an intense ensemble effect.\u003c\/p\u003e \u003cp\u003eChris Hein - Solo Viola EXtended equally satisfies demanding string instrument enthusiasts as well as composers who not only expect excellent samples, but also comprehensive details, a wide range of articulations and a versatile adaption to their preferred workflow.\u003c\/p\u003e \u003cp\u003eOn one hand, the instrument offers an extensive set of samples, with every articulation mapped on your keyboard. On the other hand it can also run in a low memory consuming mode, due to its modular concept and its significantly reduced variations, resulting in faster loading times.\u003c\/p\u003e \u003cp\u003eBy using the clean start configuration, the instrument is initially loaded in a sustain variation. Further articulations and functions can simply be added at any time if needed. That way you can work on compact and mobile systems with a lot less memory available just as fluently and efficiently.\u003c\/p\u003e \u003cp\u003eChris Hein - Solo Viola EXtended reproduces the sound of internationally renowned violinist Naomi Binder and her excellent instrument. Thanks to her incredible hearing and unprecedented precision, paired with artistic discipline and routine, it was possible to accurately capture the viola across its full pitch range (up to G5) in all its dynamic facets from most gentle to loudest tones.\u003c\/p\u003e \u003cp\u003eNaomi Binder plays the violin and viola in classical concerts as well as in crossover projects. In numerous solo performances in the Cologne Arena, Dortmund Philharmonic Hall and many other venues in Austria and Japan, she enchants the audience with her virtuosity, empathy and a broad musical range, varying from classical music to pop and jazz.\u003c\/p\u003e \u003cp\u003eAs with all his productions, Chris Hein decided to go for close mic'ing in a dry recording environment. Combined with the twin impulse response based reverberation sections, the intentional dry sound of the library allows adapting and fitting the instrument perfectly into variable contexts. Dedicated convolution engines for the instrument's body and the room itself allow creating nearly arbitrary acoustic environments ranging from intimate closeness to large concert halls. In difference to the fixed acoustics of several competitive products, Chris Hein - Solo Viola EXtended is sonically exceptionally variable and additionally easy to combine with almost any other library available.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUnique functions. \u003c\/strong\u003ePerfect dynamic transitions thanks to phase alignment Over a research period of several months, all samples had been fully aligned in phase. Accordingly, the instrument offers perfect, seamless transitions of dynamic layers without sonic degradation.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUnique combination of short and long notes. \u003c\/strong\u003eThe combination of long and short notes is a major problem in sample-libraries that often fail to deliver authentically sounding results. With real musical instruments, the note length often influences the attack behavior as well as the note end. Chris Hein - Solo Viola EXtended addresses these aspects by its \"Note Head Designer\" which we significantly expanded for this library. It offers a selection of 102 attack shapes. This allows calling up twelve matching short sample variations (Shorts) along with each sustain-articulation. These shorts not only offer the corresponding correct attack-behavior but also a note-end that perfectly matches the note length.\u003c\/p\u003e \u003cp\u003eThese user-defined selections of short-note-variations are available in eight dynamic layers each and can be combined with the corresponding sustained phases, leading to astonishingly realistic results that cannot be achieved using random round-robin based selections. Of course, the shorts are also available as individual articulations.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eArticulations Overview. \u003c\/strong\u003eTrue Legato. Chris Hein - Solo Viola EXtended offers true legato in up to four dynamic layers for short and long note variations. The corresponding in-depth recordings and edits result in unexpectedly realistic sounds with perfect note-transitions. At the same time, it is possible to combine these realistic combinations with additional artificial inserted legatos.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eLibrary extend. \u003c\/strong\u003eThe performance-data of Chris Hein - Solo Viola EXtended directly reflect the immense investment in recordings and configuration possibilities. The instrument builds upon almost 20,000 single samples, up to 38 articulations and up to eight dynamic layers. This makes the library one the most in-depth sampled violins currently available.\u003c\/p\u003e \u003cp\u003eThe custom-tailored user-interface of the Kontakt Player not only offers numerous functions to adapt the library's sound character and articulations but also provides immense configuration choices to live up to specific demands and workflows. At the same time, due to pre-programmed key-switch-presets at the lower part of the keyboard, the library can also be effectively played without any need for deep edits. Thanks to four \"Dynamic Modes\", the \"Note-Head Designer\", \"Key-Vibrato\", \"Hot-Keys\" and the revolutionary concept of articulation-presets, the user-interface will give you the impression actually playing this instrument live.\u003c\/p\u003e","brand":"Best Service","offers":[{"title":"Default Title","offer_id":35210071081112,"sku":"Best-Service-75174","price":179.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0416\/5232\/2456\/products\/Best_Service_Chris_Hein_Solo_Viola_EXtended__02295.jpg?v=1751493468"},{"product_id":"best-service-chris-hein-solo-violin-extended","title":"Best Service Chris Hein Solo Violin EXtended","description":"\u003cp\u003e\u003cstrong\u003eBest Service Chris Hein Solo Violin EXtended\u003c\/strong\u003e || Guildwater Gear is an Authorized Best Service Dealer. Please Be Aware That Software Is Non-Cancelable and Non-Returnable.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eBest Service Chris Hein Solo Violin EXtended. \u003c\/strong\u003eFour fantastic sounding Solo Violin Instruments in EXtended version 2.0. \u003c\/p\u003e \u003cp\u003eChris Hein - Solo Violin EXtended outshines all previous violin libraries. Never before, a sample library of this extent has been dedicated towards a single string instrument: Recorded with greatest care and endless details, precisely edited and merged into a practical and musical instrument for NI's Kontakt Player offering an elaborated custom-tailored user-interface with comprehensive scripting. Chris Hein - Solo Violin EXtended features high-grade sound quality and incredible realistic articulations. This library offers everything you have been missing with previous virtual string instruments.\u003c\/p\u003e \u003cp\u003eThis library benefits from producer Chris Hein's 30 years spanning experience in the field of sampling and library production, resulting in a product offering highest versatility, configurability and practical use.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eChris Hein - Solo Violin\u003c\/strong\u003e is a bundle of four fantastic sounding Solo Violin Instruments. The four instruments in CH-Solo Violin have been recorded with great care and detail and handpicked instruments, all with a unique sound and played by professional studio musicians. Their virtual counterparts have been further optimized for playability and performance (\u003cstrong\u003eEX\u003c\/strong\u003e instruments), thus saving your computer resources and still granting you access to all required articulations for authentic performances.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003e\"Modern Violin\"\u003c\/strong\u003e has a hifi sound with extreme dynamic and a precise and clear tone. Full and EX version included\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003e\"The Italian Violin\"\u003c\/strong\u003e is an old and precious Italian Violin made by \u003cstrong\u003eAugusto Pollastri\u003c\/strong\u003e it has a more warm and rich sound. You can hear the old and noble wood. Full and EX version included\u003c\/li\u003e \u003cli\u003e\"\u003cstrong\u003eFrench Violin\u003c\/strong\u003e\" as EX-Instrument\u003c\/li\u003e \u003cli\u003e\"\u003cstrong\u003eOriginal 1826\u003c\/strong\u003e\" as EX-Instrument\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eChris Hein - Solo Violin EXtended\u003c\/strong\u003e delivers outstanding, detailed and highly expressive results as a solo instrument or as part of an ensemble - in all relevant genres ranging from classical music and film scores to gypsy-jazz, folk and pop ballads.\u003c\/p\u003e \u003cp\u003eAnd there is even more: \u003cstrong\u003eChris Hein - Solo Violin EXtended\u003c\/strong\u003e provides sound-designers, composers of film- and game soundtracks and experimental musicians with special effect-sounds and uncommon articulations with partly exceptional dynamics, such as flautando, flageolets and ponticello. Therefore, the pitch range of the virtual instrument has been expanded in comparison to the original violin. The special effect sounds are further supported by the internal tenfold DSP-effects-rack. Feel free to create complex sound clusters, dense atmospheres and surreal sound worlds out of a single violin for incredible moments of suspense.\u003c\/p\u003e \u003cp\u003eBy using the Ensemble Maker, the solo instrument can easily be turned into an ensemble being able to take advantage of all available articulations. Or you use the Multis with enembles created by Chris Hein with pre-set stereo image and fine detuning for an intense ensemble effect.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eChris Hein - Solo Violin EXtended\u003c\/strong\u003e equally serves demanding string instrument enthusiasts as well as composers needing more than just excellent sounding samples but also comprehensive details, a full offering of articulations and a versatile adaptation to their preferred workflow.\u003c\/p\u003e \u003cp\u003eOn one hand, the instrument offers a comprehensive full sample set with all articulations being ready to play on the keyboard. Thanks to the library's modular approach on the other hand, significantly reduced variations may also be called up with fast load times and low memory requirements.\u003c\/p\u003e \u003cp\u003eBy using the clean start configuration, the instrument is initially loaded in a sustain variation while further articulations and functions can simply be added at any time if needed. This way, you may as well work fluently and efficiently on compact and mobile production systems using a lot less memory.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eChris Hein - Solo Violin EXtended\u003c\/strong\u003e reproduces the sound of internationally renowned violinist Naomi Binder and her excellent instrument. Thanks to her incredible hearing and unprecedented precision, paired with artistic discipline and routine, it was possible to accurately capture the viola across its full pitch range (up to G5) in all its dynamic facets from most gentle to loudest tones.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eNaomi Binder\u003c\/strong\u003e plays the violin and viola in classical concerts as well as in crossover projects. In numerous solo performances in the Cologne Arena, Dortmund Philharmonic Hall and many other venues in Austria and Japan, she enchants the audience with her virtuosity, empathy and a broad musical range, varying from classical music to pop and jazz.\u003c\/p\u003e \u003cp\u003eAs with all his productions, Chris Hein decided for a close mic'ing in a dry recording environment. Combined with the twin impulse response based reverberation sections, the intentional dry sound of the library allows adapting and fitting the instrument perfectly into variable contexts. Dedicated convolution engines for the instrument's body and the room itself allow creation of a nearly arbitrary acoustic environments ranging from intimate closeness to large concert halls. In difference to the fixed acoustics of several competitive products, Chris Hein - Solo Violin EXtended is sonically exceptionally variable and additionally easy to combine with almost any other library being offered.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUnique functions. \u003c\/strong\u003ePerfect dynamic transitions thanks to phase alignment. Over a research period of several months, all samples have been fully aligned in phase. Accordingly, the instrument offers perfect seamless transitions of dynamic layers without sonic degradation.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUnique combination of short and long notes. \u003c\/strong\u003eThe combination of long and short notes is a major problem in sample-libraries that often fail to deliver authentic sounding results. With real musical instruments, the note length often influences the attack behavior as well as the note end. Chris Hein - Solo Violin EXtended addresses these aspects by its \"Note Head Designer\" which has been significantly expanded for this library. It offers a selection of 102 attack shapes. This allows calling up twelve matching short sample variations (Shorts) along with each sustain-articulation. These shorts not only offer the corresponding correct attack-behavior but also a note-end that perfectly matches the note length.\u003c\/p\u003e \u003cp\u003eThese user-defined selections of short-note-variations are available in eight dynamic layers each and can be combined with the corresponding sustained phases, leading to astonishing realistic results that cannot be achieved using random round-robin based selections. Of course, the shorts are also available as individual articulations.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eArticulations Overview.\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eTrue Legato. \u003c\/strong\u003eChris Hein - Solo Violin EXtended offers true legato in up to four dynamic layers for short and long note variations. The corresponding in-depth recordings and edits result in unexpected realistic sounds with perfect note-transitions. At the same time, it is possible to combine these realistic combinations with additional artificial inserted legatos.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eLibrary extend. \u003c\/strong\u003eThe performance-data of Chris Hein - Solo Violin EXtended directly reflect the immense investment in recordings and configuration possibilities. The 2 full instruments are build upon 22,000 single samples, up to 38 articulations and up to eight dynamic layers. The EXtended version adds 2 more EX instruments with a total of 12,000 additional samples. This makes the library one the most in-depth sampled violins currently available.\u003c\/p\u003e \u003cp\u003eThe custom-tailored user-interface of the Kontakt Player not only offers numerous functions to adapt the library's sound character and articulations but also provides immense configuration choices to live up to specific demands and workflows. At the same time, due to pre-programmed key-switch-presets at the lower part of the keyboard, the library can also be effectively played without any need for deep edits. Thanks to four \"Dynamic Modes\", the \"Note-Head Designer\", \"Key-Vibrato\", \"Hot-Keys\" and the revolutionary concept of articulation-presets, the user-interface will give you the impression to really play this instrument live.\u003c\/p\u003e","brand":"Best Service","offers":[{"title":"Default Title","offer_id":35210071113880,"sku":"Best-Service-74826","price":259.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0416\/5232\/2456\/products\/Best_Service_Chris_Hein_Solo_Violin_EXtended__84105.jpg?v=1751493468"},{"product_id":"best-service-chris-hein-solo-violin-update","title":"Best Service Chris Hein Solo Violin Update","description":"\u003cp\u003e\u003cstrong\u003eBest Service Chris Hein Solo Violin Update\u003c\/strong\u003e || Guildwater Gear is an Authorized Best Service Dealer. Please Be Aware That Software Is Non-Cancelable and Non-Returnable.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003ePLEASE NOTE:\u003c\/strong\u003e This is an upgrade \/ crossgrade product, which requires that you be a registered user of a qualifying product, in order for it to work for you. \u003cstrong\u003e*EXtended Update 2.0 for registered Users of Chris Hein Solo Violin 1.0 \/ 1.1*\u003c\/strong\u003e Expand your Chris Hein Solo Violin Library with three more violins, all with a unique sound and played by professional studio musicians have been recorded with great care and detail. Their virtual counterparts have been further optimized for playability and performance (EX instruments), thus saving your computer resources and still granting you access to all required articulations for authentic performances.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eBest Service Chris Hein Solo Violin Update.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Best Service","offers":[{"title":"Default Title","offer_id":35210071146648,"sku":"Best-Service-75650","price":49.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0416\/5232\/2456\/products\/Best_Service_Chris_Hein_Solo_Violin_Update__22612.jpg?v=1751493467"},{"product_id":"best-service-chris-hein-strings-compact","title":"Best Service Chris Hein Strings Compact","description":"\u003cp\u003e\u003cstrong\u003eBest Service Chris Hein Strings Compact\u003c\/strong\u003e || Guildwater Gear is an Authorized Best Service Dealer. Please Be Aware That Software Is Non-Cancelable and Non-Returnable.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eBest Service Chris Hein Strings Compact. \u003c\/strong\u003e Great sound from a compact library. Whenever sophisticated string instruments and uncompromising sound quality are needed, \u003cstrong\u003eChris Hein - Strings Compact\u003c\/strong\u003e is the exact right choice.\u003c\/p\u003e \u003cp\u003eThis library offers high quality solo instruments and ensembles with all essential articulations to realize authentic sounding string arrangements in your DAW efficiently.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eChris Hein - Strings Compact\u003c\/strong\u003e is the compacted version of the renowned libraries\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eChris Hein - Solo Strings Complete\u003c\/strong\u003e and \u003cstrong\u003eChris Hein - Ensemble Strings\u003c\/strong\u003e. It contains all instruments and functions of its larger siblings and is solely reduced to the nine most common and important articulations. Certainly, this Compact version uses the very same high-quality samples as the Complete version.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eHence, \u003cstrong\u003eChris Hein - Strings Compact\u003c\/strong\u003e offers the full sound of the large Chris Hein String Libraries at an unbeatable price. In addition, you may of course upgrade to \u003cstrong\u003eChris Hein - Ensemble Strings\u003c\/strong\u003e or \u003cstrong\u003eChris Hein - Solo Strings Complete\u003c\/strong\u003e with up to 49 articulations at any time.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eSolo and Ensemble\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eChris Hein - Strings Compact\u003c\/strong\u003e contains four different violins including the legendary \u003cstrong\u003eChris Hein - Solo Violin\u003c\/strong\u003e, three violas, four cellos and three double basses. In addition to the detailed solo instruments, the library includes 14 ensembles granting fast access to the sound of epic film scores or large orchestral works.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eChris Hein - Strings Compact\u003c\/strong\u003e is designed to be uncompromisingly versatile: With a choice of 14 solo instruments and ensemble mixes each, almost any string ensemble instrumentation imaginable can be individually realized as desired. Ranging from a solo violin to small string quartets, chamber ensembles to large symphonic orchestras, each imaginable combination of sonic colors for string instruments is possible. All instruments offer identical programmings of articulations and functions which makes combining different instruments a mere child's play. By simply duplicating a MIDI-track, you can add a solo violin to a violin-ensemble with both sections playing perfectly together. It just takes a few clicks to create ensembles of any size. On top of that, the built-in ensemble function additionally expands each instrument's variability.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eVariable sound shaping. \u003c\/strong\u003e\u003cstrong\u003eChris Hein - Strings Compact\u003c\/strong\u003e offers solo and orchestral string sounds in perfection. Beside careful recordings and top-quality gear being used including selected microphones by Neumann, the musicians, for the most part members of the renowned WDR symphonic orchestra, significantly influence the results and the sound aesthetics. Combined with the dual convolution reverb sections of the sample-engine, the unprocessed dry sound of the library allows the instruments to be perfectly matched to lots of different applications. Separate convolution sections for the corpus sound (body) and the room impression allow to create almost infinite room impressions ranging from intimate proximity to large orchestra halls. In contrast to the fixed imprinted room sound of several competitors, \u003cstrong\u003eChris Hein - Strings Compact\u003c\/strong\u003e is greatly versatile in tonality and can therefore easily be combined with any other library.\u003c\/p\u003e \u003cp\u003eRegarding its sound quality and suitability in daily use, the library makes no compromises, even at its compact size. The instruments of \u003cstrong\u003eChris Hein - Strings Compact\u003c\/strong\u003e are based upon carefully created elaborated multisamples, which offer phase-correct blends, crossfades and dynamic layers through detailed phase-alignment. At the same time, up to eight dynamic layers provide authentic sound behavior ranging from ppp to fff. Undeniable highlights of this library are the true legato function, articulation changes by keyswitches, variable attacks per note, x-fade control via breath controller, portamento legato via sustain pedal, switchable artificial vibrato, innovative play control through hot keys and note heads plus MIDI remote controllability of each function via TouchOSC from an iPad.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUnique functions. \u003c\/strong\u003ePerfect dynamic transitions thanks to phase alignment In a research-process of several months, all samples have been carefully aligned in phase to each other. Accordingly, the sound of the instruments convinces by seamless transitions between up to eight dynamic layers without any tonal degradation.\u003c\/p\u003e \u003cp\u003eUnique mixing of long and short notes. The combination of short and long played notes is a typical issue for several sample-libraries when it comes to sonic authenticity. When playing real instruments, the length of a note being played influences its attack behavior and its ending. \u003cstrong\u003eChris Hein - Strings Compact\u003c\/strong\u003e addresses this aspect by the innovative \"Note Head Designer\". For each sustain articulation, you may call up matched short sample variations (Shorts) by a control\/controller. These do not only offer the corresponding correct attack behavior, but will also be perfectly tied in respect to the notes' lengths. The user-defined selection of short-variations being available in up to eight dynamic layers and their combination with the corresponding sustain phases, allow for utterly realistic sound results which cannot be achieved by the typical randomized selection using round-robin techniques. Of course, the Shorts can also be called up as individual articulations.\u003c\/p\u003e \u003ch3\u003eTrue Legato\u003c\/h3\u003e \u003cp\u003eThe instruments of \u003cstrong\u003eChris Hein - Strings Compact\u003c\/strong\u003e offer real, zero-latency True Legato and True Portamento with several fine adjustments. Thanks to the intelligent legato-programming, even very fast passages can be played without any time lag. In addition, the legato mode can also be played polyphonic. Omit the cumbersome loading of separate legato articulations and polyphonic instruments. The library's portamento offers real recorded portamento transitions which can be adjusted and fine-tuned in time and length. This way, each possible note transition can be carried out gliding - from fast finger-legato to short grace notes to slower glides from note to note.\u003cbr\u003eLegato and portamento are available for all articulations, not just for sustain. 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Please Be Aware That Software Is Non-Cancelable and Non-Returnable.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eBest Service Chris Hein Winds Compact. \u003c\/strong\u003eOrchestral Woodwinds for your Computer in unheard Perfection!\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eChris Hein Winds Compact\u003c\/strong\u003e is the light-version of the unique four-part library Winds Complete. It offers the same number of \u003cstrong\u003einstruments: four transverse flutes, three clarinets, three oboes and three bassoons.\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eFor the compact edition, we assembled the most important and common articulations and functions of the complete version. At the same time, this woodwind-library doubtlessly meets the highest standards of supreme sound quality, expression and applicability. The library's instruments use meticulously, carefully prepared multisamples with detailed phase-alignment for phase-correct blends and crossfades of dynamic layers. Up to eight dynamic layers guarantee realistically sounding results.\u003c\/p\u003e \u003cp\u003eThe exceptional and highly versatile sound quality of \u003cstrong\u003eChris Hein's Winds Compact makes it a perfect addition \u003c\/strong\u003eto any orchestral library, especially for productions with woodwinds playing a prominent role; be it in \u003cstrong\u003eclassical compositions, epic film-scores or orchestral pop-ballads.\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eAmong the undeniable highlights of the library are true legato, variable attacks per note, innovative play-aids such as hot keys, note heads and MIDI remote controllability of all functions via TouchOSC.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eOrchestral Woodwinds with highest possible Sound Quality. \u003c\/strong\u003eIn case you do not need the the immense amount of articulations, as demanded by many elaborated scores, Chris Hein Winds Compact offers an efficient choice of woodwinds meeting the highest sonic expectations. Chris Hein Winds Compact relies on Native Instruments' powerful sample-engine Kontakt Player with its costum-tailored user-interface and extensive scripting to live up to the specific requirements of these instruments. \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eOrchestral Woodwind sounds tailored to Perfection. \u003c\/strong\u003eBoth the high quality gear such as selected Neumann microphones and the musician's significant performaces drive the sound aesthetics. Unlike the award-winning Chris Hein - Horns, this library takes advantage of the renowned \u003cstrong\u003eWDR Symphonic Orchestra\u003c\/strong\u003e. For this library, dry close mic'ing was an intentional decision. All instruments were recorded individually avoiding any crosstalk. Despite that CH Winds Compact incorporated the inevitable interaction of an orchestra. Therefore, the participating musicians used headphone monitoring, to complement each other. \u003c\/p\u003e \u003cp\u003eDue to the sample-engine's dual convolution reverbs and the intentionally dry sound of Chris Hein Winds Compact, you can easily adapt the instruments to various situations. The Kontakt Player permits free instrument-placement in the stereo panorama. In addition, separate convolution engines for both the corpus-sound (body) and the ambience (room) allow creating any spatial environment, ranging from close intimacy to large orchestral halls. This makes CH Winds Compact significantly different to many competitors and their fixed spatial characteristics. It makes this library greatly variable and, additionally, combinable with almost any other library available.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUnique Functions. \u003c\/strong\u003e\u003cstrong\u003ePerfect dynamic transitions thanks to phase alignment. \u003c\/strong\u003eOver a research-period of six months, all samples were fully aligned in phase. Accordingly, the instruments offer perfect, seamless transitions of dynamic layers without sonic degradation.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUnique combination of short and long notes. \u003c\/strong\u003eThe combination of long and short notes is a major problem in sample-libraries that often fails to deliver authentically sounding results. With real musical instruments, the note length often influences the attack behavior as well as the note end. \u003cstrong\u003eCH Winds Compact\u003c\/strong\u003e addresses these aspects by its \"\u003cstrong\u003eNote Head Designer\u003c\/strong\u003e\". For every sustain, you can call up short, adjusted sample variations, so called shorts, via the controllers.\u003c\/p\u003e \u003cp\u003eThese shorts do not only offer the corresponding correct attack-behavior but also a note-end that perfectly matches the note length. These user-defined selections of short-note-variations are available in up to eight dynamic layers each and can be combined with the corresponding sustained phases, leading to astonishing, realistic results that cannot be achieved using random round-robin based selections. Of course, these shorts are also available as individual articulations.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eTrue Legato. \u003c\/strong\u003eThe instruments of Chris Hein Winds Compact offer\u003cstrong\u003e true legato\u003c\/strong\u003e. The corresponding in-depth recordings and edits result in unexpectedly realistic sounds with perfect note-transitions. At the same time you can expand these realistic articulations by additional artificial inserted legatos.\u003c\/p\u003e ","brand":"Best Service","offers":[{"title":"Default Title","offer_id":35210071376024,"sku":"Best-Service-74654","price":179.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0416\/5232\/2456\/products\/Best_Service_Chris_Hein_Winds_Compact__38674.jpg?v=1751493465"},{"product_id":"best-service-chris-hein-winds-complete","title":"Best Service Chris Hein Winds Complete","description":"\u003cp\u003e\u003cstrong\u003eBest Service Chris Hein Winds Complete\u003c\/strong\u003e || Guildwater Gear is an Authorized Best Service Dealer. Please Be Aware That Software Is Non-Cancelable and Non-Returnable.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eBest Service Chris Hein Winds Complete. \u003c\/strong\u003e\u003cstrong\u003eOrchestral woodwinds for your computer in unheard perfection! \u003c\/strong\u003eChris Hein - Winds is an extensive woodwind library meeting the highest expectations regarding sound, quality, expression and usability. The library's instruments are based on painstakingly recorded and edited multisamples, with numerous articulations and up to eight dynamic layers. Producer Chris Hein has brought thirty years of sampling experience into this masterpiece, giving the user maximum flexibility and a high level of customization, while maintaining the ease of use.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eVersion 2 now features the following improvements:\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eimproved tuning of almost all samples\u003c\/li\u003e \u003cli\u003eimproved phase-aligned samples\u003c\/li\u003e \u003cli\u003edrastically reduced resource demand\u003c\/li\u003e \u003cli\u003eimproved legato transitions\u003c\/li\u003e \u003cli\u003eoptimised transition speed function\u003c\/li\u003e \u003cli\u003eglide mode-slur for more realistic runs\u003c\/li\u003e \u003cli\u003eoptimised Touch OSC MIDI remote control\u003c\/li\u003e \u003cli\u003eminor bug fixes\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cem\u003eRegistered users of the first version will find a free download of version 2 in their Best Service account!\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eChris Hein - Winds\u003c\/strong\u003e consists of four individual volumes, also being available separately or combined in a bundled complete version. The library contains a total of 13 instruments: four transverse flutes, three clarinets, three oboes and three bassoons. \u003c\/p\u003e \u003cul\u003e \u003cli\u003e\u003cstrong\u003eVol. 1 - Flute\u003c\/strong\u003e\u003c\/li\u003e \u003cul\u003e \u003cli\u003eFlute Piccolo\u003c\/li\u003e \u003cli\u003eC-Flute 1\u003c\/li\u003e \u003cli\u003eC-Flute 2\u003c\/li\u003e \u003cli\u003eAlto-Flute\u003c\/li\u003e \u003c\/ul\u003e \u003cli\u003e\u003cstrong\u003eVol. 2 - Clarinet\u003c\/strong\u003e\u003c\/li\u003e \u003cul\u003e \u003cli\u003eEb-Clarinet\u003c\/li\u003e \u003cli\u003eBb-Clarinet\u003c\/li\u003e \u003cli\u003eBass-Clarinet\u003c\/li\u003e \u003c\/ul\u003e \u003cli\u003e\u003cstrong\u003eVol. 3 - Oboe\u003c\/strong\u003e\u003c\/li\u003e \u003cul\u003e \u003cli\u003eOboe  \u003c\/li\u003e \u003cli\u003eOboe D'Amore\u003c\/li\u003e \u003cli\u003eEnglish Horn\u003c\/li\u003e \u003c\/ul\u003e \u003cli\u003e\u003cstrong\u003eVol. 4 - Bassoon\u003c\/strong\u003e\u003c\/li\u003e \u003cul\u003e \u003cli\u003eBasson\u003c\/li\u003e \u003cli\u003eBassoon Barock\u003c\/li\u003e \u003cli\u003eContra Bassoon\u003c\/li\u003e \u003c\/ul\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eChris Hein - Winds\u003c\/strong\u003e focuses on orchestral woodwind sounds maximum flexibility, while maintaining the ease of use. The library is arbitrarily configurable to embrace individual workflow techniques and demands of different producers. The available options and solutions take care of almost every practical application, leaving almost nothing to be desired - everything has been thought of! The extensive amount of samples is handled by Native Instruments' powerful sample-engine, Kontakt Player. Expect a custom tailored user-interface and extensive scripting to meet the specific requirements of these instruments.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eChris Hein - Winds\u003c\/strong\u003e lives up to the expectations of both woodwind lovers and specialists demanding outstanding samples, comprehensive details, an elaborate selection of articulations and a versatile adaption to specific workflows. The instruments can be loaded as full sample-sets, offering all articulations ready to be played on the keyboard. Thanks to the library's modular concept, you can also call up significantly reduced versions to keep loading-times fast and memory usage low. In clean-start configuration, only a sustain-set is loaded into memory. Whenever needed, you can add further articulations and functions with a single click. This allows fluent and efficient work, even on compact and mobile production systems with less powerful specifications.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eChris Hein - Winds\u003c\/strong\u003e offers orchestral woodwind sounds tailored to perfection. Both the high quality gear such as selected Neumann microphones and the musician's significant performaces drive the sound aesthetics. Unlike the award-winning Chris Hein - Horns, this library takes advantage of the renowned WDR Symphonic Orchestra.\u003c\/p\u003e \u003cp\u003eFor this library, dry close mic'ing was an intentional decision. All instruments were recorded individually avoiding any crosstalk. Despite that CH Winds incorporated the inevitable interaction of an orchestra. Therefore, the participating musicians used headphone monitoring, to complement each other. Consequently, time-dependent articulations such as Dynamic Expression receive an especially coherent tone, allowing you to combine individual instruments to perfectly matched ensembles.\u003c\/p\u003e \u003cp\u003eDue to the sample-engine's dual convolution reverbs and the intentionally dry sound of Chris Hein - Winds, you can easily adapt the instruments to various situations. The Kontakt Player allows a free instrument-placement in the stereo panorama. Separate convolution engines for the corpus-sound (body) and the ambience (room) allow creating any spatial environment, ranging from close intimacy to large orchestral halls. This makes Chris Hein - Winds significantly different to many competitors and their fixed spatial characteristics. It makes this library greatly variable and, additionally, combinable with almost any other library available.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUnique functions. \u003c\/strong\u003e\u003cstrong\u003ePerfect dynamic transitions thanks to phase alignment \u003c\/strong\u003eOver a research-period of six months, all samples were fully aligned in phase. Accordingly, the instruments offer perfect seamless transitions of dynamic layers without sonic degradation.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUnique combination of short and long notes.  \u003c\/strong\u003eThe combination of long and short notes is a major problem in sample-libraries, that often fails to deliver authentically sounding results. With real musical instruments, the note length often influences the attack behavior as well as the note end. Chris Hein - Winds addresses these aspects by its \"Note Head Designer\". For each sustain, you can call up short, adjusted sample variations, so called shorts, via the controllers. These Shorts not only offer the corresponding correct attack-behavior but also a note-end that perfectly matches the note length. These user-defined selections of short-note-variations are available in eight dynamic layers each and can be combined with the corresponding sustained phases, leading to astonishingly realistic results that cannot be achieved using random round-robin based selections. Of course, these shorts are also available as individual articulations.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eTrue Legato. \u003c\/strong\u003eThe instruments of Chris Hein - Winds offer true legato in up to four dynamic layers. For example, while playing the French Horn, the sample-engine picks the perfect note-transition out of more than 2,200 samples, resulting in unheard legato-realism. At the same time, it is possible to combine these realistic combinations with additional artificially inserted legatos. authentically sounding results. With real musical instruments, the note length often influences the attack behavior as well as the note end. Chris Hein - Winds addresses these aspects by its \"Note Head Designer\". For each sustain, you can call up short, adjusted sample variations, so called shorts, via the controllers. These Shorts not only offer the corresponding correct attack-behavior but also a note-end that perfectly matches the note length. These user-defined selections of short-note-variations are available in eight dynamic layers each and can be combined with the corresponding sustained phases, leading to astonishingly realistic results that cannot be achieved using random round-robin based selections. Of course, these shorts are also available as individual articulations.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eTrue Legato.  \u003c\/strong\u003eThe instruments of Chris Hein - Winds offer true legato in up to four dynamic layers. For example, while playing the French Horn, the sample-engine picks the perfect note-transition out of more than 2,200 samples, resulting in unheard legato-realism. At the same time, it is possible to combine these realistic combinations with additional artificially inserted legatos.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eMain Features\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003e13 Orchestral Woodwind Instruments, 50 GB Content, 130.000 Samples, 13 Articulations\u003c\/li\u003e \u003cli\u003eUp to 8 Dynamic Layers\u003c\/li\u003e \u003cli\u003eUnique Phase-Align Technique, 4 Dynamic Modes, Dynamic Expression Sustains\u003c\/li\u003e \u003cli\u003eNote-Head Designer, Hot-Keys, Intelligent Legato, Glide-Mode to play realistic runs\u003c\/li\u003e \u003cli\u003e10 built in DSP-Effects, 2 independent Convolution Reverbs, 63 high class impulse responses\u003c\/li\u003e \u003cli\u003eAttack- \u0026amp; Release controls, Special Noise Controls\u003c\/li\u003e \u003cli\u003eEnsemble Maker, Micro-Tuner, Adjustable Fader Settings in the UI\u003c\/li\u003e \u003cli\u003eIntelligent LFO-Vibrato including EQ, Customizable Auto-Vibrato, Key-Vibrato\u003c\/li\u003e \u003c\/ul\u003e","brand":"Best Service","offers":[{"title":"Default Title","offer_id":35210071441560,"sku":"Best-Service-73236","price":399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0416\/5232\/2456\/files\/BestServiceChrisHeinWindsComplete.jpg?v=1765916483"},{"product_id":"best-service-chris-hein-winds-vol-1-flutes","title":"Best Service Chris Hein Winds Vol 1 - Flutes","description":"\u003cp\u003e\u003cstrong\u003eBest Service Chris Hein Winds Vol 1 - Flutes\u003c\/strong\u003e || Guildwater Gear is an Authorized Best Service Dealer. Please Be Aware That Software Is Non-Cancelable and Non-Returnable.\u003c\/p\u003e \u003cp\u003eThis listing is for \u003cstrong\u003eBest Service Chris Hein Winds Vol 1 - Flutes. \u003cstrong\u003e\u003cem\u003ePlease see all the details in the following description of Chris Hein Winds Complete, which is sold separately:\u003c\/em\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eOrchestral woodwinds for your computer in unheard perfection! \u003c\/strong\u003eChris Hein - Winds is an extensive woodwind library meeting the highest expectations regarding sound, quality, expression and usability. The library's instruments are based on painstakingly recorded and edited multisamples, with numerous articulations and up to eight dynamic layers. Producer Chris Hein has brought thirty years of sampling experience into this masterpiece, giving the user maximum flexibility and a high level of customization, while maintaining the ease of use.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eVersion 2 now features the following improvements:\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eimproved tuning of almost all samples\u003c\/li\u003e \u003cli\u003eimproved phase-aligned samples\u003c\/li\u003e \u003cli\u003edrastically reduced resource demand\u003c\/li\u003e \u003cli\u003eimproved legato transitions\u003c\/li\u003e \u003cli\u003eoptimised transition speed function\u003c\/li\u003e \u003cli\u003eglide mode-slur for more realistic runs\u003c\/li\u003e \u003cli\u003eoptimised Touch OSC MIDI remote control\u003c\/li\u003e \u003cli\u003eminor bug fixes\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cem\u003eRegistered users of the first version will find a free download of version 2 in their Best Service account!\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eChris Hein - Winds\u003c\/strong\u003e consists of four individual volumes, also being available separately or combined in a bundled complete version. The library contains a total of 13 instruments: four transverse flutes, three clarinets, three oboes and three bassoons. \u003c\/p\u003e \u003cul\u003e \u003cli\u003e\u003cstrong\u003eVol. 1 - Flute\u003c\/strong\u003e\u003c\/li\u003e \u003cul\u003e \u003cli\u003eFlute Piccolo\u003c\/li\u003e \u003cli\u003eC-Flute 1\u003c\/li\u003e \u003cli\u003eC-Flute 2\u003c\/li\u003e \u003cli\u003eAlto-Flute\u003c\/li\u003e \u003c\/ul\u003e \u003cli\u003e\u003cstrong\u003eVol. 2 - Clarinet\u003c\/strong\u003e\u003c\/li\u003e \u003cul\u003e \u003cli\u003eEb-Clarinet\u003c\/li\u003e \u003cli\u003eBb-Clarinet\u003c\/li\u003e \u003cli\u003eBass-Clarinet\u003c\/li\u003e \u003c\/ul\u003e \u003cli\u003e\u003cstrong\u003eVol. 3 - Oboe\u003c\/strong\u003e\u003c\/li\u003e \u003cul\u003e \u003cli\u003eOboe  \u003c\/li\u003e \u003cli\u003eOboe D'Amore\u003c\/li\u003e \u003cli\u003eEnglish Horn\u003c\/li\u003e \u003c\/ul\u003e \u003cli\u003e\u003cstrong\u003eVol. 4 - Bassoon\u003c\/strong\u003e\u003c\/li\u003e \u003cul\u003e \u003cli\u003eBasson\u003c\/li\u003e \u003cli\u003eBassoon Barock\u003c\/li\u003e \u003cli\u003eContra Bassoon\u003c\/li\u003e \u003c\/ul\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eChris Hein - Winds\u003c\/strong\u003e focuses on orchestral woodwind sounds maximum flexibility, while maintaining the ease of use. The library is arbitrarily configurable to embrace individual workflow techniques and demands of different producers. The available options and solutions take care of almost every practical application, leaving almost nothing to be desired - everything has been thought of! The extensive amount of samples is handled by Native Instruments' powerful sample-engine, Kontakt Player. Expect a custom tailored user-interface and extensive scripting to meet the specific requirements of these instruments.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eChris Hein - Winds\u003c\/strong\u003e lives up to the expectations of both woodwind lovers and specialists demanding outstanding samples, comprehensive details, an elaborate selection of articulations and a versatile adaption to specific workflows. The instruments can be loaded as full sample-sets, offering all articulations ready to be played on the keyboard. Thanks to the library's modular concept, you can also call up significantly reduced versions to keep loading-times fast and memory usage low. In clean-start configuration, only a sustain-set is loaded into memory. Whenever needed, you can add further articulations and functions with a single click. This allows fluent and efficient work, even on compact and mobile production systems with less powerful specifications.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eChris Hein - Winds\u003c\/strong\u003e offers orchestral woodwind sounds tailored to perfection. Both the high quality gear such as selected Neumann microphones and the musician's significant performaces drive the sound aesthetics. Unlike the award-winning Chris Hein - Horns, this library takes advantage of the renowned WDR Symphonic Orchestra.\u003c\/p\u003e \u003cp\u003eFor this library, dry close mic'ing was an intentional decision. All instruments were recorded individually avoiding any crosstalk. Despite that CH Winds incorporated the inevitable interaction of an orchestra. Therefore, the participating musicians used headphone monitoring, to complement each other. Consequently, time-dependent articulations such as Dynamic Expression receive an especially coherent tone, allowing you to combine individual instruments to perfectly matched ensembles.\u003c\/p\u003e \u003cp\u003eDue to the sample-engine's dual convolution reverbs and the intentionally dry sound of Chris Hein - Winds, you can easily adapt the instruments to various situations. The Kontakt Player allows a free instrument-placement in the stereo panorama. Separate convolution engines for the corpus-sound (body) and the ambience (room) allow creating any spatial environment, ranging from close intimacy to large orchestral halls. This makes Chris Hein - Winds significantly different to many competitors and their fixed spatial characteristics. It makes this library greatly variable and, additionally, combinable with almost any other library available.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUnique functions. \u003c\/strong\u003e\u003cstrong\u003ePerfect dynamic transitions thanks to phase alignment \u003c\/strong\u003eOver a research-period of six months, all samples were fully aligned in phase. Accordingly, the instruments offer perfect seamless transitions of dynamic layers without sonic degradation.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUnique combination of short and long notes.  \u003c\/strong\u003eThe combination of long and short notes is a major problem in sample-libraries, that often fails to deliver authentically sounding results. With real musical instruments, the note length often influences the attack behavior as well as the note end. Chris Hein - Winds addresses these aspects by its \"Note Head Designer\". For each sustain, you can call up short, adjusted sample variations, so called shorts, via the controllers. These Shorts not only offer the corresponding correct attack-behavior but also a note-end that perfectly matches the note length. These user-defined selections of short-note-variations are available in eight dynamic layers each and can be combined with the corresponding sustained phases, leading to astonishingly realistic results that cannot be achieved using random round-robin based selections. Of course, these shorts are also available as individual articulations.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eTrue Legato. \u003c\/strong\u003eThe instruments of Chris Hein - Winds offer true legato in up to four dynamic layers. For example, while playing the French Horn, the sample-engine picks the perfect note-transition out of more than 2,200 samples, resulting in unheard legato-realism. At the same time, it is possible to combine these realistic combinations with additional artificially inserted legatos. authentically sounding results. With real musical instruments, the note length often influences the attack behavior as well as the note end. Chris Hein - Winds addresses these aspects by its \"Note Head Designer\". For each sustain, you can call up short, adjusted sample variations, so called shorts, via the controllers. These Shorts not only offer the corresponding correct attack-behavior but also a note-end that perfectly matches the note length. These user-defined selections of short-note-variations are available in eight dynamic layers each and can be combined with the corresponding sustained phases, leading to astonishingly realistic results that cannot be achieved using random round-robin based selections. Of course, these shorts are also available as individual articulations.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eTrue Legato.  \u003c\/strong\u003eThe instruments of Chris Hein - Winds offer true legato in up to four dynamic layers. For example, while playing the French Horn, the sample-engine picks the perfect note-transition out of more than 2,200 samples, resulting in unheard legato-realism. At the same time, it is possible to combine these realistic combinations with additional artificially inserted legatos.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eMain Features\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003e13 Orchestral Woodwind Instruments, 50 GB Content, 130.000 Samples, 13 Articulations\u003c\/li\u003e \u003cli\u003eUp to 8 Dynamic Layers\u003c\/li\u003e \u003cli\u003eUnique Phase-Align Technique, 4 Dynamic Modes, Dynamic Expression Sustains\u003c\/li\u003e \u003cli\u003eNote-Head Designer, Hot-Keys, Intelligent Legato, Glide-Mode to play realistic runs\u003c\/li\u003e \u003cli\u003e10 built in DSP-Effects, 2 independent Convolution Reverbs, 63 high class impulse responses\u003c\/li\u003e \u003cli\u003eAttack- \u0026amp; Release controls, Special Noise Controls\u003c\/li\u003e \u003cli\u003eEnsemble Maker, Micro-Tuner, Adjustable Fader Settings in the UI\u003c\/li\u003e \u003cli\u003eIntelligent LFO-Vibrato including EQ, Customizable Auto-Vibrato, Key-Vibrato\u003c\/li\u003e \u003c\/ul\u003e","brand":"Best Service","offers":[{"title":"Default Title","offer_id":35210071605400,"sku":"Best-Service-73240","price":139.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0416\/5232\/2456\/products\/Best_Service_Chris_Hein_Winds_Vol_1_-_Flutes__21327.jpg?v=1751493457"},{"product_id":"best-service-chris-hein-winds-vol-2-clarinets","title":"Best Service Chris Hein Winds Vol 2 - Clarinets","description":"\u003cp\u003e\u003cstrong\u003eBest Service Chris Hein Winds Vol 2 - Clarinets\u003c\/strong\u003e || Guildwater Gear is an Authorized Best Service Dealer. Please Be Aware That Software Is Non-Cancelable and Non-Returnable.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eBest Service Chris Hein Winds Vol 2 - Clarinets. \u003c\/strong\u003e Chris Hein - Winds \/ Vol. 2 Clarinets. Orchestral woodwinds for your computer in unheard perfection!\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eChris Hein - Winds consists of four parts, Vol 2. Clarinets offers 3 different clarinets. \u003c\/strong\u003e\u003cstrong\u003e\u003cem\u003ePlease see all the details in the following description of Chris Hein Winds Complete, which is sold separately:\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eChris Hein - Winds\u003c\/strong\u003e is an extensive woodwind library meeting the highest expectations regarding sound, quality, expression and usability. The library's instruments are based on painstakingly recorded and edited multisamples, with numerous articulations and up to eight dynamic layers. Producer Chris Hein has brought thirty years of sampling experience into this masterpiece, giving the user maximum flexibility and a high level of customization, while maintaining the ease of use.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eVersion 2 now features the following improvements:\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eimproved tuning of almost all samples\u003c\/li\u003e \u003cli\u003eimproved phase-aligned samples\u003c\/li\u003e \u003cli\u003edrastically reduced resource demand\u003c\/li\u003e \u003cli\u003eimproved legato transitions\u003c\/li\u003e \u003cli\u003eoptimised transition speed function\u003c\/li\u003e \u003cli\u003eglide mode-slur for more realistic runs\u003c\/li\u003e \u003cli\u003eoptimised Touch OSC MIDI remote control\u003c\/li\u003e \u003cli\u003eminor bug fixes\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cem\u003eRegistered users of the first version will find a free download of version 2 in their Best Service account!\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eChris Hein - Winds\u003c\/strong\u003e consists of four individual volumes, also being available separately or combined in a bundled complete version. The library contains a total of 13 instruments: four transverse flutes, three clarinets, three oboes and three bassoons. \u003c\/p\u003e \u003cul\u003e \u003cli\u003e\u003cstrong\u003eVol. 1 - Flute\u003c\/strong\u003e\u003c\/li\u003e \u003cul\u003e \u003cli\u003eFlute Piccolo\u003c\/li\u003e \u003cli\u003eC-Flute 1\u003c\/li\u003e \u003cli\u003eC-Flute 2\u003c\/li\u003e \u003cli\u003eAlto-Flute\u003c\/li\u003e \u003c\/ul\u003e \u003cli\u003e\u003cstrong\u003eVol. 2 - Clarinet\u003c\/strong\u003e\u003c\/li\u003e \u003cul\u003e \u003cli\u003eEb-Clarinet\u003c\/li\u003e \u003cli\u003eBb-Clarinet\u003c\/li\u003e \u003cli\u003eBass-Clarinet\u003c\/li\u003e \u003c\/ul\u003e \u003cli\u003e\u003cstrong\u003eVol. 3 - Oboe\u003c\/strong\u003e\u003c\/li\u003e \u003cul\u003e \u003cli\u003eOboe  \u003c\/li\u003e \u003cli\u003eOboe D'Amore\u003c\/li\u003e \u003cli\u003eEnglish Horn\u003c\/li\u003e \u003c\/ul\u003e \u003cli\u003e\u003cstrong\u003eVol. 4 - Bassoon\u003c\/strong\u003e\u003c\/li\u003e \u003cul\u003e \u003cli\u003eBasson\u003c\/li\u003e \u003cli\u003eBassoon Barock\u003c\/li\u003e \u003cli\u003eContra Bassoon\u003c\/li\u003e \u003c\/ul\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eChris Hein - Winds\u003c\/strong\u003e focuses on orchestral woodwind sounds maximum flexibility, while maintaining the ease of use. The library is arbitrarily configurable to embrace individual workflow techniques and demands of different producers. The available options and solutions take care of almost every practical application, leaving almost nothing to be desired - everything has been thought of! The extensive amount of samples is handled by Native Instruments' powerful sample-engine, Kontakt Player. Expect a custom tailored user-interface and extensive scripting to meet the specific requirements of these instruments.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eChris Hein - Winds\u003c\/strong\u003e lives up to the expectations of both woodwind lovers and specialists demanding outstanding samples, comprehensive details, an elaborate selection of articulations and a versatile adaption to specific workflows. The instruments can be loaded as full sample-sets, offering all articulations ready to be played on the keyboard. Thanks to the library's modular concept, you can also call up significantly reduced versions to keep loading-times fast and memory usage low. In clean-start configuration, only a sustain-set is loaded into memory. Whenever needed, you can add further articulations and functions with a single click. This allows fluent and efficient work, even on compact and mobile production systems with less powerful specifications.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eChris Hein - Winds\u003c\/strong\u003e offers orchestral woodwind sounds tailored to perfection. Both the high quality gear such as selected Neumann microphones and the musician's significant performaces drive the sound aesthetics. Unlike the award-winning Chris Hein - Horns, this library takes advantage of the renowned WDR Symphonic Orchestra.\u003c\/p\u003e \u003cp\u003eFor this library, dry close mic'ing was an intentional decision. All instruments were recorded individually avoiding any crosstalk. Despite that CH Winds incorporated the inevitable interaction of an orchestra. Therefore, the participating musicians used headphone monitoring, to complement each other. Consequently, time-dependent articulations such as Dynamic Expression receive an especially coherent tone, allowing you to combine individual instruments to perfectly matched ensembles.\u003c\/p\u003e \u003cp\u003eDue to the sample-engine's dual convolution reverbs and the intentionally dry sound of Chris Hein - Winds, you can easily adapt the instruments to various situations. The Kontakt Player allows a free instrument-placement in the stereo panorama. Separate convolution engines for the corpus-sound (body) and the ambience (room) allow creating any spatial environment, ranging from close intimacy to large orchestral halls. This makes Chris Hein - Winds significantly different to many competitors and their fixed spatial characteristics. It makes this library greatly variable and, additionally, combinable with almost any other library available.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUnique functions. \u003c\/strong\u003e\u003cstrong\u003ePerfect dynamic transitions thanks to phase alignment \u003c\/strong\u003eOver a research-period of six months, all samples were fully aligned in phase. Accordingly, the instruments offer perfect seamless transitions of dynamic layers without sonic degradation.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUnique combination of short and long notes.  \u003c\/strong\u003eThe combination of long and short notes is a major problem in sample-libraries, that often fails to deliver authentically sounding results. With real musical instruments, the note length often influences the attack behavior as well as the note end. Chris Hein - Winds addresses these aspects by its \"Note Head Designer\". For each sustain, you can call up short, adjusted sample variations, so called shorts, via the controllers. These Shorts not only offer the corresponding correct attack-behavior but also a note-end that perfectly matches the note length. These user-defined selections of short-note-variations are available in eight dynamic layers each and can be combined with the corresponding sustained phases, leading to astonishingly realistic results that cannot be achieved using random round-robin based selections. Of course, these shorts are also available as individual articulations.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eTrue Legato. \u003c\/strong\u003eThe instruments of Chris Hein - Winds offer true legato in up to four dynamic layers. For example, while playing the French Horn, the sample-engine picks the perfect note-transition out of more than 2,200 samples, resulting in unheard legato-realism. At the same time, it is possible to combine these realistic combinations with additional artificially inserted legatos. authentically sounding results. With real musical instruments, the note length often influences the attack behavior as well as the note end. Chris Hein - Winds addresses these aspects by its \"Note Head Designer\". For each sustain, you can call up short, adjusted sample variations, so called shorts, via the controllers. These Shorts not only offer the corresponding correct attack-behavior but also a note-end that perfectly matches the note length. These user-defined selections of short-note-variations are available in eight dynamic layers each and can be combined with the corresponding sustained phases, leading to astonishingly realistic results that cannot be achieved using random round-robin based selections. Of course, these shorts are also available as individual articulations.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eTrue Legato.  \u003c\/strong\u003eThe instruments of Chris Hein - Winds offer true legato in up to four dynamic layers. For example, while playing the French Horn, the sample-engine picks the perfect note-transition out of more than 2,200 samples, resulting in unheard legato-realism. At the same time, it is possible to combine these realistic combinations with additional artificially inserted legatos.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eMain Features\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003e13 Orchestral Woodwind Instruments, 50 GB Content, 130.000 Samples, 13 Articulations\u003c\/li\u003e \u003cli\u003eUp to 8 Dynamic Layers\u003c\/li\u003e \u003cli\u003eUnique Phase-Align Technique, 4 Dynamic Modes, Dynamic Expression Sustains\u003c\/li\u003e \u003cli\u003eNote-Head Designer, Hot-Keys, Intelligent Legato, Glide-Mode to play realistic runs\u003c\/li\u003e \u003cli\u003e10 built in DSP-Effects, 2 independent Convolution Reverbs, 63 high class impulse responses\u003c\/li\u003e \u003cli\u003eAttack- \u0026amp; Release controls, Special Noise Controls\u003c\/li\u003e \u003cli\u003eEnsemble Maker, Micro-Tuner, Adjustable Fader Settings in the UI\u003c\/li\u003e \u003cli\u003eIntelligent LFO-Vibrato including EQ, Customizable Auto-Vibrato, Key-Vibrato\u003c\/li\u003e \u003c\/ul\u003e","brand":"Best Service","offers":[{"title":"Default Title","offer_id":35210071670936,"sku":"Best-Service-73241","price":139.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0416\/5232\/2456\/products\/Best_Service_Chris_Hein_Winds_Vol_2_-_Clarinets__78903.jpg?v=1751493456"},{"product_id":"best-service-chris-hein-winds-vol-3-oboes","title":"Best Service Chris Hein Winds Vol 3 - Oboes","description":"\u003cp\u003e\u003cstrong\u003eBest Service Chris Hein Winds Vol 3 - Oboes\u003c\/strong\u003e || Guildwater Gear is an Authorized Best Service Dealer. Please Be Aware That Software Is Non-Cancelable and Non-Returnable.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eBest Service Chris Hein Winds Vol 3 - Oboes.  \u003c\/strong\u003eOrchestral woodwinds for your computer in unheard perfection! Chris Hein - Winds consists of four parts, Vol 3. Oboes offers 3 different oboes. \u003cem\u003ePlease see all the deatails in the following description of Chris Hein Winds Complete:\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eChris Hein - Winds\u003c\/strong\u003e is an extensive woodwind library meeting the highest expectations regarding sound, quality, expression and usability. The library's instruments are based on painstakingly recorded and edited multisamples, with numerous articulations and up to eight dynamic layers. Producer Chris Hein has brought thirty years of sampling experience into this masterpiece, giving the user maximum flexibility and a high level of customization, while maintaining the ease of use.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eVersion 2 now features the following improvements:\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eimproved tuning of almost all samples\u003c\/li\u003e \u003cli\u003eimproved phase-aligned samples\u003c\/li\u003e \u003cli\u003edrastically reduced resource demand\u003c\/li\u003e \u003cli\u003eimproved legato transitions\u003c\/li\u003e \u003cli\u003eoptimised transition speed function\u003c\/li\u003e \u003cli\u003eglide mode-slur for more realistic runs\u003c\/li\u003e \u003cli\u003eoptimised Touch OSC MIDI remote control\u003c\/li\u003e \u003cli\u003eminor bug fixes\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cem\u003eRegistered users of the first version will find a free download of version 2 in their Best Service account!\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eChris Hein - Winds\u003c\/strong\u003e consists of four individual volumes, also being available separately or combined in a bundled complete version. The library contains a total of 13 instruments: four transverse flutes, three clarinets, three oboes and three bassoons. \u003c\/p\u003e \u003cul\u003e \u003cli\u003e\u003cstrong\u003eVol. 1 - Flute\u003c\/strong\u003e\u003c\/li\u003e \u003cul\u003e \u003cli\u003eFlute Piccolo\u003c\/li\u003e \u003cli\u003eC-Flute 1\u003c\/li\u003e \u003cli\u003eC-Flute 2\u003c\/li\u003e \u003cli\u003eAlto-Flute\u003c\/li\u003e \u003c\/ul\u003e \u003cli\u003e\u003cstrong\u003eVol. 2 - Clarinet\u003c\/strong\u003e\u003c\/li\u003e \u003cul\u003e \u003cli\u003eEb-Clarinet\u003c\/li\u003e \u003cli\u003eBb-Clarinet\u003c\/li\u003e \u003cli\u003eBass-Clarinet\u003c\/li\u003e \u003c\/ul\u003e \u003cli\u003e\u003cstrong\u003eVol. 3 - Oboe\u003c\/strong\u003e\u003c\/li\u003e \u003cul\u003e \u003cli\u003eOboe  \u003c\/li\u003e \u003cli\u003eOboe D'Amore\u003c\/li\u003e \u003cli\u003eEnglish Horn\u003c\/li\u003e \u003c\/ul\u003e \u003cli\u003e\u003cstrong\u003eVol. 4 - Bassoon\u003c\/strong\u003e\u003c\/li\u003e \u003cul\u003e \u003cli\u003eBasson\u003c\/li\u003e \u003cli\u003eBassoon Barock\u003c\/li\u003e \u003cli\u003eContra Bassoon\u003c\/li\u003e \u003c\/ul\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eChris Hein - Winds\u003c\/strong\u003e focuses on orchestral woodwind sounds maximum flexibility, while maintaining the ease of use. The library is arbitrarily configurable to embrace individual workflow techniques and demands of different producers. The available options and solutions take care of almost every practical application, leaving almost nothing to be desired - everything has been thought of! The extensive amount of samples is handled by Native Instruments' powerful sample-engine, Kontakt Player. Expect a custom tailored user-interface and extensive scripting to meet the specific requirements of these instruments.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eChris Hein - Winds\u003c\/strong\u003e lives up to the expectations of both woodwind lovers and specialists demanding outstanding samples, comprehensive details, an elaborate selection of articulations and a versatile adaption to specific workflows. The instruments can be loaded as full sample-sets, offering all articulations ready to be played on the keyboard. Thanks to the library's modular concept, you can also call up significantly reduced versions to keep loading-times fast and memory usage low. In clean-start configuration, only a sustain-set is loaded into memory. Whenever needed, you can add further articulations and functions with a single click. This allows fluent and efficient work, even on compact and mobile production systems with less powerful specifications.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eChris Hein - Winds\u003c\/strong\u003e offers orchestral woodwind sounds tailored to perfection. Both the high quality gear such as selected Neumann microphones and the musician's significant performaces drive the sound aesthetics. Unlike the award-winning Chris Hein - Horns, this library takes advantage of the renowned WDR Symphonic Orchestra.\u003c\/p\u003e \u003cp\u003eFor this library, dry close mic'ing was an intentional decision. All instruments were recorded individually avoiding any crosstalk. Despite that CH Winds incorporated the inevitable interaction of an orchestra. Therefore, the participating musicians used headphone monitoring, to complement each other. Consequently, time-dependent articulations such as Dynamic Expression receive an especially coherent tone, allowing you to combine individual instruments to perfectly matched ensembles.\u003c\/p\u003e \u003cp\u003eDue to the sample-engine's dual convolution reverbs and the intentionally dry sound of Chris Hein - Winds, you can easily adapt the instruments to various situations. The Kontakt Player allows a free instrument-placement in the stereo panorama. Separate convolution engines for the corpus-sound (body) and the ambience (room) allow creating any spatial environment, ranging from close intimacy to large orchestral halls. This makes Chris Hein - Winds significantly different to many competitors and their fixed spatial characteristics. It makes this library greatly variable and, additionally, combinable with almost any other library available.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUnique functions. \u003c\/strong\u003e\u003cstrong\u003ePerfect dynamic transitions thanks to phase alignment \u003c\/strong\u003eOver a research-period of six months, all samples were fully aligned in phase. Accordingly, the instruments offer perfect seamless transitions of dynamic layers without sonic degradation.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUnique combination of short and long notes.  \u003c\/strong\u003eThe combination of long and short notes is a major problem in sample-libraries, that often fails to deliver authentically sounding results. With real musical instruments, the note length often influences the attack behavior as well as the note end. Chris Hein - Winds addresses these aspects by its \"Note Head Designer\". For each sustain, you can call up short, adjusted sample variations, so called shorts, via the controllers. These Shorts not only offer the corresponding correct attack-behavior but also a note-end that perfectly matches the note length. These user-defined selections of short-note-variations are available in eight dynamic layers each and can be combined with the corresponding sustained phases, leading to astonishingly realistic results that cannot be achieved using random round-robin based selections. Of course, these shorts are also available as individual articulations.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eTrue Legato. \u003c\/strong\u003eThe instruments of Chris Hein - Winds offer true legato in up to four dynamic layers. For example, while playing the French Horn, the sample-engine picks the perfect note-transition out of more than 2,200 samples, resulting in unheard legato-realism. At the same time, it is possible to combine these realistic combinations with additional artificially inserted legatos. authentically sounding results. With real musical instruments, the note length often influences the attack behavior as well as the note end. Chris Hein - Winds addresses these aspects by its \"Note Head Designer\". For each sustain, you can call up short, adjusted sample variations, so called shorts, via the controllers. These Shorts not only offer the corresponding correct attack-behavior but also a note-end that perfectly matches the note length. These user-defined selections of short-note-variations are available in eight dynamic layers each and can be combined with the corresponding sustained phases, leading to astonishingly realistic results that cannot be achieved using random round-robin based selections. Of course, these shorts are also available as individual articulations.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eTrue Legato.  \u003c\/strong\u003eThe instruments of Chris Hein - Winds offer true legato in up to four dynamic layers. For example, while playing the French Horn, the sample-engine picks the perfect note-transition out of more than 2,200 samples, resulting in unheard legato-realism. At the same time, it is possible to combine these realistic combinations with additional artificially inserted legatos.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eMain Features\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003e13 Orchestral Woodwind Instruments, 50 GB Content, 130.000 Samples, 13 Articulations\u003c\/li\u003e \u003cli\u003eUp to 8 Dynamic Layers\u003c\/li\u003e \u003cli\u003eUnique Phase-Align Technique, 4 Dynamic Modes, Dynamic Expression Sustains\u003c\/li\u003e \u003cli\u003eNote-Head Designer, Hot-Keys, Intelligent Legato, Glide-Mode to play realistic runs\u003c\/li\u003e \u003cli\u003e10 built in DSP-Effects, 2 independent Convolution Reverbs, 63 high class impulse responses\u003c\/li\u003e \u003cli\u003eAttack- \u0026amp; Release controls, Special Noise Controls\u003c\/li\u003e \u003cli\u003eEnsemble Maker, Micro-Tuner, Adjustable Fader Settings in the UI\u003c\/li\u003e \u003cli\u003eIntelligent LFO-Vibrato including EQ, Customizable Auto-Vibrato, Key-Vibrato\u003c\/li\u003e \u003c\/ul\u003e","brand":"Best Service","offers":[{"title":"Default Title","offer_id":35210071802008,"sku":"Best-Service-73242","price":139.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0416\/5232\/2456\/products\/Best_Service_Chris_Hein_Winds_Vol_3_-_Oboes__12337.jpg?v=1751493455"},{"product_id":"best-service-chris-hein-winds-vol-4-bassoons","title":"Best Service Chris Hein Winds Vol 4 - Bassoons","description":"\u003cp\u003e\u003cstrong\u003eBest Service Chris Hein Winds Vol 4 - Bassoons\u003c\/strong\u003e || Guildwater Gear is an Authorized Best Service Dealer. Please Be Aware That Software Is Non-Cancelable and Non-Returnable.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eBest Service Chris Hein Winds Vol 4 - Bassoons. \u003c\/strong\u003eOrchestral woodwinds for your computer in unheard perfection! Chris Hein - Winds consists of four parts, Vol 4. Bassoons offers 3 different bassoons. \u003cem\u003ePlease see all the details in the following description of Chris Hein Winds Complete:\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eChris Hein - Winds\u003c\/strong\u003e is an extensive woodwind library meeting the highest expectations regarding sound, quality, expression and usability. The library's instruments are based on painstakingly recorded and edited multisamples, with numerous articulations and up to eight dynamic layers. Producer Chris Hein has brought thirty years of sampling experience into this masterpiece, giving the user maximum flexibility and a high level of customization, while maintaining the ease of use.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eVersion 2 now features the following improvements:\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eimproved tuning of almost all samples\u003c\/li\u003e \u003cli\u003eimproved phase-aligned samples\u003c\/li\u003e \u003cli\u003edrastically reduced resource demand\u003c\/li\u003e \u003cli\u003eimproved legato transitions\u003c\/li\u003e \u003cli\u003eoptimised transition speed function\u003c\/li\u003e \u003cli\u003eglide mode-slur for more realistic runs\u003c\/li\u003e \u003cli\u003eoptimised Touch OSC MIDI remote control\u003c\/li\u003e \u003cli\u003eminor bug fixes\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cem\u003eRegistered users of the first version will find a free download of version 2 in their Best Service account!\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eChris Hein - Winds\u003c\/strong\u003e consists of four individual volumes, also being available separately or combined in a bundled complete version. The library contains a total of 13 instruments: four transverse flutes, three clarinets, three oboes and three bassoons. \u003c\/p\u003e \u003cul\u003e \u003cli\u003e\u003cstrong\u003eVol. 1 - Flute\u003c\/strong\u003e\u003c\/li\u003e \u003cul\u003e \u003cli\u003eFlute Piccolo\u003c\/li\u003e \u003cli\u003eC-Flute 1\u003c\/li\u003e \u003cli\u003eC-Flute 2\u003c\/li\u003e \u003cli\u003eAlto-Flute\u003c\/li\u003e \u003c\/ul\u003e \u003cli\u003e\u003cstrong\u003eVol. 2 - Clarinet\u003c\/strong\u003e\u003c\/li\u003e \u003cul\u003e \u003cli\u003eEb-Clarinet\u003c\/li\u003e \u003cli\u003eBb-Clarinet\u003c\/li\u003e \u003cli\u003eBass-Clarinet\u003c\/li\u003e \u003c\/ul\u003e \u003cli\u003e\u003cstrong\u003eVol. 3 - Oboe\u003c\/strong\u003e\u003c\/li\u003e \u003cul\u003e \u003cli\u003eOboe  \u003c\/li\u003e \u003cli\u003eOboe D'Amore\u003c\/li\u003e \u003cli\u003eEnglish Horn\u003c\/li\u003e \u003c\/ul\u003e \u003cli\u003e\u003cstrong\u003eVol. 4 - Bassoon\u003c\/strong\u003e\u003c\/li\u003e \u003cul\u003e \u003cli\u003eBasson\u003c\/li\u003e \u003cli\u003eBassoon Barock\u003c\/li\u003e \u003cli\u003eContra Bassoon\u003c\/li\u003e \u003c\/ul\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eChris Hein - Winds\u003c\/strong\u003e focuses on orchestral woodwind sounds maximum flexibility, while maintaining the ease of use. The library is arbitrarily configurable to embrace individual workflow techniques and demands of different producers. The available options and solutions take care of almost every practical application, leaving almost nothing to be desired - everything has been thought of! The extensive amount of samples is handled by Native Instruments' powerful sample-engine, Kontakt Player. Expect a custom tailored user-interface and extensive scripting to meet the specific requirements of these instruments.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eChris Hein - Winds\u003c\/strong\u003e lives up to the expectations of both woodwind lovers and specialists demanding outstanding samples, comprehensive details, an elaborate selection of articulations and a versatile adaption to specific workflows. The instruments can be loaded as full sample-sets, offering all articulations ready to be played on the keyboard. Thanks to the library's modular concept, you can also call up significantly reduced versions to keep loading-times fast and memory usage low. In clean-start configuration, only a sustain-set is loaded into memory. Whenever needed, you can add further articulations and functions with a single click. This allows fluent and efficient work, even on compact and mobile production systems with less powerful specifications.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eChris Hein - Winds\u003c\/strong\u003e offers orchestral woodwind sounds tailored to perfection. Both the high quality gear such as selected Neumann microphones and the musician's significant performaces drive the sound aesthetics. Unlike the award-winning Chris Hein - Horns, this library takes advantage of the renowned WDR Symphonic Orchestra.\u003c\/p\u003e \u003cp\u003eFor this library, dry close mic'ing was an intentional decision. All instruments were recorded individually avoiding any crosstalk. Despite that CH Winds incorporated the inevitable interaction of an orchestra. Therefore, the participating musicians used headphone monitoring, to complement each other. Consequently, time-dependent articulations such as Dynamic Expression receive an especially coherent tone, allowing you to combine individual instruments to perfectly matched ensembles.\u003c\/p\u003e \u003cp\u003eDue to the sample-engine's dual convolution reverbs and the intentionally dry sound of Chris Hein - Winds, you can easily adapt the instruments to various situations. The Kontakt Player allows a free instrument-placement in the stereo panorama. Separate convolution engines for the corpus-sound (body) and the ambience (room) allow creating any spatial environment, ranging from close intimacy to large orchestral halls. This makes Chris Hein - Winds significantly different to many competitors and their fixed spatial characteristics. It makes this library greatly variable and, additionally, combinable with almost any other library available.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUnique functions. \u003c\/strong\u003e\u003cstrong\u003ePerfect dynamic transitions thanks to phase alignment \u003c\/strong\u003eOver a research-period of six months, all samples were fully aligned in phase. Accordingly, the instruments offer perfect seamless transitions of dynamic layers without sonic degradation.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUnique combination of short and long notes.  \u003c\/strong\u003eThe combination of long and short notes is a major problem in sample-libraries, that often fails to deliver authentically sounding results. With real musical instruments, the note length often influences the attack behavior as well as the note end. Chris Hein - Winds addresses these aspects by its \"Note Head Designer\". For each sustain, you can call up short, adjusted sample variations, so called shorts, via the controllers. These Shorts not only offer the corresponding correct attack-behavior but also a note-end that perfectly matches the note length. These user-defined selections of short-note-variations are available in eight dynamic layers each and can be combined with the corresponding sustained phases, leading to astonishingly realistic results that cannot be achieved using random round-robin based selections. Of course, these shorts are also available as individual articulations.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eTrue Legato. \u003c\/strong\u003eThe instruments of Chris Hein - Winds offer true legato in up to four dynamic layers. For example, while playing the French Horn, the sample-engine picks the perfect note-transition out of more than 2,200 samples, resulting in unheard legato-realism. 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Please Be Aware That Software Is Non-Cancelable and Non-Returnable.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eBest Service Cinematique Instruments 2. \u003c\/strong\u003eSince 2010 we all know and love Cinematique Instruments for their unique virtual instruments, firing up our creativity, inspiration and individuality.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eCinematique Instruments Vol.2\u003c\/strong\u003e contains fascinating, new stringed instruments like a Banjo, Bowed Guitars, bowed acoustic guitars and basses, German Monochord, a wood box with 25 identically tuned strings. The Guitar Harmonics section offers a complete section of flageolet sounds from different acoustic guitars and basses. 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Please Be Aware That Software Is Non-Cancelable and Non-Returnable.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eBest Service Club Revolution Vol. 1. \u003c\/strong\u003e A complex sample collection with 2700 premium club sounds. A complex and yet well organised sample collection featuring over 2700 premium sounds, painstakingly produced and selected. Packed with over 1000 of the phattest, fruitiest club oriented drums, basses, breakbeats, synth sounds, cutted vocals, amazing electro sounds \/ drums, chords, a massive effect section (+360) and 575 totally fresh, floor filling kick-free-loops never heard before!\u003c\/p\u003e \u003cp\u003eThis CD covers a wide spectrum of Dance genres including Trance, Techno, Hardstyle, Electro and Progressive styles. The huge variety of samples is clearly categorised into folders. Loops are provided with bpm information (140 bpm) and tonal sounds are assigned to their root keys. Overall simplified access for direct use. WAV format offers all music software users endless possibilities of application. Both PC and Mac users will find this CD very useful, for it includes EXS24 and Kontakt 2 \/ 3 files as bonus material, which simplifies the loading process. Each single bass\/acid\/synth sample was mapped to an instrument and can instantly be played across the keyboard.\u003c\/p\u003e \u003cp\u003eClub Revolution Vol 1 offers everything you need for the next floorfiller and will lift your production to the next level. Truly setting the benchmark for sound and sample quality.\u003c\/p\u003e \u003cp\u003eGerman sound wizard 'Oliver Schmitt', the man behind the famous \"REVOLUTION\" soundset series, brings you 'Club Revolution Vol 1'. He continuously offers online up-to-date soundsets on his popular platform: www.sounds-of-revolution.com. Oliver Schmitt already received massive praise and support from the most influential Dance Music producers on the planet including Tiesto, Nic Chagall (Cosmic Gate), BT, Markus Schulz, Headstrong, Martin Roth, DJ Shah \u0026amp; The Thrillseekers to name but a few !\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Here we don`t have only programs, where you can audio test the same samples via the keyboard - added are real playable programs for each single\u003cbr\u003etonal sound. Considering the frame of possibilities this is real luxury. [...] Club Revolution can now compete with top dog Mutekki [...] Oliver\u003cbr\u003eSchmitt sets a course regarding the sound: His samples sound even a bit rougher and cooler than the ones of Mutekki - a good alternative or supplement. Try it out! (Sound \u0026amp; Recording magazine 11\/2008)\"\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e\u003cbr\u003e\u003cem\u003e\"Especially impressing are the experimental- and kick-free-loops, that can be used particularly well as add-on-beats. [...]  The samples are not just\u003cbr\u003efiltered major-beats, but sound transparent and clear. Sometimes electronic sterile, then again organic warm, all frequenzy areas are being served from\u003cbr\u003ethe lower middles to the heights.  [...] In addition Schmitt has got a variety of single sounds for his library in order to compose also individual\u003cbr\u003ebeats. [...] Very good sounding sounds, that are also interesting for all kinds of genres. 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Complete Orchestral Collection is the most affordable and comprehensive collection of the finest classical sounds, classical choir, strings, woodwinds, brass, percussion, harp, mallets, piano, prepared piano, ready to use orchestral excerpts, performances and effects.\u003c\/p\u003e \u003cp\u003eThis comprehensive, thought through and ergonomic virtual string orchestra could not have been realised without today's computer and sampler technology. In its carefully programmed patches you will find many innovative solutions, to help achieve your music goals even more quickly. The result is a spontaneous, playful and intuitive handling of the sound material. With a unified key switch system and direct, instant access to all the important articulations. Including quintuple alternation switch (Staccato, Quarter Notes) and precise control of the dynamic response of the samples using different MIDI parameters. String Essentials will enable you to focus on the most essential part of your activity - your music - creatively and easily. Just load and play it! New great sounding samples in 5 different lengths, 3 or 4 dynamic levels, runs and natural release samples were carefully recorded using 3 microphone placements: close (dry), normal and ambient. You choose the best sound for your music. Including Surround ! Peter Siedlaczek did his best to use the power of Native Instruments' Kontakt Sampler down to the last detail. The result is a complex, yet easy-to-use musical instrument which you will play with enthusiasm and enjoyment!\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003e14 violins, 10 violas, 8 cellos \u0026amp; 6 double basses\u003c\/li\u003e \u003cli\u003espontaneous, playful and intuitive handling\u003c\/li\u003e \u003cli\u003ethought-out, innovative solutions\u003c\/li\u003e \u003cli\u003ecomplex, yet convenient and ergonomic patches\u003c\/li\u003e \u003cli\u003ecompletely new material recorded with three different mic set-ups, providing ambient, normal and dry samples\u003c\/li\u003e \u003cli\u003eKontakt Player included (\u003cstrong\u003eversion 5.1.0 required\u003c\/strong\u003e)\u003c\/li\u003e \u003cli\u003eworks as a plug-in in any standard or as a stand-alone application\u003c\/li\u003e \u003cli\u003e12 GB of great sounding samples in 5 lengths and 3 or 4 dynamic layers\u003c\/li\u003e \u003cli\u003eimmediate access to nearly all the playing techniques via key switches\u003c\/li\u003e \u003cli\u003efast and convenient sample character shaping using midi controllers (Accent, Expression, Crescendo Time, Portamento Depth\/Time, Tempo, Run Shift, Release Time, Release Off, etc.)\u003c\/li\u003e \u003cli\u003emore realism with run and ornamentation tools\u003c\/li\u003e \u003cli\u003erelease trigger\u003c\/li\u003e \u003cli\u003emultiple alternation switching\u003c\/li\u003e \u003cli\u003efrom double to quintuple\u003c\/li\u003e \u003cli\u003esurround\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eThanks to the all-new Kontakt engine, Complete Classical Collection has amazing new possibilities. Almost every important function can be accessed via the script engine, and every important control can be activated and remote-controlled. Kontakt's engine is built like a semi modular synthesizer, and gives you the possibility to drastically manipulate sounds.\u003c\/p\u003e \u003cp\u003eThe completely script based user interface allows almost all important parameters to be controlled with the Automation-user interface. Complete synthesis unit with filter, LFO and effect section. Tempo, length and pitch of parts of the loops and phrases can be varied with the Time Machine. You can play the instruments with BreathControl or any other controller. The Dual-Harmonize function allows you to create any desired interval combination. Together with the Microtune-function you can easily create arabic\/oriental\/exotic tunings. Use the Humanize-function for subtle tone changes, and each note will sound a little bit different. The Legato-function lets you create great sounding legato lines. The Attack-function puts additional accents on any desired timbre. With this function you get smoother transitions from staccato to sustained notes, because the accent can seamlessly blend in and vary the sound.\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eContent\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eAdvanced Orchestra. \u003c\/strong\u003eThis very complex yet compact and user-friendly sound library sets new standards for symphonic samples. Enjoyable and easy to use with expanded capabilities thanks to the advantages of the newest software developments. Extensive use of key switching and direct-from-disk technology. New programs with multiple layers and instantaneous access to dozens of instruments and playing techniques. This library contains Solo- \u0026amp; Ensemble Strings, Solo- \u0026amp; Ensemble Brass, Solo- \u0026amp; Ensemble Woodwinds and Harp with comfortable access to different articulations and performances, as well as a huge percussion section with many additional instruments. Sounds which have proven themselves in countless music productions worldwide.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eClassical Choir. \u003c\/strong\u003ePeter Siedlaczek's 5star winning \"Classical Choir\". Just when you thought it couldn't get better, it did! This section contains over 100 singers, sampled at each semitone from aaa to zzz, men, women, mixed choir, bass, tenor, alto, soprano. Fantastic falls, swells and choir voice effects. Whether you want a perfectly realistic choral sound or you are creating new sounds, these samples provide the user with perfect material to work with.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOrchestral Colours. \u003c\/strong\u003ePeter Siedlaczek's, Orchestral Colours created a new trend - the use of prepared, skilfully arranged orchestral building blocks. The result is a colourful mixture of hits, finales, passages, layers, atmospheres - a collection of \"mini-works\" which are playable in any key! The incredible tonal richness of a symphony orchestra, its expressiveness, dynamic, or its \"power\", makes it the most mighty and versatile body of sound. 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