{"title":"Microphones","description":"","products":[{"product_id":"aea-a440-ribbon-microphone-phantom-powered","title":"AEA A440 Ribbon Microphone (Phantom-Powered)","description":"\u003cp\u003e\u003cstrong\u003eAEA A440 Ribbon Microphone (Phantom-Powered)\u003c\/strong\u003e\u003cbr\u003e High Performance Phantom-Powered Ribbon\u003cbr\u003e In the 44 Tradition, With X-Motor \u0026amp; Full Museum Quality Shell Standard\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe active \u003cstrong\u003eA440\u003c\/strong\u003e is a preamp-flexible R44 with 18dB of extra output. It is custom-painted with the RCA classic umber-colored transformer case. The active \u003cstrong\u003eA440\u003c\/strong\u003e is an ultra-premium version of the R44C. It is complete with a custom Lehle transformer, RPQ JFET preamp electronics and the “X” motor hotrod and is the quietest ribbon microphone ever manufactured. It retains the same sonic character of the passive R44C, but with an additional 18dB of output and greater flexibility with different preamps. Many engineers favor their A440s over their vintage RCA 44s due to the advantages in noise performance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eHere is an explanation of the differences between the different AEA  models:\u003c\/strong\u003e The \u003cstrong\u003eAEA R44C\u003c\/strong\u003e is an exact replica of the vintage \u003cstrong\u003eRCA 44BX\u003c\/strong\u003e ribbon microphone, considered the most musical sounding microphone ever built. Many of the 20th century’s most iconic recordings were recorded by the \u003cstrong\u003eR44.\u003c\/strong\u003e The AEA \u003cstrong\u003eR44\u003c\/strong\u003e is an exacting reproduction of the RCA 44B\/BX Velocity Microphone, circa 1936. Audio Engineering Associates had already been buying, selling, and repairing vintage RCA and other ribbon microphones for two decades, before deciding to reissue the RCA 44. The first question, however, was “Which model should we rerelease?” Many design changes had altered the microphone during the production years of 1936 through 1958. We consulted many engineers and users and decided that the earlier versions from the 30’s to mid-40’s were the all-around favorite, the ones with the ‘magic sound.’ \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003cstrong\u003eAEA R44C \/ CX\u003c\/strong\u003e is a faithful reproduction, down to one ten-thousandth of an inch. The parts are completely interchangeable with a real 44, the only difference being the magnets. Our modern \u003cstrong\u003eAEA R44C \/ CX\u003c\/strong\u003e uses Neodymium magnets, which are more powerful than the Alnico originals. This produces an output level that is about 1 dB higher than the original microphone, while our \u003cstrong\u003eR44CX\u003c\/strong\u003e High Output version is about 6 dB higher. The ribbon is made from the original RCA ribbon stock! Yes, some of the real stuff had been stored for all these years after RCA discontinued that arm of its business. We also were able to garner some help from one of the original RCA engineers. With their invaluable help, we were able to make this legendary microphone available again.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE R44 VARIANTS - \u003c\/strong\u003eThe passive R44 is available in two exteriors– the original museum-quality replica \u003cstrong\u003eR44C\u003c\/strong\u003e and the aesthetically cost-effective \u003cstrong\u003eR44CE\u003c\/strong\u003e. Both mics have an identical sound and are exactly the same on the inside. The difference between the two is only cosmetics and price. The \u003cstrong\u003eR44CX \u003c\/strong\u003eis the \u003cstrong\u003eHigh Output \u003c\/strong\u003eversion of the museum quality original, which is about 5dB higher. It is also available in a cost-effective edition - the \u003cstrong\u003eR44CXE\u003c\/strong\u003e.\u003cstrong\u003e \u003c\/strong\u003eThe active \u003cstrong\u003eA440\u003c\/strong\u003e is a preamp-flexible R44 with 18dB of extra output. It is custom-painted with the RCA classic umber-colored transformer case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eR44 SERIES MICROPHONE OVERVIEW\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"text\"\u003e\n\u003cul\u003e\n\u003cli\u003eUnparalleled warmth and legendary character\u003c\/li\u003e\n\u003cli\u003eFull and rich tonality with generous low end and proximity effect\u003c\/li\u003e\n\u003cli\u003eFaithful reproduction of the RCA R44BX with new old stock RCA ribbon material\u003c\/li\u003e\n\u003cli\u003eEconomy exterior R44CE exhibits same, classic sound\u003c\/li\u003e\n\u003cli\u003eActive A440 upgrade has 12db level increase and is optimized for all preamps\u003c\/li\u003e\n\u003cli\u003eMade in the U.S.A.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eThe First Great Microphone for Music. \u003c\/strong\u003eWhether it was the smooth brass section of the soundtrack of a classic Hollywood film, the velvety lushness of a jazz vocal or the larger-than-life drum sound of a classic rock recording, chances are an RCA 44-series ribbon microphone was used in the studio when the sound was created. In use for more than 80 years in recording and broadcast studios throughout the world, the RCA 44 ribbon design is as rich in history as it is in sound and character. This instantly recognizable sound produces thunderous lows due to the strong proximity effect, full and rich midrange and a unique top end taking the edge off of harsh instruments. In 1976, AEA decided to begin servicing the thousands of existing RCA ribbon mics in the world. By 1998, AEA had acquired 100 percent of the interchangeable parts used within the original RCA 44. That same year we debuted our R44 reissue — called the AEA R44C — using RCA’s original methods and techniques.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE LEGENDARY BIG RIBBON SOUND - \u003c\/strong\u003eThe AEA R44 maintains an iconic legacy of great ribbon mics by delivering a rich sound full of character and color. Effective on a broad range of instruments and rooms, the R44 bolsters mids and lows while smoothing harsh high frequencies to produce a multi-dimensional sound unlike that of any microphone the world over. Used on everything from crooning vocalists to full orchestras, the R44 is the ideal choice to capture the tone of any voice or instrument while imparting its legendary ribbon character. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDIFFERENT OUTSIDES, THE SAME SOUND - \u003c\/strong\u003e\u003cspan\u003eOur R44 Series microphones all share the authentic sound, feel and look of the 1936-38 RCA 44BX. The R44 series microphones are all detailed, hand-crafted replicas, using parts that are made to be interchangeable with an original RCA 44. We manufacture three different versions of the R44 and an optional hotrod. \u003c\/span\u003e\u003cspan\u003eAt the core, every version of the R44 sounds the same when powered with a ribbon preamp. The major differences between the versions are the exterior look and the amount of output level.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHigh-Output Upgrades - \u003c\/strong\u003eThe original R44 microphones were constantly updated during their twenty years of production, and after carefully looking at some of the technical modifications, we've created two upgrades to the original R44.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe active \u003cstrong\u003eA440\u003c\/strong\u003e is an ultra-premium version of the R44C. It is complete with a custom Lehle transformer, RPQ JFET preamp electronics and the “X” motor hotrod and is the quietest ribbon microphone ever manufactured. It retains the same sonic character of the passive R44C, but with an additional 18dB of output and greater flexibility with different preamps. Many engineers favor their A440s over their vintage RCA 44s due to the advantages in noise performance.\u003c\/li\u003e\n\u003cli\u003eWe developed a modified R44 transducer, called the \u003cstrong\u003eX-Motor\u003c\/strong\u003e, that includes two additional magnets that provide an extra 6db of output. With a sound identical to the original 44, the X-Motor ‘hot rod’ mod is useful for scoring and classical sessions and other applications demanding a wide dynamic range with the classic 44 sound. Available as an upgrade in R44C and CE models, the X-Motor version of the R44 bears a red-badge on the outside instead of the standard black badge.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eYES, THERE’S A MATCHING PREAMP - \u003c\/strong\u003eThe preamp is critical for optimum performance for our passive R44 models. Preamp gain should be at least +60dB or higher and it should have a very high impedance. It’s the same requirement with all passive ribbon mics. To guarantee consistent, full-range ribbon sound, we recommend AEA’s RPQ2, RPQ500 and TRP2 preamps, which were specially designed for ribbon microphones. However, preamps with above a 5K ohm impedance found in many live soundboards are adequate for guitar amps and other louder instruments. On quiet sound sources or for distance recording, an AEA preamp is highly recommended.\u003c\/div\u003e\n\u003cdiv class=\"text\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"text\"\u003e\n\u003cem\u003e\u003cstrong\u003eMix\u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003e Magazine\u003c\/strong\u003e ||  “My next project was recording John Williams' score for Stepmom. We used the R44C on trumpet, a standard microphone choice for many scoring mixers. In this application, the microphone performed flawlessly. Its smooth ribbon character and overall warm sound were perfect for this application. In fact, I would unhesitatingly use these microphones for most brass applications.” – Shawn Murphy\u003c\/div\u003e\n\u003cdiv class=\"text\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"text\"\u003e\n\u003cem\u003e\u003cstrong\u003eResolution\u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003e \u003cem\u003eMagazine\u003c\/em\u003e \u003c\/strong\u003e|| “What you are paying for in the A440 is that 'magic' sound - and a degree of authenticity that's as close as is possible to the original 44 - in a package that delivers the goods in a more modern recording chain. And with the RPQ ribbon pre P48 you get a preamplifier that will do it - and for that matter, any other ribbon microphone - the utmost justice.” – Jon Thornton\u003c\/div\u003e\n\u003cdiv class=\"text\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"text\"\u003e\n\u003cem\u003e\u003cstrong\u003eSound On Sound\u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003e \u003c\/strong\u003e|| “As with the other RCA44 variants, though, [the A440] is enough for us cash‑starved mortals to know that such fabulous mics are still available, and easier to use now than ever before — and that they still sound utterly wonderful. When I reviewed this microphone's forebear, I suggested that it was like a vintage Bentley: expensive and revered, but not easy to justify to the accountants. The same is true of this one, only it's now been fitted with a supercharger! Unfortunately, once you've heard this mic, you'll always aspire to own it. ” – Hugh Robjohns\u003c\/div\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTechnical Specifications\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable style=\"margin-left: auto; margin-right: auto; height: 486px; width: 567px;\" class=\"tech-spec-table\"\u003e\n\u003ctbody\u003e\n\u003ctr valign=\"top\" align=\"left\" style=\"background-color: #f5f5f5;\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003e Operating Principle \u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003ePressure gradient transducer\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr valign=\"top\" align=\"left\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003e Directional Pattern \u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003eBidirectional\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr valign=\"top\" align=\"left\" style=\"background-color: #f5f5f5;\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eFrequency Range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e\u0026lt; 20 Hz to \u0026gt;20 kHz\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr valign=\"top\" align=\"left\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003ePolarity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003ePin 2 high for positive pressure\u003cbr\u003e at the front of the microphone.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr valign=\"top\" align=\"left\" style=\"background-color: #f5f5f5;\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\n\u003cp\u003e\u003cstrong\u003ePolar Response\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003eNative bidirectional, figure-of-8 pattern\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr valign=\"top\" align=\"left\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\n\u003cp\u003ePolar Response Horizontal\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003eUp to 90 dB rejection\u003cbr\u003e at right angles to the front\/back axis.\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr valign=\"top\" align=\"left\" style=\"background-color: #f5f5f5;\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003ePolar Response Vertical\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003eLevel changes with angle of incidence,\u003cbr\u003e but frequency response is consistent.\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr valign=\"top\" align=\"left\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eTransducer Element Material\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003ePure aluminum corrugated ribbon\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr valign=\"top\" align=\"left\" style=\"background-color: #f5f5f5;\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\n\u003cp class=\"p1\"\u003eTransducer Thickness\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e1.8 μm\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr valign=\"top\" align=\"left\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003eTransducer Width\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e0.185 in (4.7 mm)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr valign=\"top\" align=\"left\" style=\"background-color: #f5f5f5;\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003eTransducer Length\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e2.35 in (59.7 mm)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr valign=\"top\" align=\"left\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eDimensions \/Weight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cstrong\u003eHeight:\u003c\/strong\u003e 12.25 in (31.1 cm)\u003cbr\u003e\u003cstrong\u003eWidth:\u003c\/strong\u003e 4.62 in (11.7 cm)\u003cbr\u003e \u003cspan\u003e\u003cstrong\u003eDepth: \u003c\/strong\u003e 3\u003c\/span\u003e\u003cspan\u003e.25 in (8.3 cm)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 7 lb. 9 oz. (3.43 kg)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr valign=\"top\" align=\"left\" style=\"background-color: #f5f5f5;\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eConnector Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003eXLR-3M\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr valign=\"top\" align=\"left\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eShipping Weight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003eNot Specified\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr valign=\"top\" align=\"left\" style=\"background-color: #f5f5f5;\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eAccessories Included\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003eVertical Case, User Manual,\u003cbr\u003e Captive 10\" (3 meter) Cable with XLR-3M Connector\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr valign=\"top\" align=\"left\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e \u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr valign=\"top\" align=\"left\" style=\"background-color: #f5f5f5;\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eR44C \/ CE \/ CX Passive Microphones\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e \u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr valign=\"top\" align=\"left\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eMaximum SPL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e165+ dB SPL (1% third harmonic \u0026gt; 1 kHz)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr valign=\"top\" align=\"left\" style=\"background-color: #f5f5f5;\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e2.25 mV\/Pa (-53 dBv) into unloaded circuit\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr valign=\"top\" align=\"left\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e270 Ω broadband\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr valign=\"top\" align=\"left\" style=\"background-color: #f5f5f5;\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\n\u003cp\u003e\u003cstrong\u003eRecommended Load Impedance\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e1.2 kΩ or greater\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr valign=\"top\" align=\"left\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003ePhantom Power\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003eNot required or recommended\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr valign=\"top\" align=\"left\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e \u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr valign=\"top\" align=\"left\" style=\"background-color: #f5f5f5;\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eA440 Phantom-Powered Microphone\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e \u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr valign=\"top\" align=\"left\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eMaximum SPL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e136+ dB SPL (1% third harmonic \u0026gt; 1 kHz)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr valign=\"top\" align=\"left\" style=\"background-color: #f5f5f5;\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e30 mV\/Pa (-33.5 dBv) into unloaded circuit\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr valign=\"top\" align=\"left\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e92 Ω broadband\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr valign=\"top\" align=\"left\" style=\"background-color: #f5f5f5;\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\n\u003cp\u003e\u003cstrong\u003eRecommended Load Impedance\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e1.0 kΩ or greater\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr valign=\"top\" align=\"left\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003ePhantom Power\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003eP48 phantom power, 7 mA\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":35203956048024,"sku":"AEA-A440","price":6999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0416\/5232\/2456\/products\/AEA-A440-Ribbon_Microphone-Phantom-Powered-AEA-A440-01__36393.png?v=1751493616"},{"product_id":"aea-ku4-ribbon-microphone","title":"AEA KU4 Ribbon Microphone","description":"\u003cp\u003e\u003cstrong\u003eAEA KU4 Ribbon Microphone\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan\u003eWith a supercardioid polar pattern, rich ribbon tone, and extended top-end, the KU4’s directionality allows it to be positioned almost anywhere without capturing room tone and bleed, making it one of the most flexible ribbon mics in production today.\u003c\/span\u003e\u003c\/p\u003e \u003cul style=\"padding-left: 30px;\"\u003e \u003cli\u003eSupercardioid polar pattern, rejecting bleed and ambient room reflections\u003c\/li\u003e \u003cli\u003eExtended top end with classic ribbon smoothness\u003c\/li\u003e \u003cli\u003eNear-field ribbon mic with reduced proximity effect for close-miking\u003c\/li\u003e \u003cli\u003eAEA’s redesign of RCA’s legendary KU3A\u003c\/li\u003e \u003cli\u003eMade in the USA\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"productAboutTitle\"\u003e\n\u003cstrong\u003eA RIBBON WITHOUT ROOM TONE \u003c\/strong\u003e- AEA’s \u003cstrong\u003eKU4\u003c\/strong\u003e is one of the most useful and unique ribbon microphones in the world. Its supercardioid polar pattern rejects bleed from other instruments and reflections in the room while retaining matchless top-end clarity. As the brightest mic in the AEA line, it retains the full spectrum sonic range that has made ribbon mics a staple in most of the world’s great recording studios. The \u003cstrong\u003eKU4\u003c\/strong\u003e’s minimal proximity effect and accented mid-range make it an exceptional vocal mic that captures the presence and detail of a performance. Its near-field nature also lends to the close range recording of kick drums, strings, and woodwinds, providing a welcome brightness and balance in the mix.\u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e \u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e\n\u003cstrong\u003eTHE NEAR-FIELD SUPERCARDIOID \u003c\/strong\u003e- The \u003cstrong\u003eKU4\u003c\/strong\u003e’s supercardioid polar pattern enables it to capture direct sound from a vocalist or instrument without room tone. This is an advantage when tracking musicians live in the same room or when used live on stage. With most figure-of-eight patterned ribbons, mic positioning can require a finesse to avoid other sources using the microphone’s nulls. The \u003cstrong\u003eKU4\u003c\/strong\u003e has none of these limitations. Being a near-field ribbon microphone, the microphone was designed to be positioned between one and 18 inches from the source. The mic’s proximity effect kicks in six inches away from the sound source. It can be placed close to an instrument while retaining a balanced frequency response. Unlike most traditional ribbon mics, think the \u003cstrong\u003eKU4\u003c\/strong\u003e’s placement should be thought in terms of inches instead of feet. Of course, the \u003cstrong\u003eKU4\u003c\/strong\u003e can also be positioned at some distance from the sound source. It will just have a more balanced sound from up close. The \u003cstrong\u003eKU4\u003c\/strong\u003e can handle 140+ dB SPL at 1 kHz. That means it will not be hurt by loud sound sources.\u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e \u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e\u003cspan\u003e\"\"AEA has definitely captured the right amount of clarity and vintage character with the KU4. this will be a permanent part of my drum rig, so much that iIm considering buying a second KU4 to move around the studio for other applications.\" - \u003cspan\u003eAli Shaheed Muhammad (A Tribe Called Quest, Luke Cage)\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e \u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e\u003cspan\u003e\u003cspan\u003e\u003cstrong\u003eAlternative to Sibilant Condensers\u003c\/strong\u003e -  \u003c\/span\u003e\u003cspan\u003eAfter getting used to bright condenser microphones, \u003c\/span\u003e\u003cspan\u003esometimes traditional ribbon mics sound darker than desired\u003c\/span\u003e\u003cspan\u003e. The \u003cstrong\u003eKU4,\u003c\/strong\u003e with its unique bright character, has the best elements of both condensers and ribbons– specifically, a smooth midrange that doesn’t accentuate sibilance in the same way that condensers often do. \u003c\/span\u003e\u003cspan\u003eThe mic’s supercardioid polar pattern, bright voicing, and near-field design offer the flexibility to use it in the exact same way as a condenser. This problem-solving microphone can be used in virtually any recording situation.\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e \u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e\n\u003cstrong\u003eA REINVENTION OF A CLASSIC MOTION PICTURE MICROPHONE \u003c\/strong\u003e- The \u003cstrong\u003eKU4\u003c\/strong\u003e is a redesign of the legendary \u003cstrong\u003eRCA KU3A\u003c\/strong\u003e, a unidirectional microphone originally designed for boom use in Hollywood motion picture studios. It was RCA’s most expensive ribbon microphone and fewer than 600 units were ever manufactured. The \u003cstrong\u003eKU3A\u003c\/strong\u003e combined the smooth ribbon sound of the classic \u003cstrong\u003eRCA 44\u003c\/strong\u003e with a unidirectional pattern, a wide sweet spot, and reduced proximity bass boost. It expanded the engineer’s range of placement choices and became a standard at film studios throughout the world. Today, the \u003cstrong\u003eKU3A\u003c\/strong\u003e is a rare collector’s item and only a handful of studios or rental houses own them. Original \u003cstrong\u003eKU3A\u003c\/strong\u003es are notorious for their sonic inconsistencies due to production tolerances that included the use of the thick hair of English cows as a damping material. At \u003cstrong\u003eAEA,\u003c\/strong\u003e we engineered our \u003cstrong\u003eKU4\u003c\/strong\u003e from the ground up in order to recreate this seminal design while ensuring flawless consistency from unit to unit.\u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e \u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e\n\u003cstrong\u003eYES, THERE’S A MATCHING PREAMP \u003c\/strong\u003e- Since the \u003cstrong\u003eKU4\u003c\/strong\u003e is a classic passive ribbon microphone, the preamp is critical for optimum performance. Preamp gain should be at least +60dB or higher and the preamp should have a very high impedance. It’s the same requirement with all passive ribbon mics. To guarantee consistent, full-range ribbon sound, we recommend AEA’s \u003cstrong\u003eRPQ2,\u003c\/strong\u003e \u003cstrong\u003eRPQ500\u003c\/strong\u003e and \u003cstrong\u003eTRP2\u003c\/strong\u003e preamps, which were specially designed for ribbon microphones. However, preamps with above a 5K ohm impedance found in many live soundboards are adequate for guitar amps and other louder instruments. On quiet sound sources or for distance recording, an AEA preamp is highly recommended.\u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e \u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e“The \u003cstrong\u003eKU4\u003c\/strong\u003e is honest, exactly where it needs to be while retaining a euphoric quality that’s hard to replicate with anything else. It’s truly a great experience hearing anything through that microphone. I know I’ll be excited about the results every time I reach for it.” - Josh Block (Leon Bridges)\u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e \u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e\n\u003cem\u003e\u003cstrong\u003eRecording Mag\u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003e \u003c\/strong\u003e|| “Almost as important is that this is not just a microphone, it's a legend, and it's an RCA legend of very long standing. Don't underestimate the power of the legend; sometimes it just makes people perform better. I know, it's silly, but that's how the studio is. The \u003cstrong\u003eKU3A\u003c\/strong\u003e was made by hand for a special job, and became a legend much the way the Stradivarius did. The KU4 makes it possible to actually own the legend.” \u003cspan\u003e– Scott Dorsey\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e \u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e\n\u003cem\u003e\u003cstrong\u003eSound On Sound\u003c\/strong\u003e \u003c\/em\u003e|| “The combination of classic ribbon smoothness with a near-cardioid pattern is a very beguiling permutation that enables the use of ribbon mics in situations that are normally inappropriate or too challenging. ” \u003cspan\u003e\u003cspan\u003e– Hugh Robjohns\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e \u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e\n\u003cem\u003e\u003cstrong\u003eMix Mag\u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003e \u003c\/strong\u003e|| “It's hard not to rave about this mic. Yes, It's expensive, but the feeling you get when you hear the KU4 in front of anything is the reason audio engineers get out of bed in the morning...The KU4 has an intimate quality that I've not heard out of any other ribbon. Using the mic is a joy” – Kevin Becka\u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e \u003c\/div\u003e \u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTechnical Specifications\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e \u003ctable class=\"tech-spec-table\" style=\"margin-left: auto; margin-right: auto; height: 486px; width: 567px;\"\u003e \u003ctbody\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003e Operating Principle \u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003ePressure gradient transducer\u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003e Directional Pattern \u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003eBidirectional\u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eFrequency Range\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e\u0026lt; 20 Hz to \u0026gt;20 kHz\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eMaximum SPL\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e141 + dB SPL (1% third harmonic \u0026gt; 1 kHz)\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e6.3 mV\/Pa (-44 dBv\/Pa) into unloaded circuit\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e92 Ω nominal\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003cp\u003e\u003cstrong\u003eRecommended Load Impedance\u003c\/strong\u003e\u003c\/p\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e1.0K Ω or greater\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003ePhantom Power\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eP48 phantom power, 7 mA\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003ePolarity\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003ePin 2 high for positive pressure\u003cbr\u003e at the front of the microphone.\u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003cp\u003e\u003cstrong\u003ePolar Response\u003c\/strong\u003e\u003c\/p\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eNative bidirectional, figure-of-8 pattern\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003cp\u003ePolar Response Horizontal\u003c\/p\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eUp to 90 dB rejection\u003cbr\u003e at right angles to the front\/back axis.\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003ePolar Response Vertical\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eLevel changes with angle of incidence,\u003cbr\u003e but frequency response is consistent.\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eTransducer Element Material\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003ePure aluminum corrugated ribbon\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003cp class=\"p1\"\u003eTransducer Thickness\u003c\/p\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e1.8 μm\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003eTransducer Width\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e0.185 in (4.7 mm)\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003eTransducer Length\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e2.35 in (59.7 mm)\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eDimensions \/Weight\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cstrong\u003eHeight:\u003c\/strong\u003e 11.6 in (29.5 cm)\u003cbr\u003e\u003cstrong\u003eWidth:\u003c\/strong\u003e 3.9 in (9.9 cm)\u003cbr\u003e \u003cspan\u003e\u003cstrong\u003eDepth: \u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003e2.5 in (6.4 cm)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 3 lbs (1.36 kg) (With Cable)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eConnector Type\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eXLR-3M\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eShipping Weight\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e4 lb. (1.8 kg)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eAccessories Included\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eSoftcase, User Manual,\u003cbr\u003e Captive 10\" (3 meter) Cable with XLR-3M Connector\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":35203956080792,"sku":"AEA-KU4","price":6249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0416\/5232\/2456\/products\/AEA-KU4-Ribbon-Microphone-02__43159.png?v=1751493614"},{"product_id":"aea-ku5a-ribbon-microphone","title":"AEA KU5A Ribbon Microphone","description":"\u003cp\u003e\u003cstrong\u003eAEA KU5A Ribbon Microphone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSupercardioid polar pattern that rejects room tone and instrument bleed\u003c\/li\u003e\n\u003cli\u003eDetailed, extended top end with ribbon smoothness and warmth\u003c\/li\u003e\n\u003cli\u003eSupreme durability for close-range, outdoor, and live use\u003c\/li\u003e\n\u003cli\u003eActive electronics and custom transformer optimized for all preamps\u003c\/li\u003e\n\u003cli\u003eFront address design with built-in yoke is simple to position\u003c\/li\u003e\n\u003cli\u003eIntegrated high-pass filter switch reduces proximity effect at close-range\u003c\/li\u003e\n\u003cli\u003eMatte black finish is discreet on camera\u003c\/li\u003e\n\u003cli\u003eMade in the U.S.A.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"productAboutTitle\"\u003e\n\u003cspan\u003eThe supercardioid \u003cstrong\u003eKU5A\u003c\/strong\u003e breaks new ground in ribbon technology with its acutely focused directionality that rejects bleed from other instruments, room reflections, and loud ambience in the studio and on stage. \u003c\/span\u003e\u003cspan\u003eNever before has a ribbon mic delivered as much clarity and breadth of sound in a package so fit for both studio and live use. As a near-field ribbon designed for close range recording, the KU5A delivers the low-end heft and pronounced midrange one expects of \u003cstrong\u003eAEA\u003c\/strong\u003e ribbons and with moderate, manageable proximity effect. Vocalists can sing directly into the grill of the \u003cstrong\u003eKU5A,\u003c\/strong\u003e as its interior components are the most protected of any in the AEA lineup. \u003c\/span\u003e\u003cspan\u003eThe \u003cstrong\u003eKU5A\u003c\/strong\u003e is equipped with active electronics, fit for any preamp in the studio and on the road, as well as an integrated high-pass filter to roll off low end in close range recording applications.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"productAboutTitle\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"productAboutTitle\"\u003e\n\u003cstrong\u003eTHE SUPERCARDIOID RIBBON - \u003c\/strong\u003eThe KU5A’s supercardioid polar pattern captures pure, direct sound while rejecting room tone from behind the mic. This feature prevents excessive monitor and audience bleed when tracking musicians live in one room or on stage. Traditional figure-of-8 ribbons, which distinctly incorporate both direct sound and room sound, rely on sharp nulls to reject unwanted bleed. The KU5A’s end-address directionality and tight supercardioid pattern allow for effortless positioning on snare, toms, and other instruments that may be difficult to access. Signal bleed captured by dynamic mics and condensers often sounds harsh and brittle due to top-end frequencies. The minimal bleed captured by the KU5A sounds more natural as a result of its smooth top end and coheres well in a mix.\u003c\/div\u003e\n\u003cdiv class=\"productAboutTitle\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"productAboutTitle\"\u003e\"I WAS BLOWN AWAY BY IT ON THE DRUMS ALONE. THIS MIC IS BREAKBEAT READY, OUT OF THE BOX! IT’S VERY VERSATILE. I’M IN LOVE WITH IT.” - Ali Shaheed Muhammad (A Tribe Called Quest, Luke Cage) \u003c\/div\u003e\n\u003cdiv class=\"productAboutTitle\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"productAboutTitle\"\u003e\n\u003cp\u003e\u003cstrong\u003eWell-Rounded Tonality\u003c\/strong\u003e - If you are fond of ribbon tonality and want to capture the direct sound of your instrument without room reflections and bleed, the \u003cstrong\u003eKU5A\u003c\/strong\u003e is a perfect choice. Its smooth ribbon midrange softens the sibilance that a condenser often accentuates, and its extended top end mitigates the need to blend it with other microphones for more bite. Sources within 3 inches of the \u003cstrong\u003eKU5A\u003c\/strong\u003e will benefit from the warm tonality of its proximity effect, and the mic can handle 141+ dB SPL at 1kHz. High volume sources will not damage the KU\u003cstrong\u003e5\u003c\/strong\u003eA’s interior components, so the mic can be positioned just inches from a guitar or bass amp. However strong bursts of air may damage the ribbon, so exercise caution when positioning it in front of a kick drum. Air bursts produced from vocalists will not damage the KU5A ribbon, as it is the most protected of any mic in the AEA lineup. \u003cspan\u003ehe \u003cstrong\u003eKU5A\u003c\/strong\u003e has an integrated electronic high-pass filter that can be engaged with an external pushbutton switch. This filter smoothly rolls off low-end with a 6db\/octave shelf at 283 Hz. The switch activates the \u003cstrong\u003eKU5A’s\u003c\/strong\u003e near-field mode for optimal close-range performance. This high-pass filter was designed specifically for singers who use the KU5A on the road and in the studio, and allows its user to position the mic right up against the source without experiencing overwhelming proximity effect.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eROADWORTHY COMPANION - \u003c\/strong\u003eTouring bands rely on the durability and low-profile of the KU5A for sound reinforcement at live shows. At outdoor festivals and indoor theaters alike, the KU5A is perfectly equipped to bring studio sound to the live stage. Its integrated windscreen protection prevents interference at windy venues and its active electronics allow for flexibility with virtually any mixing board or audio interface.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTechnical Specifications\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable class=\"tech-spec-table\" style=\"margin-left: auto; margin-right: auto; height: 486px; width: 567px;\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003e Operating Principle \u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003ePressure gradient transducer\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003e Directional Pattern \u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003eSupercardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eFrequency Range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e\u0026lt; 20 Hz to \u0026gt;20 kHz\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eMaximum SPL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e135 dB SPL (1% third harmonic \u0026gt; 1 kHz)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e-43dBv (at 1 kHz, no load)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e92 Ω broadband\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\n\u003cp\u003e\u003cstrong\u003eRecommended Load Impedance\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e1.0 kΩ or greater\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003ePhantom Power\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003eP48 phantom power, 7 mA\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003ePolarity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003ePin 2 high for positive pressure\u003cbr\u003eat the front of the microphone.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\n\u003cp\u003e\u003cstrong\u003eOff Axis Response\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\n\u003cp\u003eRelative Output at 180°\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e12dB\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003eAngle of Maximum Rejection\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e135°\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eTransducer Element Material\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003ePure aluminum corrugated ribbon\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\n\u003cp class=\"p1\"\u003eTransducer Thickness\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e1.8 μm\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003eTransducer Width\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e0.55 in (1.4 cm)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003eTransducer Length\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e1.175 in (2.9 cm)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eDimensions \/Weight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cstrong\u003eHeight:\u003c\/strong\u003e 15 in (38.1 cm)\u003cbr\u003e\u003cstrong\u003eWidth:\u003c\/strong\u003e 3.9 in (9.9 cm)\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 2 lb 9.8 oz (1.19 kg)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eConnector Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003eXLR-3M\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eShipping Weight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e4 lb (1.8 kg)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":35203956146328,"sku":"AEA-KU5A","price":1599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0416\/5232\/2456\/products\/AEA-KU5A-Supercardiod-Ribbon_Microphone-06__64303.png?v=1756260655"},{"product_id":"aea-n22-ribbon-microphone-phantom-powered","title":"AEA N22 Ribbon Microphone (Phantom-Powered)","description":"\u003cp\u003e\u003cstrong\u003eAEA N22 Ribbon Microphone (Phantom-Powered)\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan\u003eThe \u003cstrong\u003eNUVO N22\u003c\/strong\u003e is a modern near-field and active ribbon mic with a rugged lightweight design, extended top-end clarity, and reduced proximity effect making it perfect for close miking of instruments. \u003c\/span\u003e\u003c\/p\u003e \u003cul style=\"padding-left: 30px;\"\u003e \u003cli\u003eExtended top end with a ribbon’s classic warmth\u003c\/li\u003e \u003cli\u003eNear-field ribbon mic with reduced proximity effect\u003c\/li\u003e \u003cli\u003eBalanced frequency response at 1 to 18 inches from the source\u003c\/li\u003e \u003cli\u003eCompact, lightweight design with rugged durability\u003c\/li\u003e \u003cli\u003eActive electronics and custom transformer optimized for all preamps\u003c\/li\u003e \u003cli\u003eMade in the U.S.A.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eTHE BIG RIBBON REIMAGINED - \u003c\/strong\u003e\u003cspan\u003eThe \u003c\/span\u003enear-field\u003cspan\u003e \u003cstrong\u003eN22\u003c\/strong\u003e is a modern ribbon mic that challenges expectations of traditional ribbon technology and can reframe the way you record with ribbons. \u003c\/span\u003e\u003cspan\u003eIt delivers clarity and balance in frequency response, even when positioned just inches from the source, and can stand alone in a mix without the need for the blending additional mic signals due to its extended top-end.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eA NEW APPROACH -  \u003c\/strong\u003eThe \u003cstrong\u003eN22\u003c\/strong\u003e can be positioned inches away from an instrument and retain a balanced sound with extended top end while avoiding the room tone that can cause problems in smaller spaces or iso booths. This is what makes the N22 special. It exhibits a high-frequency bump at 3kHz making it ideal for recording vocals, electric guitar, bass cabs, kick drum, acoustic guitar, and percussion. It is best to think of the \u003cstrong\u003eN22\u003c\/strong\u003e’s placement in terms of inches instead of feet. The \u003cstrong\u003eN22\u003c\/strong\u003e naturally reduces proximity effect while also avoiding the room tone that can cause problems in smaller spaces or iso booths. Naturally rolling off the low-end before it hits the ribbon creates a much different sound than using electronic equalization to roll off the low-end in post.\u003c\/p\u003e \u003cp\u003e\"My \u003cstrong\u003en22\u003c\/strong\u003e has turned out to be an incredible bass amp mic. To such an extent that i won’t record bass without it..” - \u003cstrong\u003eJustin Meldal-Johnsen\u003c\/strong\u003e (Beck, Air, Nine Inch Nails)\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eAn Active Ribbon for a Modern Age - \u003c\/strong\u003eWith active electronics and a custom transformer, the N22 provides 12db of extra output and more preamp flexibility than traditional passive ribbon mics. \u003cspan\u003eThe N22 uses the same custom transformer utilized in the AEA \u003c\/span\u003eA440\u003cspan\u003e and \u003c\/span\u003eR84A \u003cspan\u003emicrophones, enabling an additional 12db of output and a \u003c\/span\u003estable impedance\u003cspan\u003e. Though it still sounds great with any AEA ribbon-optimized preamp, it is not dependent on a high impedance, high gain preamp for proper use. \u003cspan\u003eThe extra output is a major advantage when recording quiet sources like vocals and soft acoustic guitars. The active circuitry also prevents noise, interference on long cable runs and when near operating near large lighting rigs. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eA RUGGED, ROADWORTHY COMPANION - \u003c\/strong\u003eWith increased durability and a small profile, it’s no wonder that a wide range of performers use AEA’s NUVO series microphones on the road. The mics are totally rugged and hold up to daily wear and tear. From outdoor gigs at music festivals to indoor theaters, NUVO mics are the perfect companion to bring the sound of studio recordings to the live stage. With the NUVO Windscreen, never worry about the ribbon – even at windy gigs. \u003cstrong\u003eOn the Road with the N22 -\u003c\/strong\u003e  Bands now using N8s and N22s on the road include Bonnie Raitt, Alicia Keys, Aerosmith, Grizzly Bear, Mitski, Marty Stuart and his Fabulous Superlatives, Alabama Shakes, War On Drugs, Local Natives, The Head and The Heart, Sara Watkins, Kurt Vile, Deerhunter, Jamestown Revival, JOHNNYSWIM, Brandi Carlile, Autolux, Foxygen, Kruger Brothers, Cam, Pedro the Lion, The Districts, Valerie June, and more.\u003c\/p\u003e \u003cp\u003e\u003cspan\u003e“I love the AEA N22. we've used it on almost every electric guitar track i've recorded since getting that mic three years ago.\" - \u003c\/span\u003e\u003cstrong\u003eJeff Tweedy\u003c\/strong\u003e (Wilco)\u003c\/p\u003e \u003cp\u003e\u003cem\u003e\u003cstrong\u003eRecording Mag\u003c\/strong\u003e \u003c\/em\u003e|| “This is easily the most forgiving and intimate ribbon mic I have used. Its sound is equal parts beautiful, natural and well balanced. In more good news for songwriters wanting \"one great mic\"....” – Paul Vnuk Jr.\u003c\/p\u003e \u003cp\u003e\u003cem\u003e\u003cstrong\u003eSound on Sound\u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003e \u003c\/strong\u003e|| “Overall AEA have seemingly achieved exactly what they intended to, by producing a ribbon mic with a brighter, more modern sound than their classic models ... while the ribbon-meets-capacitor tonal character means the mic can be used in rather more areas than a conventional ribbon microphone can. ”– Paul White\u003c\/p\u003e \u003cp\u003e\u003cem\u003e\u003cstrong\u003eElectronic Musician\u003c\/strong\u003e \u003c\/em\u003e|| “The N22 brought out a smooth, organic tone from every instrument I used it on—electric guitar amp, acoustic guitar, vocals, mandolin, marimba, and drums. With the protective screen built in, I didn’t have to worry about cheating it up to a vocalist or a loud amp.” – Gino Robair\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eThe NUVO Stereo Kit - \u003c\/strong\u003eAEA’s NUVO Stereo Kit enables users to rapidly set up and accurately record in stereo on a single mic stand. It consists of either two matched N22s or N8s, and comes with all of the accessories necessary to easily configure the figure-eight microphones in Blumlein and near-coincident.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eThe NUVO Series - \u003c\/strong\u003eDiscreet in shape and size, AEA’s NUVO series microphones are lightweight, portable and easy to position. They feature active electronics and custom transformers that provide extra output and more preamp flexibility than traditional passive ribbon mics. Both the N22 and N8 NUVO mics are the same size and offer the same ribbon sound and high-quality components as our other mics. They are all handmade in the United States. For a more balanced sound at a distance to capture the natural tonality of your space, the AEA N8 far-field ribbon mic is a nice complement.\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTechnical Specifications\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e \u003ctable class=\"tech-spec-table\" style=\"margin-left: auto; margin-right: auto; height: 486px; width: 567px;\"\u003e \u003ctbody\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003e Operating Principle \u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003ePressure gradient transducer\u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003e Directional Pattern \u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003eBidirectional\u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eFrequency Range\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e\u0026lt; 20 Hz to \u0026gt;20 kHz\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eMaximum SPL\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e141 dB SPL (1% third harmonic \u0026gt; 1 kHz)\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e8.3 mV\/Pa (at 1 kHz, no load)\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e92 Ω broadband\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003cp\u003e\u003cstrong\u003eRecommended Load Impedance\u003c\/strong\u003e\u003c\/p\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e1.0 kΩ or greater\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003ePhantom Power\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eP48 phantom power, 7 mA\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003ePolarity\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003ePin 2 high for positive pressure\u003cbr\u003e at the front of the microphone.\u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003cp\u003e\u003cstrong\u003ePolar Response\u003c\/strong\u003e\u003c\/p\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eNative bidirectional, figure-of-8 pattern\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003cp\u003ePolar Response Horizontal\u003c\/p\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eUp to 90 dB rejection\u003cbr\u003e at right angles to the front\/back axis.\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003ePolar Response Vertical\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eLevel changes with angle of incidence,\u003cbr\u003e but frequency response is consistent.\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eTransducer Element Material\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003ePure aluminum corrugated ribbon\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003cp class=\"p1\"\u003eTransducer Thickness\u003c\/p\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e1.8 μm\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003eTransducer Width\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e0.185 in (4.7 mm)\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003eTransducer Length\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e2.35 in (59.7 mm)\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eDimensions \/Weight\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cstrong\u003eHeight:\u003c\/strong\u003e 8.83 in (32.4 cm)\u003cbr\u003e\u003cstrong\u003eWidth:\u003c\/strong\u003e 1.62 in (11.7 cm)\u003cbr\u003e \u003cspan\u003e\u003cstrong\u003eDepth: \u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003e1.62 in (9.5 cm)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 12 oz. (335 g)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eConnector Type\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eXLR-3M\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eShipping Weight\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e1 lb. 13 oz. (810 g)\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":35203956211864,"sku":"AEA-N22","price":1199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0416\/5232\/2456\/products\/AEA-N22-Ribbon-Microphone-Phantom-Powered-03__38366.png?v=1734796351"},{"product_id":"aea-n22-ribbon-microphone-stereo-kit-matched-pair","title":"AEA N22 Ribbon Microphone Stereo Kit (Matched Pair)","description":"\u003cp\u003e\u003cstrong\u003eAEA N22 Ribbon Microphone Stereo Kit (Matched Pair)\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan\u003eThe \u003cstrong\u003eNUVO N22\u003c\/strong\u003e is a modern near-field and active ribbon mic with a rugged lightweight design, extended top-end clarity, and reduced proximity effect making it perfect for close miking of instruments. \u003c\/span\u003e\u003cstrong\u003eThe NUVO Stereo Kit. \u003c\/strong\u003eAEA’s NUVO Stereo Kit enables users to rapidly set up and accurately record in stereo on a single mic stand. It consists of either two matched N22s or N8s, and comes with all of the accessories necessary to easily configure the figure-eight microphones in Blumlein and near-coincident. \u003cstrong\u003eThe NUVO Series. \u003c\/strong\u003eDiscreet in shape and size, AEA’s NUVO series microphones are lightweight, portable and easy to position. They feature active electronics and custom transformers that provide extra output and more preamp flexibility than traditional passive ribbon mics. Both the \u003cstrong\u003eN22\u003c\/strong\u003e and \u003cstrong\u003eN8\u003c\/strong\u003e NUVO mics are the same size and offer the same ribbon sound and high-quality components as our other mics. They are all handmade in the United States. For a more balanced sound at a distance to capture the natural tonality of your space, the AEA N8 far-field ribbon mic is a nice complement. \u003cspan\u003eAEA’s \u003cstrong\u003eNUVO Series Stereo Kit\u003c\/strong\u003e enables serious musicians and engineers to rapidly set up and accurately record in stereo on a single stand. The \u003cstrong\u003eNUVO Stereo Kit\u003c\/strong\u003e can fit two N22s or two N8s and comes with all of the accessories necessary to easily configure the figure-eight microphones in \u003c\/span\u003e\u003cstrong\u003eBlumlein\u003c\/strong\u003e\u003cspan\u003e and near-coincident.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eWHAT'S IN THE KIT\u003c\/strong\u003e \u003c\/p\u003e \u003cdiv class=\"text\"\u003e \u003cul style=\"padding-left: 30px;\"\u003e \u003cli\u003eHeavy-duty SKB travel case\u003c\/li\u003e \u003cli\u003eSMS stereo bar\u003c\/li\u003e \u003cli\u003eTwo NUVO Windscreens\u003c\/li\u003e \u003cli\u003ePosi-Lok Mic Hanger\u003c\/li\u003e \u003cli\u003eNUVO Blumlein coupler\u003c\/li\u003e \u003cli\u003eMounting hardware\u003c\/li\u003e \u003c\/ul\u003e \u003c\/div\u003e \u003cp\u003e\u003cstrong\u003eN22 Features\u003c\/strong\u003e\u003c\/p\u003e \u003cul style=\"padding-left: 30px;\"\u003e \u003cli\u003eExtended top end with a ribbon’s classic warmth\u003c\/li\u003e \u003cli\u003eNear-field ribbon mic with reduced proximity effect\u003c\/li\u003e \u003cli\u003eBalanced frequency response at 1 to 18 inches from the source\u003c\/li\u003e \u003cli\u003eCompact, lightweight design with rugged durability\u003c\/li\u003e \u003cli\u003eActive electronics and custom transformer optimized for all preamps\u003c\/li\u003e \u003cli\u003eMade in the U.S.A.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eTHE BIG RIBBON REIMAGINED - \u003c\/strong\u003e\u003cspan\u003eThe \u003c\/span\u003enear-field\u003cspan\u003e \u003cstrong\u003eN22\u003c\/strong\u003e is a modern ribbon mic that challenges expectations of traditional ribbon technology and can reframe the way you record with ribbons. \u003c\/span\u003e\u003cspan\u003eIt delivers clarity and balance in frequency response, even when positioned just inches from the source, and can stand alone in a mix without the need for the blending additional mic signals due to its extended top-end.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eA NEW APPROACH -  \u003c\/strong\u003eThe \u003cstrong\u003eN22\u003c\/strong\u003e can be positioned inches away from an instrument and retain a balanced sound with extended top end while avoiding the room tone that can cause problems in smaller spaces or iso booths. This is what makes the N22 special. It exhibits a high-frequency bump at 3kHz making it ideal for recording vocals, electric guitar, bass cabs, kick drum, acoustic guitar, and percussion. It is best to think of the \u003cstrong\u003eN22\u003c\/strong\u003e’s placement in terms of inches instead of feet. The \u003cstrong\u003eN22\u003c\/strong\u003e naturally reduces proximity effect while also avoiding the room tone that can cause problems in smaller spaces or iso booths. Naturally rolling off the low-end before it hits the ribbon creates a much different sound than using electronic equalization to roll off the low-end in post.\u003c\/p\u003e \u003cp\u003e\"My \u003cstrong\u003en22\u003c\/strong\u003e has turned out to be an incredible bass amp mic. To such an extent that i won’t record bass without it..” - \u003cstrong\u003eJustin Meldal-Johnsen\u003c\/strong\u003e (Beck, Air, Nine Inch Nails)\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eAn Active Ribbon for a Modern Age - \u003c\/strong\u003eWith active electronics and a custom transformer, the N22 provides 12db of extra output and more preamp flexibility than traditional passive ribbon mics. \u003cspan\u003eThe N22 uses the same custom transformer utilized in the AEA \u003c\/span\u003eA440\u003cspan\u003e and \u003c\/span\u003eR84A \u003cspan\u003emicrophones, enabling an additional 12db of output and a \u003c\/span\u003estable impedance\u003cspan\u003e. Though it still sounds great with any AEA ribbon-optimized preamp, it is not dependent on a high impedance, high gain preamp for proper use. \u003cspan\u003eThe extra output is a major advantage when recording quiet sources like vocals and soft acoustic guitars. The active circuitry also prevents noise, interference on long cable runs and when near operating near large lighting rigs. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eA RUGGED, ROADWORTHY COMPANION - \u003c\/strong\u003eWith increased durability and a small profile, it’s no wonder that a wide range of performers use AEA’s NUVO series microphones on the road. The mics are totally rugged and hold up to daily wear and tear. From outdoor gigs at music festivals to indoor theaters, NUVO mics are the perfect companion to bring the sound of studio recordings to the live stage. With the NUVO Windscreen, never worry about the ribbon – even at windy gigs. \u003cstrong\u003eOn the Road with the N22 -\u003c\/strong\u003e  Bands now using N8s and N22s on the road include Bonnie Raitt, Alicia Keys, Aerosmith, Grizzly Bear, Mitski, Marty Stuart and his Fabulous Superlatives, Alabama Shakes, War On Drugs, Local Natives, The Head and The Heart, Sara Watkins, Kurt Vile, Deerhunter, Jamestown Revival, JOHNNYSWIM, Brandi Carlile, Autolux, Foxygen, Kruger Brothers, Cam, Pedro the Lion, The Districts, Valerie June, and more.\u003c\/p\u003e \u003cp\u003e\u003cspan\u003e“I love the AEA N22. we've used it on almost every electric guitar track i've recorded since getting that mic three years ago.\" - \u003c\/span\u003e\u003cstrong\u003eJeff Tweedy\u003c\/strong\u003e (Wilco)\u003c\/p\u003e \u003cp\u003e\u003cem\u003e\u003cstrong\u003eRecording Mag\u003c\/strong\u003e \u003c\/em\u003e|| “This is easily the most forgiving and intimate ribbon mic I have used. Its sound is equal parts beautiful, natural and well balanced. In more good news for songwriters wanting \"one great mic\"....” – Paul Vnuk Jr.\u003c\/p\u003e \u003cp\u003e\u003cem\u003e\u003cstrong\u003eSound on Sound\u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003e \u003c\/strong\u003e|| “Overall AEA have seemingly achieved exactly what they intended to, by producing a ribbon mic with a brighter, more modern sound than their classic models ... while the ribbon-meets-capacitor tonal character means the mic can be used in rather more areas than a conventional ribbon microphone can. ”– Paul White\u003c\/p\u003e \u003cp\u003e\u003cem\u003e\u003cstrong\u003eElectronic Musician\u003c\/strong\u003e \u003c\/em\u003e|| “The N22 brought out a smooth, organic tone from every instrument I used it on—electric guitar amp, acoustic guitar, vocals, mandolin, marimba, and drums. With the protective screen built in, I didn’t have to worry about cheating it up to a vocalist or a loud amp.” – Gino Robair\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eThe NUVO Stereo Kit - \u003c\/strong\u003eAEA’s NUVO Stereo Kit enables users to rapidly set up and accurately record in stereo on a single mic stand. It consists of either two matched N22s or N8s, and comes with all of the accessories necessary to easily configure the figure-eight microphones in Blumlein and near-coincident.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eThe NUVO Series - \u003c\/strong\u003eDiscreet in shape and size, AEA’s NUVO series microphones are lightweight, portable and easy to position. They feature active electronics and custom transformers that provide extra output and more preamp flexibility than traditional passive ribbon mics. Both the N22 and N8 NUVO mics are the same size and offer the same ribbon sound and high-quality components as our other mics. They are all handmade in the United States. For a more balanced sound at a distance to capture the natural tonality of your space, the AEA N8 far-field ribbon mic is a nice complement.\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTechnical Specifications\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e \u003ctable class=\"tech-spec-table\" style=\"margin-left: auto; margin-right: auto; height: 486px; width: 567px;\"\u003e \u003ctbody\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003e Operating Principle \u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003ePressure gradient transducer\u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003e Directional Pattern \u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003eBidirectional\u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eFrequency Range\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e\u0026lt; 20 Hz to \u0026gt;20 kHz\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eMaximum SPL\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e141 dB SPL (1% third harmonic \u0026gt; 1 kHz)\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e8.3 mV\/Pa (at 1 kHz, no load)\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e92 Ω broadband\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003cp\u003e\u003cstrong\u003eRecommended Load Impedance\u003c\/strong\u003e\u003c\/p\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e1.0 kΩ or greater\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003ePhantom Power\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eP48 phantom power, 7 mA\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003ePolarity\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003ePin 2 high for positive pressure\u003cbr\u003e at the front of the microphone.\u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003cp\u003e\u003cstrong\u003ePolar Response\u003c\/strong\u003e\u003c\/p\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eNative bidirectional, figure-of-8 pattern\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003cp\u003ePolar Response Horizontal\u003c\/p\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eUp to 90 dB rejection\u003cbr\u003e at right angles to the front\/back axis.\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003ePolar Response Vertical\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eLevel changes with angle of incidence,\u003cbr\u003e but frequency response is consistent.\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eTransducer Element Material\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003ePure aluminum corrugated ribbon\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003cp class=\"p1\"\u003eTransducer Thickness\u003c\/p\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e1.8 μm\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003eTransducer Width\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e0.185 in (4.7 mm)\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003eTransducer Length\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e2.35 in (59.7 mm)\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eDimensions \/Weight\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cstrong\u003eHeight:\u003c\/strong\u003e 8.83 in (32.4 cm)\u003cbr\u003e\u003cstrong\u003eWidth:\u003c\/strong\u003e 1.62 in (11.7 cm)\u003cbr\u003e \u003cspan\u003e\u003cstrong\u003eDepth: \u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003e1.62 in (9.5 cm)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 12 oz. (335 g)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eConnector Type\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eXLR-3M\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eShipping Weight\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e1 lb. 13 oz. (810 g)\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":35203956244632,"sku":"AEA-N22-Stereo-Kit","price":2699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0416\/5232\/2456\/products\/AEA-N22-Ribbon-Microphone-Phantom-Powered-Stereo-Kit-03__24776.png?v=1734796352"},{"product_id":"aea-n8-ribbon-microphone","title":"AEA N8 Ribbon Microphone","description":"\u003cp\u003e\u003cstrong\u003eAEA N8 Ribbon Microphone\u003c\/strong\u003e\u003c\/p\u003e \u003cul style=\"padding-left: 30px;\"\u003e \u003cli\u003eAstonishingly open and natural sound\u003c\/li\u003e \u003cli\u003eFar-field ribbon mic designed to retain low end and top end at a distance\u003c\/li\u003e \u003cli\u003eSame design philosophy as the AEA R88 stereo ribbon mic\u003c\/li\u003e \u003cli\u003eCompact, lightweight, and discreet design\u003c\/li\u003e \u003cli\u003eActive electronics and custom transformer optimized for all preamps\u003c\/li\u003e \u003cli\u003eMade in the U.S.A.\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"productAboutTitle\"\u003e\n\u003cstrong\u003eHEARS LIKE YOUR EARS - \u003c\/strong\u003eThe \u003cstrong\u003eN8\u003c\/strong\u003e captures a space as it sounds live and in person, with all the present subtlety and nuance. Its expansive frequency response and balanced low end make it superbly effective when capturing the full breadth of sound from the back of a room or above a drum set.  It boasts the widest frequency range of any mic in the AEA lineup and effortlessly manages more complex source audio like drums, strings, piano, and other instruments that produce harsher highs and bellowing lows. The full potential of the \u003cstrong\u003eN8\u003c\/strong\u003e is perhaps best realized when part of a stereo array since it draws from the same successful concepts as the \u003cstrong\u003eAEA R88\u003c\/strong\u003e.\u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e \u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e\n\u003cstrong\u003eTHE FAR-FIELD RIBBON - \u003c\/strong\u003eThe \u003cstrong\u003eN8\u003c\/strong\u003e is a far-field ribbon mic, meaning it is ideally designed to be placed at a distance of 12 inches or further from the sound source. This allows a huge range of positions for the \u003cstrong\u003eN8s\u003c\/strong\u003e to naturally capture an instrument within the context of a room. As far away as 20 feet, the \u003cstrong\u003eN8\u003c\/strong\u003e retains the low end of the frequency spectrum. Combined with its open and natural tonality, the N8’s far-field design makes it perfect as mains for capturing entire orchestras or on overheads to record the full low end of a drum kit. If used closer than 12 inches, proximity effect comes into play. This beneficial effect can be used to thicken up the sound of a voice or instrument. The \u003cstrong\u003eN8\u003c\/strong\u003e can be positioned close to instruments and other loud sources when proximity effect is desired easily handling 141+ dB SPL at 1 kHz. For a more balanced sound from up close with reduced proximity effect, the \u003cstrong\u003eAEA N22\u003c\/strong\u003e near-field ribbon mic is a nice complement.\u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e \u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e\"The N8's and the N22's have become pretty much the standard for both the band's touring set up and day to day recording in my studio. As a mono or stereo drum overhead, the N8 has become a no-brainer. i solo'd a mono N8 last week and it sounded like 'us and them.' not bad!!” - \u003cstrong\u003eAdam Granducie\u003c\/strong\u003el (The War On Drugs)\u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e \u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e\n\u003cstrong\u003eAn Active Ribbon for a Modern Age -\u003c\/strong\u003e \u003cspan\u003eWith \u003c\/span\u003eactive electronics\u003cspan\u003e and a custom transformer, the \u003cstrong\u003eN8\u003c\/strong\u003e provides 12db of extra output and more preamp flexibility than traditional passive ribbon mics. \u003cspan\u003eThe \u003cstrong\u003eN8\u003c\/strong\u003e uses the same custom transformer utilized in the \u003c\/span\u003e\u003cstrong\u003eAEA A440\u003c\/strong\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cstrong\u003eR84A\u003c\/strong\u003e \u003cspan\u003emicrophones, enabling additional output over passive microphones and a \u003c\/span\u003estable impedance\u003cspan\u003e. Though it sounds great with any AEA ribbon-optimized preamp, it is not dependent on a high-impedance, high-gain preamp for proper use. \u003cspan\u003eThe extra output is a major advantage when recording quiet sources like vocals and soft acoustic guitars. The active circuitry also prevents noise, interference on long cable runs and when near operating near large lighting rigs. \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e \u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e\n\u003cstrong\u003e\u003cspan class=\" author-d-iz88z86z86za0dz67zz78zz78zz74zz68zjz80zz71z9iz90z9z84zoz89zz88zrz85z49phz74z2rspz89z4z122zdrz65z8n7o8z76zff2\"\u003eA MONO VERSION OF THE AEA R88 - \u003c\/span\u003e\u003c\/strong\u003eThe \u003cstrong\u003eN8\u003c\/strong\u003e is the mono version of the \u003cstrong\u003eAEA R88\u003c\/strong\u003e stereo microphone with active electronics. Engineers in both the studio and on the scoring stage who use the \u003cstrong\u003eR88\u003c\/strong\u003e desired a mono version that was more discreet, lightweight and easier to position. The \u003cstrong\u003eN8\u003c\/strong\u003e and \u003cstrong\u003eR88\u003c\/strong\u003e share the same minimalist design philosophy and honest sound. A pair of \u003cstrong\u003eN8s\u003c\/strong\u003e with the \u003cstrong\u003eNUVO\u003c\/strong\u003e stereo kit can emulate the \u003cstrong\u003eR88,\u003c\/strong\u003e but a special preamp is not needed since the \u003cstrong\u003eN8\u003c\/strong\u003e uses active circuitry.\u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e \u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e\n\u003cstrong\u003eA RUGGED, ROADWORTHY COMPANION - \u003c\/strong\u003eWith increased durability and a small profile, it’s no wonder that a wide range of performers use \u003cstrong\u003eAEA’s NUVO\u003c\/strong\u003e series microphones on the road. The mics are totally rugged and hold up to daily wear and tear. From outdoor gigs at music festivals to indoor theaters, NUVO mics are the perfect companion to bring the sound of studio recordings to the live stage. With the NUVO Windscreen, never worry about the ribbon – even at windy gigs. \u003cstrong\u003eOn the Road with the N8 - \u003c\/strong\u003eBands now using N8s and N22s on the road include Bonnie Raitt, Alicia Keys, Aerosmith, Mitski, Marty Stuart and his Fabulous Superlatives, Alabama Shakes, War On Drugs, Local Natives, The Head and The Heart, Sara Watkins, Kurt Vile, Deerhunter, Jamestown Revival, JOHNNYSWIM, Brandi Carlile, Autolux, Foxygen, Kruger Brothers, Cam, Pedro the Lion, The Districts, Valerie June, and more.\u003c\/div\u003e \u003cp class=\"productAboutTitle\"\u003e“I’ve used these mics in all the applications where I normally use ribbon mics, guitar cabinets, drum overheads, room mics for drum kit, violin, and metal percussion. The high end is particularly nice and seems extended more than I would have expected. I use the proximity effect of the figure-8 pattern to control and augment the low-end of guitar cabinets, and occasionally ribbon mics in this application will be overwhelmed and distort. I noticed no distortion in demanding use and am very happy with the overall sound of these mics. Whatever, these mics are terrific and I like them a lot.” - \u003cstrong\u003eSteve Albini\u003c\/strong\u003e (Nirvana, Pixies, Breeders) \u003c\/p\u003e \u003cdiv class=\"productAboutTitle\"\u003e“Depth, detail, and bottom end for days. so much focus and tone from one phantom powered ribbon mic.\" \u003cstrong\u003eDarrell Thorp\u003c\/strong\u003e (Radiohead, Beck, Paul McCartney)\u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e \u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e\n\u003cem\u003e\u003cstrong\u003eTape Op\u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003e \u003c\/strong\u003e|| “The N8 shares some sonic DNA with the R88 for sure, so it was like being able to use that beast of a mic in a dual mono, Glyn Johns configuration, and the take turned out great in combination with the other kit. Honestly, I didn't find anything that the N8 didn't make sound great anywhere you'd use a normal ribbon…” – Chris Koltay\u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e \u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e\n\u003cem\u003e\u003cstrong\u003eSound on Sound\u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003e \u003c\/strong\u003e|| “For more classical orchestral instruments, the N8 sounded sublime on cello and violin, and (excuse the total heresy!) I think I preferred it to my life-long favourite ribbon, the Coles 4038!... This is a very nice and well-priced microphone and I think Wes and AEA really have realised a ribbon mic for the 21st century. Highly recommended.” – Hugh Robjohns\u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e \u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e\n\u003cem\u003e\u003cstrong\u003eRecording Mag\u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003e \u003c\/strong\u003e|| “All the AEA models sound great, and ever since my 2012 review the R88mk2 has been on my short list of must-haves as the “set it and forget it” room mic. However, I am now thinking the N8 may be the better choice in the long run. It offers more versatility and placement options thanks to its smaller size and light weight, and I love how it pairs with the N22... Oh, decisions, decisions!” – Paul Vnuk Jr.\u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e \u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e\n\u003cstrong\u003eThe NUVO Stereo Kit -  \u003c\/strong\u003eAEA’s NUVO Stereo Kit enables users to rapidly set up and accurately record in stereo on a single mic stand. It consists of either two matched N22s or N8s, and comes with all of the accessories necessary to easily configure the figure-eight microphones in Blumlein and near-coincident.  \u003cstrong\u003eThe NUVO Series - \u003c\/strong\u003eDiscreet in shape and size, AEA’s NUVO series microphones are lightweight, portable and easy to position. They feature active electronics and custom transformers that provide extra output and more preamp flexibility than traditional passive ribbon mics. Both the N22 and N8 NUVO mics are the same size and offer the same ribbon sound and high-quality components as our other mics. They are all handmade in the United States. For a more balanced sound from up close to capture your instrument without as much room tone, the AEA N22 near-field ribbon mic is a nice complement.\u003c\/div\u003e \u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTechnical Specifications\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e \u003ctable class=\"tech-spec-table\" style=\"margin-left: auto; margin-right: auto; height: 486px; width: 567px;\"\u003e \u003ctbody\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003e Operating Principle \u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003ePressure gradient transducer\u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003e Directional Pattern \u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003eBidirectional\u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eFrequency Range\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e\u0026lt; 20 Hz to \u0026gt;20 kHz\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eMaximum SPL\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e141 dB SPL (1% third harmonic \u0026gt; 1 kHz)\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e8.3 mV\/Pa (at 1 kHz, no load)\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e92 Ω broadband\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003cp\u003e\u003cstrong\u003eRecommended Load Impedance\u003c\/strong\u003e\u003c\/p\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e1.0 kΩ or greater\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003ePhantom Power\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eP48 phantom power, 7 mA\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003ePolarity\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003ePin 2 high for positive pressure\u003cbr\u003e at the front of the microphone.\u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003cp\u003e\u003cstrong\u003ePolar Response\u003c\/strong\u003e\u003c\/p\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eNative bidirectional, figure-of-8 pattern\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003cp\u003ePolar Response Horizontal\u003c\/p\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eUp to 90 dB rejection\u003cbr\u003e at right angles to the front\/back axis.\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003ePolar Response Vertical\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eLevel changes with angle of incidence,\u003cbr\u003e but frequency response is consistent.\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eTransducer Element Material\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003ePure aluminum corrugated ribbon\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003cp class=\"p1\"\u003eTransducer Thickness\u003c\/p\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e1.8 μm\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003eTransducer Width\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e0.185 in (4.7 mm)\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003eTransducer Length\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e2.35 in (59.7 mm)\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eDimensions \/Weight\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cstrong\u003eHeight:\u003c\/strong\u003e 8.83 in (32.4 cm)\u003cbr\u003e\u003cstrong\u003eWidth:\u003c\/strong\u003e 1.62 in (11.7 cm)\u003cbr\u003e \u003cspan\u003e\u003cstrong\u003eDepth: \u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003e1.62 in (9.5 cm)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 12 oz. (335 g)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eConnector Type\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eXLR-3M\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eShipping Weight\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e1 lb. 13 oz. (810 g)\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":35203956310168,"sku":"AEA-N8","price":1299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0416\/5232\/2456\/products\/AEA-N8-Ribbon-Microphone-01__06969.png?v=1734796353"},{"product_id":"aea-n8-ribbon-microphone-stereo-kit-matched-pair","title":"AEA N8 Ribbon Microphone Stereo Kit (Matched Pair)","description":"\u003cp\u003e\u003cstrong\u003eAEA N8 Ribbon Microphone Stereo Kit (Matched Pair)\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eThe NUVO Stereo Kit. \u003c\/strong\u003eAEA’s NUVO Stereo Kit enables users to rapidly set up and accurately record in stereo on a single mic stand. It consists of either two matched N22s or N8s, and comes with all of the accessories necessary to easily configure the figure-eight microphones in Blumlein and near-coincident. \u003cstrong\u003eThe NUVO Series. \u003c\/strong\u003eDiscreet in shape and size, AEA’s NUVO series microphones are lightweight, portable and easy to position. They feature active electronics and custom transformers that provide extra output and more preamp flexibility than traditional passive ribbon mics. Both the \u003cstrong\u003eN22\u003c\/strong\u003e and \u003cstrong\u003eN8\u003c\/strong\u003e NUVO mics are the same size and offer the same ribbon sound and high-quality components as our other mics. They are all handmade in the United States. For a more balanced sound at a distance to capture the natural tonality of your space, the AEA N8 far-field ribbon mic is a nice complement. AEA’s \u003cstrong\u003eNUVO Series Stereo Kit\u003c\/strong\u003e enables serious musicians and engineers to rapidly set up and accurately record in stereo on a single stand. The \u003cstrong\u003eNUVO Stereo Kit\u003c\/strong\u003e can fit two N22s or two N8s and comes with all of the accessories necessary to easily configure the figure-eight microphones in \u003cstrong\u003eBlumlein\u003c\/strong\u003e and near-coincident.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eWHAT'S IN THE KIT\u003c\/strong\u003e \u003c\/p\u003e \u003cdiv class=\"text\"\u003e \u003cul\u003e \u003cli\u003eHeavy-duty SKB travel case\u003c\/li\u003e \u003cli\u003eSMS stereo bar\u003c\/li\u003e \u003cli\u003eTwo NUVO Windscreens\u003c\/li\u003e \u003cli\u003ePosi-Lok Mic Hanger\u003c\/li\u003e \u003cli\u003eNUVO Blumlein coupler\u003c\/li\u003e \u003cli\u003eMounting hardware\u003c\/li\u003e \u003c\/ul\u003e \u003c\/div\u003e \u003cp\u003e\u003cstrong\u003eN8 Features\u003c\/strong\u003e\u003c\/p\u003e \u003cul style=\"padding-left: 30px;\"\u003e \u003cli\u003eAstonishingly open and natural sound\u003c\/li\u003e \u003cli\u003eFar-field ribbon mic designed to retain low end and top end at a distance\u003c\/li\u003e \u003cli\u003eSame design philosophy as the AEA R88 stereo ribbon mic\u003c\/li\u003e \u003cli\u003eCompact, lightweight, and discreet design\u003c\/li\u003e \u003cli\u003eActive electronics and custom transformer optimized for all preamps\u003c\/li\u003e \u003cli\u003eMade in the U.S.A.\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"productAboutTitle\"\u003e\n\u003cstrong\u003eHEARS LIKE YOUR EARS - \u003c\/strong\u003eThe \u003cstrong\u003eN8\u003c\/strong\u003e captures a space as it sounds live and in person, with all the present subtlety and nuance. Its expansive frequency response and balanced low end make it superbly effective when capturing the full breadth of sound from the back of a room or above a drum set.  It boasts the widest frequency range of any mic in the AEA lineup and effortlessly manages more complex source audio like drums, strings, piano, and other instruments that produce harsher highs and bellowing lows. The full potential of the \u003cstrong\u003eN8\u003c\/strong\u003e is perhaps best realized when part of a stereo array since it draws from the same successful concepts as the \u003cstrong\u003eAEA R88\u003c\/strong\u003e.\u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e \u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e\n\u003cstrong\u003eTHE FAR-FIELD RIBBON - \u003c\/strong\u003eThe \u003cstrong\u003eN8\u003c\/strong\u003e is a far-field ribbon mic, meaning it is ideally designed to be placed at a distance of 12 inches or further from the sound source. This allows a huge range of positions for the \u003cstrong\u003eN8s\u003c\/strong\u003e to naturally capture an instrument within the context of a room. As far away as 20 feet, the \u003cstrong\u003eN8\u003c\/strong\u003e retains the low end of the frequency spectrum. Combined with its open and natural tonality, the N8’s far-field design makes it perfect as mains for capturing entire orchestras or on overheads to record the full low end of a drum kit. If used closer than 12 inches, proximity effect comes into play. This beneficial effect can be used to thicken up the sound of a voice or instrument. The \u003cstrong\u003eN8\u003c\/strong\u003e can be positioned close to instruments and other loud sources when proximity effect is desired easily handling 141+ dB SPL at 1 kHz. For a more balanced sound from up close with reduced proximity effect, the \u003cstrong\u003eAEA N22\u003c\/strong\u003e near-field ribbon mic is a nice complement.\u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e \u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e\"The N8's and the N22's have become pretty much the standard for both the band's touring set up and day to day recording in my studio. As a mono or stereo drum overhead, the N8 has become a no-brainer. i solo'd a mono N8 last week and it sounded like 'us and them.' not bad!!” - \u003cstrong\u003eAdam Granducie\u003c\/strong\u003el (The War On Drugs)\u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e \u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e\n\u003cstrong\u003eAn Active Ribbon for a Modern Age -\u003c\/strong\u003e \u003cspan\u003eWith \u003c\/span\u003eactive electronics\u003cspan\u003e and a custom transformer, the \u003cstrong\u003eN8\u003c\/strong\u003e provides 12db of extra output and more preamp flexibility than traditional passive ribbon mics. \u003cspan\u003eThe \u003cstrong\u003eN8\u003c\/strong\u003e uses the same custom transformer utilized in the \u003c\/span\u003e\u003cstrong\u003eAEA A440\u003c\/strong\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cstrong\u003eR84A\u003c\/strong\u003e \u003cspan\u003emicrophones, enabling additional output over passive microphones and a \u003c\/span\u003estable impedance\u003cspan\u003e. Though it sounds great with any AEA ribbon-optimized preamp, it is not dependent on a high-impedance, high-gain preamp for proper use. \u003cspan\u003eThe extra output is a major advantage when recording quiet sources like vocals and soft acoustic guitars. The active circuitry also prevents noise, interference on long cable runs and when near operating near large lighting rigs. \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e \u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e\n\u003cstrong\u003e\u003cspan class=\" author-d-iz88z86z86za0dz67zz78zz78zz74zz68zjz80zz71z9iz90z9z84zoz89zz88zrz85z49phz74z2rspz89z4z122zdrz65z8n7o8z76zff2\"\u003eA MONO VERSION OF THE AEA R88 - \u003c\/span\u003e\u003c\/strong\u003eThe \u003cstrong\u003eN8\u003c\/strong\u003e is the mono version of the \u003cstrong\u003eAEA R88\u003c\/strong\u003e stereo microphone with active electronics. Engineers in both the studio and on the scoring stage who use the \u003cstrong\u003eR88\u003c\/strong\u003e desired a mono version that was more discreet, lightweight and easier to position. The \u003cstrong\u003eN8\u003c\/strong\u003e and \u003cstrong\u003eR88\u003c\/strong\u003e share the same minimalist design philosophy and honest sound. A pair of \u003cstrong\u003eN8s\u003c\/strong\u003e with the \u003cstrong\u003eNUVO\u003c\/strong\u003e stereo kit can emulate the \u003cstrong\u003eR88,\u003c\/strong\u003e but a special preamp is not needed since the \u003cstrong\u003eN8\u003c\/strong\u003e uses active circuitry.\u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e \u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e\n\u003cstrong\u003eA RUGGED, ROADWORTHY COMPANION - \u003c\/strong\u003eWith increased durability and a small profile, it’s no wonder that a wide range of performers use \u003cstrong\u003eAEA’s NUVO\u003c\/strong\u003e series microphones on the road. The mics are totally rugged and hold up to daily wear and tear. From outdoor gigs at music festivals to indoor theaters, NUVO mics are the perfect companion to bring the sound of studio recordings to the live stage. With the NUVO Windscreen, never worry about the ribbon – even at windy gigs. \u003cstrong\u003eOn the Road with the N8 - \u003c\/strong\u003eBands now using N8s and N22s on the road include Bonnie Raitt, Alicia Keys, Aerosmith, Mitski, Marty Stuart and his Fabulous Superlatives, Alabama Shakes, War On Drugs, Local Natives, The Head and The Heart, Sara Watkins, Kurt Vile, Deerhunter, Jamestown Revival, JOHNNYSWIM, Brandi Carlile, Autolux, Foxygen, Kruger Brothers, Cam, Pedro the Lion, The Districts, Valerie June, and more.\u003c\/div\u003e \u003cp class=\"productAboutTitle\"\u003e“I’ve used these mics in all the applications where I normally use ribbon mics, guitar cabinets, drum overheads, room mics for drum kit, violin, and metal percussion. The high end is particularly nice and seems extended more than I would have expected. I use the proximity effect of the figure-8 pattern to control and augment the low-end of guitar cabinets, and occasionally ribbon mics in this application will be overwhelmed and distort. I noticed no distortion in demanding use and am very happy with the overall sound of these mics. Whatever, these mics are terrific and I like them a lot.” - \u003cstrong\u003eSteve Albini\u003c\/strong\u003e (Nirvana, Pixies, Breeders) \u003c\/p\u003e \u003cdiv class=\"productAboutTitle\"\u003e“Depth, detail, and bottom end for days. so much focus and tone from one phantom powered ribbon mic.\" \u003cstrong\u003eDarrell Thorp\u003c\/strong\u003e (Radiohead, Beck, Paul McCartney)\u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e \u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e\n\u003cem\u003e\u003cstrong\u003eTape Op\u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003e \u003c\/strong\u003e|| “The N8 shares some sonic DNA with the R88 for sure, so it was like being able to use that beast of a mic in a dual mono, Glyn Johns configuration, and the take turned out great in combination with the other kit. Honestly, I didn't find anything that the N8 didn't make sound great anywhere you'd use a normal ribbon…” – Chris Koltay\u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e \u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e\n\u003cem\u003e\u003cstrong\u003eSound on Sound\u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003e \u003c\/strong\u003e|| “For more classical orchestral instruments, the N8 sounded sublime on cello and violin, and (excuse the total heresy!) I think I preferred it to my life-long favourite ribbon, the Coles 4038!... This is a very nice and well-priced microphone and I think Wes and AEA really have realised a ribbon mic for the 21st century. Highly recommended.” – Hugh Robjohns\u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e \u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e\n\u003cem\u003e\u003cstrong\u003eRecording Mag\u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003e \u003c\/strong\u003e|| “All the AEA models sound great, and ever since my 2012 review the R88mk2 has been on my short list of must-haves as the “set it and forget it” room mic. However, I am now thinking the N8 may be the better choice in the long run. It offers more versatility and placement options thanks to its smaller size and light weight, and I love how it pairs with the N22... Oh, decisions, decisions!” – Paul Vnuk Jr.\u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e \u003c\/div\u003e \u003cdiv class=\"productAboutTitle\"\u003e\n\u003cstrong\u003eThe NUVO Stereo Kit -  \u003c\/strong\u003eAEA’s NUVO Stereo Kit enables users to rapidly set up and accurately record in stereo on a single mic stand. It consists of either two matched N22s or N8s, and comes with all of the accessories necessary to easily configure the figure-eight microphones in Blumlein and near-coincident.  \u003cstrong\u003eThe NUVO Series - \u003c\/strong\u003eDiscreet in shape and size, AEA’s NUVO series microphones are lightweight, portable and easy to position. They feature active electronics and custom transformers that provide extra output and more preamp flexibility than traditional passive ribbon mics. Both the N22 and N8 NUVO mics are the same size and offer the same ribbon sound and high-quality components as our other mics. They are all handmade in the United States. For a more balanced sound from up close to capture your instrument without as much room tone, the AEA N22 near-field ribbon mic is a nice complement.\u003c\/div\u003e \u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTechnical Specifications\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e \u003ctable class=\"tech-spec-table\" style=\"margin-left: auto; margin-right: auto; height: 486px; width: 567px;\"\u003e \u003ctbody\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003e Operating Principle \u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003ePressure gradient transducer\u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003e Directional Pattern \u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003eBidirectional\u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eFrequency Range\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e\u0026lt; 20 Hz to \u0026gt;20 kHz\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eMaximum SPL\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e141 dB SPL (1% third harmonic \u0026gt; 1 kHz)\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e8.3 mV\/Pa (at 1 kHz, no load)\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e92 Ω broadband\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003cp\u003e\u003cstrong\u003eRecommended Load Impedance\u003c\/strong\u003e\u003c\/p\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e1.0 kΩ or greater\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003ePhantom Power\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eP48 phantom power, 7 mA\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003ePolarity\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003ePin 2 high for positive pressure\u003cbr\u003e at the front of the microphone.\u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003cp\u003e\u003cstrong\u003ePolar Response\u003c\/strong\u003e\u003c\/p\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eNative bidirectional, figure-of-8 pattern\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003cp\u003ePolar Response Horizontal\u003c\/p\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eUp to 90 dB rejection\u003cbr\u003e at right angles to the front\/back axis.\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003ePolar Response Vertical\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eLevel changes with angle of incidence,\u003cbr\u003e but frequency response is consistent.\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eTransducer Element Material\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003ePure aluminum corrugated ribbon\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003cp class=\"p1\"\u003eTransducer Thickness\u003c\/p\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e1.8 μm\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003eTransducer Width\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e0.185 in (4.7 mm)\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003eTransducer Length\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e2.35 in (59.7 mm)\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eDimensions \/Weight\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cstrong\u003eHeight:\u003c\/strong\u003e 8.83 in (32.4 cm)\u003cbr\u003e\u003cstrong\u003eWidth:\u003c\/strong\u003e 1.62 in (11.7 cm)\u003cbr\u003e \u003cspan\u003e\u003cstrong\u003eDepth: \u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003e1.62 in (9.5 cm)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 12 oz. (335 g)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eConnector Type\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eXLR-3M\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":35203956342936,"sku":"AEA-N8-Stereo-Kit","price":2899.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0416\/5232\/2456\/products\/AEA-N8-Ribbon-Microphone-Stereo-Kit-01__81907.png?v=1734796355"},{"product_id":"aea-r44c-ribbon-microphone","title":"AEA R44C Ribbon Microphone","description":"\u003cp\u003e\u003cstrong\u003eAEA R44C Ribbon Microphone\u003c\/strong\u003e\u003cbr\u003e AEA’s Flagship Mic - Replica of the RCA 44\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003cstrong\u003eAEA R44C\u003c\/strong\u003e is an exact replica of the vintage \u003cstrong\u003eRCA 44BX\u003c\/strong\u003e ribbon microphone, considered the most musical sounding microphone ever built. Many of the 20th century’s most iconic recordings were recorded by the \u003cstrong\u003eR44.\u003c\/strong\u003e The AEA \u003cstrong\u003eR44\u003c\/strong\u003e is an exacting reproduction of the RCA 44B\/BX Velocity Microphone, circa 1936. Audio Engineering Associates had already been buying, selling, and repairing vintage RCA and other ribbon microphones for two decades, before deciding to reissue the RCA 44. The first question, however, was “Which model should we rerelease?” Many design changes had altered the microphone during the production years of 1936 through 1958. We consulted many engineers and users and decided that the earlier versions from the 30’s to mid-40’s were the all-around favorite, the ones with the ‘magic sound.’ \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003cstrong\u003eAEA R44C \/ CX\u003c\/strong\u003e is a faithful reproduction, down to one ten-thousandth of an inch. The parts are completely interchangeable with a real 44, the only difference being the magnets. Our modern \u003cstrong\u003eAEA R44C \/ CX\u003c\/strong\u003e uses Neodymium magnets, which are more powerful than the Alnico originals. This produces an output level that is about 1 dB higher than the original microphone, while our \u003cstrong\u003eR44CX\u003c\/strong\u003e High Output version is about 6 dB higher. The ribbon is made from the original RCA ribbon stock! Yes, some of the real stuff had been stored for all these years after RCA discontinued that arm of its business. We also were able to garner some help from one of the original RCA engineers. With their invaluable help, we were able to make this legendary microphone available again.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE R44 VARIANTS - \u003c\/strong\u003eThe passive R44 is available in two exteriors– the original museum-quality replica \u003cstrong\u003eR44C\u003c\/strong\u003e and the aesthetically cost-effective \u003cstrong\u003eR44CE\u003c\/strong\u003e. Both mics have an identical sound and are exactly the same on the inside. The difference between the two is only cosmetics and price. The \u003cstrong\u003eR44CX \u003c\/strong\u003eis the \u003cstrong\u003eHigh Output \u003c\/strong\u003eversion of the museum quality original, which is about 5dB higher. It is also available in a cost-effective edition - the \u003cstrong\u003eR44CXE\u003c\/strong\u003e.\u003cstrong\u003e \u003c\/strong\u003eThe active \u003cstrong\u003eA440\u003c\/strong\u003e is a preamp-flexible R44 with 18dB of extra output. It is custom-painted with the RCA classic umber-colored transformer case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eR44 SERIES MICROPHONE OVERVIEW\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"text\"\u003e\n\u003cul\u003e\n\u003cli\u003eUnparalleled warmth and legendary character\u003c\/li\u003e\n\u003cli\u003eFull and rich tonality with generous low end and proximity effect\u003c\/li\u003e\n\u003cli\u003eFaithful reproduction of the RCA R44BX with new old stock RCA ribbon material\u003c\/li\u003e\n\u003cli\u003eEconomy exterior R44CE exhibits same, classic sound\u003c\/li\u003e\n\u003cli\u003eActive A440 upgrade has 12db level increase and is optimized for all preamps\u003c\/li\u003e\n\u003cli\u003eMade in the U.S.A.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eThe First Great Microphone for Music. \u003c\/strong\u003eWhether it was the smooth brass section of the soundtrack of a classic Hollywood film, the velvety lushness of a jazz vocal or the larger-than-life drum sound of a classic rock recording, chances are an RCA 44-series ribbon microphone was used in the studio when the sound was created. In use for more than 80 years in recording and broadcast studios throughout the world, the RCA 44 ribbon design is as rich in history as it is in sound and character. This instantly recognizable sound produces thunderous lows due to the strong proximity effect, full and rich midrange and a unique top end taking the edge off of harsh instruments. In 1976, AEA decided to begin servicing the thousands of existing RCA ribbon mics in the world. By 1998, AEA had acquired 100 percent of the interchangeable parts used within the original RCA 44. That same year we debuted our R44 reissue — called the AEA R44C — using RCA’s original methods and techniques.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE LEGENDARY BIG RIBBON SOUND - \u003c\/strong\u003eThe AEA R44 maintains an iconic legacy of great ribbon mics by delivering a rich sound full of character and color. Effective on a broad range of instruments and rooms, the R44 bolsters mids and lows while smoothing harsh high frequencies to produce a multi-dimensional sound unlike that of any microphone the world over. Used on everything from crooning vocalists to full orchestras, the R44 is the ideal choice to capture the tone of any voice or instrument while imparting its legendary ribbon character. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDIFFERENT OUTSIDES, THE SAME SOUND - \u003c\/strong\u003e\u003cspan\u003eOur R44 Series microphones all share the authentic sound, feel and look of the 1936-38 RCA 44BX. The R44 series microphones are all detailed, hand-crafted replicas, using parts that are made to be interchangeable with an original RCA 44. We manufacture three different versions of the R44 and an optional hotrod. \u003c\/span\u003e\u003cspan\u003eAt the core, every version of the R44 sounds the same when powered with a ribbon preamp. The major differences between the versions are the exterior look and the amount of output level.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHigh-Output Upgrades - \u003c\/strong\u003eThe original R44 microphones were constantly updated during their twenty years of production, and after carefully looking at some of the technical modifications, we've created two upgrades to the original R44.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe active \u003cstrong\u003eA440\u003c\/strong\u003e is an ultra-premium version of the R44C. It is complete with a custom Lehle transformer, RPQ JFET preamp electronics and the “X” motor hotrod and is the quietest ribbon microphone ever manufactured. It retains the same sonic character of the passive R44C, but with an additional 18dB of output and greater flexibility with different preamps. Many engineers favor their A440s over their vintage RCA 44s due to the advantages in noise performance.\u003c\/li\u003e\n\u003cli\u003eWe developed a modified R44 transducer, called the \u003cstrong\u003eX-Motor\u003c\/strong\u003e, that includes two additional magnets that provide an extra 6db of output. With a sound identical to the original 44, the X-Motor ‘hot rod’ mod is useful for scoring and classical sessions and other applications demanding a wide dynamic range with the classic 44 sound. Available as an upgrade in R44C and CE models, the X-Motor version of the R44 bears a red-badge on the outside instead of the standard black badge.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eYES, THERE’S A MATCHING PREAMP - \u003c\/strong\u003eThe preamp is critical for optimum performance for our passive R44 models. Preamp gain should be at least +60dB or higher and it should have a very high impedance. It’s the same requirement with all passive ribbon mics. To guarantee consistent, full-range ribbon sound, we recommend AEA’s RPQ2, RPQ500 and TRP2 preamps, which were specially designed for ribbon microphones. However, preamps with above a 5K ohm impedance found in many live soundboards are adequate for guitar amps and other louder instruments. On quiet sound sources or for distance recording, an AEA preamp is highly recommended.\u003c\/div\u003e\n\u003cdiv class=\"text\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"text\"\u003e\n\u003cem\u003e\u003cstrong\u003eMix\u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003e Magazine\u003c\/strong\u003e ||  “My next project was recording John Williams' score for Stepmom. We used the R44C on trumpet, a standard microphone choice for many scoring mixers. In this application, the microphone performed flawlessly. Its smooth ribbon character and overall warm sound were perfect for this application. In fact, I would unhesitatingly use these microphones for most brass applications.” – Shawn Murphy\u003c\/div\u003e\n\u003cdiv class=\"text\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"text\"\u003e\n\u003cem\u003e\u003cstrong\u003eResolution\u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003e \u003cem\u003eMagazine\u003c\/em\u003e \u003c\/strong\u003e|| “What you are paying for in the A440 is that 'magic' sound - and a degree of authenticity that's as close as is possible to the original 44 - in a package that delivers the goods in a more modern recording chain. And with the RPQ ribbon pre P48 you get a preamplifier that will do it - and for that matter, any other ribbon microphone - the utmost justice.” – Jon Thornton\u003c\/div\u003e\n\u003cdiv class=\"text\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"text\"\u003e\n\u003cem\u003e\u003cstrong\u003eSound On Sound\u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003e \u003c\/strong\u003e|| “As with the other RCA44 variants, though, [the A440] is enough for us cash‑starved mortals to know that such fabulous mics are still available, and easier to use now than ever before — and that they still sound utterly wonderful. When I reviewed this microphone's forebear, I suggested that it was like a vintage Bentley: expensive and revered, but not easy to justify to the accountants. The same is true of this one, only it's now been fitted with a supercharger! Unfortunately, once you've heard this mic, you'll always aspire to own it. ” – Hugh Robjohns\u003c\/div\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTechnical Specifications\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable class=\"tech-spec-table\" style=\"margin-left: auto; margin-right: auto; height: 486px; width: 567px;\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003e Operating Principle \u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003ePressure gradient transducer\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003e Directional Pattern \u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003eBidirectional\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eFrequency Range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e\u0026lt; 20 Hz to \u0026gt;20 kHz\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003ePolarity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003ePin 2 high for positive pressure\u003cbr\u003e at the front of the microphone.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\n\u003cp\u003e\u003cstrong\u003ePolar Response\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003eNative bidirectional, figure-of-8 pattern\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\n\u003cp\u003ePolar Response Horizontal\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003eUp to 90 dB rejection\u003cbr\u003e at right angles to the front\/back axis.\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003ePolar Response Vertical\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003eLevel changes with angle of incidence,\u003cbr\u003e but frequency response is consistent.\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eTransducer Element Material\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003ePure aluminum corrugated ribbon\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\n\u003cp class=\"p1\"\u003eTransducer Thickness\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e1.8 μm\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003eTransducer Width\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e0.185 in (4.7 mm)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003eTransducer Length\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e2.35 in (59.7 mm)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eDimensions \/Weight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cstrong\u003eHeight:\u003c\/strong\u003e 12.25 in (31.1 cm)\u003cbr\u003e\u003cstrong\u003eWidth:\u003c\/strong\u003e 4.62 in (11.7 cm)\u003cbr\u003e \u003cspan\u003e\u003cstrong\u003eDepth: \u003c\/strong\u003e 3\u003c\/span\u003e\u003cspan\u003e.25 in (8.3 cm)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 7 lb. 9 oz. (3.43 kg)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eConnector Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003eXLR-3M\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eShipping Weight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003eNot Specified\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eAccessories Included\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003eVertical Case, User Manual,\u003cbr\u003e Captive 10\" (3 meter) Cable with XLR-3M Connector\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e \u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eR44C \/ CE \/ CX Passive Microphones\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e \u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eMaximum SPL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e165+ dB SPL (1% third harmonic \u0026gt; 1 kHz)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e2.25 mV\/Pa (-53 dBv) into unloaded circuit\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e270 Ω broadband\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\n\u003cp\u003e\u003cstrong\u003eRecommended Load Impedance\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e1.2 kΩ or greater\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003ePhantom Power\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003eNot required or recommended\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e \u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eA440 Phantom-Powered Microphone\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e \u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eMaximum SPL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e136+ dB SPL (1% third harmonic \u0026gt; 1 kHz)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e30 mV\/Pa (-33.5 dBv) into unloaded circuit\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e92 Ω broadband\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\n\u003cp\u003e\u003cstrong\u003eRecommended Load Impedance\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e1.0 kΩ or greater\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003ePhantom Power\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003eP48 phantom power, 7 mA\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":35203956375704,"sku":"AEA-R44-C","price":4699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0416\/5232\/2456\/products\/AEA-R44C-Ribbon-Microphone-AEA-R44-C-01__70994.png?v=1751493613"},{"product_id":"aea-r44ce-ribbon-microphone","title":"AEA R44CE Ribbon Microphone","description":"\u003cp\u003e\u003cstrong\u003eAEA R44CE Ribbon Microphone\u003c\/strong\u003e\u003cbr\u003eCost-Effective Edition. Distinguished by One-Piece Cushion Mount \u0026amp; Formed Steel Yoke with Satin Nickel Finish\u003c\/p\u003e \u003cp\u003e\u003cspan\u003eThe \u003cstrong\u003eAEA R44C\u003c\/strong\u003e is an exact replica of the vintage \u003cstrong\u003eRCA 44BX\u003c\/strong\u003e ribbon microphone, considered the most musical sounding microphone ever built. Many of the 20th century’s most iconic recordings were recorded by the \u003cstrong\u003eR44.\u003c\/strong\u003e The AEA \u003cstrong\u003eR44\u003c\/strong\u003e is an exacting reproduction of the RCA 44B\/BX Velocity Microphone, circa 1936. Audio Engineering Associates had already been buying, selling, and repairing vintage RCA and other ribbon microphones for two decades, before deciding to reissue the RCA 44. The first question, however, was “Which model should we rerelease?” Many design changes had altered the microphone during the production years of 1936 through 1958. We consulted many engineers and users and decided that the earlier versions from the 30’s to mid-40’s were the all-around favorite, the ones with the ‘magic sound.’ \u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan\u003eThe \u003cstrong\u003eAEA R44C \/ CX\u003c\/strong\u003e is a faithful reproduction, down to one ten-thousandth of an inch. The parts are completely interchangeable with a real 44, the only difference being the magnets. Our modern \u003cstrong\u003eAEA R44C \/ CX\u003c\/strong\u003e uses Neodymium magnets, which are more powerful than the Alnico originals. This produces an output level that is about 1 dB higher than the original microphone, while our \u003cstrong\u003eR44CX\u003c\/strong\u003e High Output version is about 6 dB higher. The ribbon is made from the original RCA ribbon stock! Yes, some of the real stuff had been stored for all these years after RCA discontinued that arm of its business. We also were able to garner some help from one of the original RCA engineers. With their invaluable help, we were able to make this legendary microphone available again.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eTHE R44 VARIANTS - \u003c\/strong\u003eThe passive R44 is available in two exteriors– the original museum-quality replica \u003cstrong\u003eR44C\u003c\/strong\u003e and the aesthetically cost-effective \u003cstrong\u003eR44CE\u003c\/strong\u003e. Both mics have an identical sound and are exactly the same on the inside. The difference between the two is only cosmetics and price. The \u003cstrong\u003eR44CX \u003c\/strong\u003eis the \u003cstrong\u003eHigh Output \u003c\/strong\u003eversion of the museum quality original, which is about 5dB higher. It is also available in a cost-effective edition - the \u003cstrong\u003eR44CXE\u003c\/strong\u003e.\u003cstrong\u003e \u003c\/strong\u003eThe active \u003cstrong\u003eA440\u003c\/strong\u003e is a preamp-flexible R44 with 18dB of extra output. It is custom-painted with the RCA classic umber-colored transformer case.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eR44 SERIES MICROPHONE OVERVIEW\u003c\/strong\u003e\u003c\/p\u003e \u003cdiv class=\"text\"\u003e \u003cul\u003e \u003cli\u003eUnparalleled warmth and legendary character\u003c\/li\u003e \u003cli\u003eFull and rich tonality with generous low end and proximity effect\u003c\/li\u003e \u003cli\u003eFaithful reproduction of the RCA R44BX with new old stock RCA ribbon material\u003c\/li\u003e \u003cli\u003eEconomy exterior R44CE exhibits same, classic sound\u003c\/li\u003e \u003cli\u003eActive A440 upgrade has 12db level increase and is optimized for all preamps\u003c\/li\u003e \u003cli\u003eMade in the U.S.A.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eThe First Great Microphone for Music. \u003c\/strong\u003eWhether it was the smooth brass section of the soundtrack of a classic Hollywood film, the velvety lushness of a jazz vocal or the larger-than-life drum sound of a classic rock recording, chances are an RCA 44-series ribbon microphone was used in the studio when the sound was created. In use for more than 80 years in recording and broadcast studios throughout the world, the RCA 44 ribbon design is as rich in history as it is in sound and character. This instantly recognizable sound produces thunderous lows due to the strong proximity effect, full and rich midrange and a unique top end taking the edge off of harsh instruments. In 1976, AEA decided to begin servicing the thousands of existing RCA ribbon mics in the world. By 1998, AEA had acquired 100 percent of the interchangeable parts used within the original RCA 44. That same year we debuted our R44 reissue — called the AEA R44C — using RCA’s original methods and techniques.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eTHE LEGENDARY BIG RIBBON SOUND - \u003c\/strong\u003eThe AEA R44 maintains an iconic legacy of great ribbon mics by delivering a rich sound full of character and color. Effective on a broad range of instruments and rooms, the R44 bolsters mids and lows while smoothing harsh high frequencies to produce a multi-dimensional sound unlike that of any microphone the world over. Used on everything from crooning vocalists to full orchestras, the R44 is the ideal choice to capture the tone of any voice or instrument while imparting its legendary ribbon character. \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eDIFFERENT OUTSIDES, THE SAME SOUND - \u003c\/strong\u003e\u003cspan\u003eOur R44 Series microphones all share the authentic sound, feel and look of the 1936-38 RCA 44BX. The R44 series microphones are all detailed, hand-crafted replicas, using parts that are made to be interchangeable with an original RCA 44. We manufacture three different versions of the R44 and an optional hotrod. \u003c\/span\u003e\u003cspan\u003eAt the core, every version of the R44 sounds the same when powered with a ribbon preamp. The major differences between the versions are the exterior look and the amount of output level.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eHigh-Output Upgrades - \u003c\/strong\u003eThe original R44 microphones were constantly updated during their twenty years of production, and after carefully looking at some of the technical modifications, we've created two upgrades to the original R44.\u003c\/p\u003e \u003cul\u003e \u003cli\u003eThe active \u003cstrong\u003eA440\u003c\/strong\u003e is an ultra-premium version of the R44C. It is complete with a custom Lehle transformer, RPQ JFET preamp electronics and the “X” motor hotrod and is the quietest ribbon microphone ever manufactured. It retains the same sonic character of the passive R44C, but with an additional 18dB of output and greater flexibility with different preamps. Many engineers favor their A440s over their vintage RCA 44s due to the advantages in noise performance.\u003c\/li\u003e \u003cli\u003eWe developed a modified R44 transducer, called the \u003cstrong\u003eX-Motor\u003c\/strong\u003e, that includes two additional magnets that provide an extra 6db of output. With a sound identical to the original 44, the X-Motor ‘hot rod’ mod is useful for scoring and classical sessions and other applications demanding a wide dynamic range with the classic 44 sound. Available as an upgrade in R44C and CE models, the X-Motor version of the R44 bears a red-badge on the outside instead of the standard black badge.\u003c\/li\u003e \u003c\/ul\u003e \u003cstrong\u003eYES, THERE’S A MATCHING PREAMP - \u003c\/strong\u003eThe preamp is critical for optimum performance for our passive R44 models. Preamp gain should be at least +60dB or higher and it should have a very high impedance. It’s the same requirement with all passive ribbon mics. To guarantee consistent, full-range ribbon sound, we recommend AEA’s RPQ2, RPQ500 and TRP2 preamps, which were specially designed for ribbon microphones. However, preamps with above a 5K ohm impedance found in many live soundboards are adequate for guitar amps and other louder instruments. On quiet sound sources or for distance recording, an AEA preamp is highly recommended.\u003c\/div\u003e \u003cdiv class=\"text\"\u003e \u003c\/div\u003e \u003cdiv class=\"text\"\u003e\n\u003cem\u003e\u003cstrong\u003eMix\u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003e Magazine\u003c\/strong\u003e ||  “My next project was recording John Williams' score for Stepmom. We used the R44C on trumpet, a standard microphone choice for many scoring mixers. In this application, the microphone performed flawlessly. Its smooth ribbon character and overall warm sound were perfect for this application. In fact, I would unhesitatingly use these microphones for most brass applications.” – Shawn Murphy\u003c\/div\u003e \u003cdiv class=\"text\"\u003e \u003c\/div\u003e \u003cdiv class=\"text\"\u003e\n\u003cem\u003e\u003cstrong\u003eResolution\u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003e \u003cem\u003eMagazine\u003c\/em\u003e \u003c\/strong\u003e|| “What you are paying for in the A440 is that 'magic' sound - and a degree of authenticity that's as close as is possible to the original 44 - in a package that delivers the goods in a more modern recording chain. And with the RPQ ribbon pre P48 you get a preamplifier that will do it - and for that matter, any other ribbon microphone - the utmost justice.” – Jon Thornton\u003c\/div\u003e \u003cdiv class=\"text\"\u003e \u003c\/div\u003e \u003cdiv class=\"text\"\u003e\n\u003cem\u003e\u003cstrong\u003eSound On Sound\u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003e \u003c\/strong\u003e|| “As with the other RCA44 variants, though, [the A440] is enough for us cash‑starved mortals to know that such fabulous mics are still available, and easier to use now than ever before — and that they still sound utterly wonderful. When I reviewed this microphone's forebear, I suggested that it was like a vintage Bentley: expensive and revered, but not easy to justify to the accountants. The same is true of this one, only it's now been fitted with a supercharger! Unfortunately, once you've heard this mic, you'll always aspire to own it. ” – Hugh Robjohns\u003c\/div\u003e \u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTechnical Specifications\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e \u003ctable class=\"tech-spec-table\" style=\"margin-left: auto; margin-right: auto; height: 486px; width: 567px;\"\u003e \u003ctbody\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003e Operating Principle \u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003ePressure gradient transducer\u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003e Directional Pattern \u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003eBidirectional\u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eFrequency Range\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e\u0026lt; 20 Hz to \u0026gt;20 kHz\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003ePolarity\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003ePin 2 high for positive pressure\u003cbr\u003e at the front of the microphone.\u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003cp\u003e\u003cstrong\u003ePolar Response\u003c\/strong\u003e\u003c\/p\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eNative bidirectional, figure-of-8 pattern\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003cp\u003ePolar Response Horizontal\u003c\/p\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eUp to 90 dB rejection\u003cbr\u003e at right angles to the front\/back axis.\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003ePolar Response Vertical\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eLevel changes with angle of incidence,\u003cbr\u003e but frequency response is consistent.\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eTransducer Element Material\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003ePure aluminum corrugated ribbon\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003cp class=\"p1\"\u003eTransducer Thickness\u003c\/p\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e1.8 μm\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003eTransducer Width\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e0.185 in (4.7 mm)\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003eTransducer Length\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e2.35 in (59.7 mm)\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eDimensions \/Weight\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cstrong\u003eHeight:\u003c\/strong\u003e 12.25 in (31.1 cm)\u003cbr\u003e\u003cstrong\u003eWidth:\u003c\/strong\u003e 4.62 in (11.7 cm)\u003cbr\u003e \u003cspan\u003e\u003cstrong\u003eDepth: \u003c\/strong\u003e 3\u003c\/span\u003e\u003cspan\u003e.25 in (8.3 cm)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 7 lb. 9 oz. (3.43 kg)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eConnector Type\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eXLR-3M\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eShipping Weight\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003eNot Specified\u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eAccessories Included\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eVertical Case, User Manual,\u003cbr\u003e Captive 10\" (3 meter) Cable with XLR-3M Connector\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e \u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eR44C \/ CE \/ CX Passive Microphones\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eMaximum SPL\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e165+ dB SPL (1% third harmonic \u0026gt; 1 kHz)\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e2.25 mV\/Pa (-53 dBv) into unloaded circuit\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e270 Ω broadband\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003cp\u003e\u003cstrong\u003eRecommended Load Impedance\u003c\/strong\u003e\u003c\/p\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e1.2 kΩ or greater\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003ePhantom Power\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eNot required or recommended\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e \u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eA440 Phantom-Powered Microphone\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eMaximum SPL\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e136+ dB SPL (1% third harmonic \u0026gt; 1 kHz)\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e30 mV\/Pa (-33.5 dBv) into unloaded circuit\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e92 Ω broadband\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003cp\u003e\u003cstrong\u003eRecommended Load Impedance\u003c\/strong\u003e\u003c\/p\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e1.0 kΩ or greater\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003ePhantom Power\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eP48 phantom power, 7 mA\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":35203956408472,"sku":"AEA-R44-CE","price":3849.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0416\/5232\/2456\/products\/AEA-R44CE-Ribbon-Microphone-AEA-R44-CE-01__80804.png?v=1751493611"},{"product_id":"aea-r44cx-ribbon-microphone","title":"AEA R44CX Ribbon Microphone","description":"\u003cp\u003e\u003cstrong\u003eAEA R44CX Ribbon Microphone\u003c\/strong\u003e\u003cbr\u003eX-Motor Mod: High-Output Version (6dB More Than the Original) of AEA’s Flagship R44C\u003c\/p\u003e \u003cp\u003e\u003cspan\u003eThe \u003cstrong\u003eAEA R44C\u003c\/strong\u003e is an exact replica of the vintage \u003cstrong\u003eRCA 44BX\u003c\/strong\u003e ribbon microphone, considered the most musical sounding microphone ever built. Many of the 20th century’s most iconic recordings were recorded by the \u003cstrong\u003eR44.\u003c\/strong\u003e The AEA \u003cstrong\u003eR44\u003c\/strong\u003e is an exacting reproduction of the RCA 44B\/BX Velocity Microphone, circa 1936. Audio Engineering Associates had already been buying, selling, and repairing vintage RCA and other ribbon microphones for two decades, before deciding to reissue the RCA 44. The first question, however, was “Which model should we rerelease?” Many design changes had altered the microphone during the production years of 1936 through 1958. We consulted many engineers and users and decided that the earlier versions from the 30’s to mid-40’s were the all-around favorite, the ones with the ‘magic sound.’ \u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan\u003eThe \u003cstrong\u003eAEA R44C \/ CX\u003c\/strong\u003e is a faithful reproduction, down to one ten-thousandth of an inch. The parts are completely interchangeable with a real 44, the only difference being the magnets. Our modern \u003cstrong\u003eAEA R44C \/ CX\u003c\/strong\u003e uses Neodymium magnets, which are more powerful than the Alnico originals. This produces an output level that is about 1 dB higher than the original microphone, while our \u003cstrong\u003eR44CX\u003c\/strong\u003e High Output version is about 6 dB higher. The ribbon is made from the original RCA ribbon stock! Yes, some of the real stuff had been stored for all these years after RCA discontinued that arm of its business. We also were able to garner some help from one of the original RCA engineers. With their invaluable help, we were able to make this legendary microphone available again.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eTHE R44 VARIANTS - \u003c\/strong\u003eThe passive R44 is available in two exteriors– the original museum-quality replica \u003cstrong\u003eR44C\u003c\/strong\u003e and the aesthetically cost-effective \u003cstrong\u003eR44CE\u003c\/strong\u003e. Both mics have an identical sound and are exactly the same on the inside. The difference between the two is only cosmetics and price. The \u003cstrong\u003eR44CX \u003c\/strong\u003eis the \u003cstrong\u003eHigh Output \u003c\/strong\u003eversion of the museum quality original, which is about 5dB higher. It is also available in a cost-effective edition - the \u003cstrong\u003eR44CXE\u003c\/strong\u003e.\u003cstrong\u003e \u003c\/strong\u003eThe active \u003cstrong\u003eA440\u003c\/strong\u003e is a preamp-flexible R44 with 18dB of extra output. It is custom-painted with the RCA classic umber-colored transformer case.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eR44 SERIES MICROPHONE OVERVIEW\u003c\/strong\u003e\u003c\/p\u003e \u003cdiv class=\"text\"\u003e \u003cul\u003e \u003cli\u003eUnparalleled warmth and legendary character\u003c\/li\u003e \u003cli\u003eFull and rich tonality with generous low end and proximity effect\u003c\/li\u003e \u003cli\u003eFaithful reproduction of the RCA R44BX with new old stock RCA ribbon material\u003c\/li\u003e \u003cli\u003eEconomy exterior R44CE exhibits same, classic sound\u003c\/li\u003e \u003cli\u003eActive A440 upgrade has 12db level increase and is optimized for all preamps\u003c\/li\u003e \u003cli\u003eMade in the U.S.A.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eThe First Great Microphone for Music. \u003c\/strong\u003eWhether it was the smooth brass section of the soundtrack of a classic Hollywood film, the velvety lushness of a jazz vocal or the larger-than-life drum sound of a classic rock recording, chances are an RCA 44-series ribbon microphone was used in the studio when the sound was created. In use for more than 80 years in recording and broadcast studios throughout the world, the RCA 44 ribbon design is as rich in history as it is in sound and character. This instantly recognizable sound produces thunderous lows due to the strong proximity effect, full and rich midrange and a unique top end taking the edge off of harsh instruments. In 1976, AEA decided to begin servicing the thousands of existing RCA ribbon mics in the world. By 1998, AEA had acquired 100 percent of the interchangeable parts used within the original RCA 44. That same year we debuted our R44 reissue — called the AEA R44C — using RCA’s original methods and techniques.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eTHE LEGENDARY BIG RIBBON SOUND - \u003c\/strong\u003eThe AEA R44 maintains an iconic legacy of great ribbon mics by delivering a rich sound full of character and color. Effective on a broad range of instruments and rooms, the R44 bolsters mids and lows while smoothing harsh high frequencies to produce a multi-dimensional sound unlike that of any microphone the world over. Used on everything from crooning vocalists to full orchestras, the R44 is the ideal choice to capture the tone of any voice or instrument while imparting its legendary ribbon character. \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eDIFFERENT OUTSIDES, THE SAME SOUND - \u003c\/strong\u003e\u003cspan\u003eOur R44 Series microphones all share the authentic sound, feel and look of the 1936-38 RCA 44BX. The R44 series microphones are all detailed, hand-crafted replicas, using parts that are made to be interchangeable with an original RCA 44. We manufacture three different versions of the R44 and an optional hotrod. \u003c\/span\u003e\u003cspan\u003eAt the core, every version of the R44 sounds the same when powered with a ribbon preamp. The major differences between the versions are the exterior look and the amount of output level.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eHigh-Output Upgrades - \u003c\/strong\u003eThe original R44 microphones were constantly updated during their twenty years of production, and after carefully looking at some of the technical modifications, we've created two upgrades to the original R44.\u003c\/p\u003e \u003cul\u003e \u003cli\u003eThe active \u003cstrong\u003eA440\u003c\/strong\u003e is an ultra-premium version of the R44C. It is complete with a custom Lehle transformer, RPQ JFET preamp electronics and the “X” motor hotrod and is the quietest ribbon microphone ever manufactured. It retains the same sonic character of the passive R44C, but with an additional 18dB of output and greater flexibility with different preamps. Many engineers favor their A440s over their vintage RCA 44s due to the advantages in noise performance.\u003c\/li\u003e \u003cli\u003eWe developed a modified R44 transducer, called the \u003cstrong\u003eX-Motor\u003c\/strong\u003e, that includes two additional magnets that provide an extra 6db of output. With a sound identical to the original 44, the X-Motor ‘hot rod’ mod is useful for scoring and classical sessions and other applications demanding a wide dynamic range with the classic 44 sound. Available as an upgrade in R44C and CE models, the X-Motor version of the R44 bears a red-badge on the outside instead of the standard black badge.\u003c\/li\u003e \u003c\/ul\u003e \u003cstrong\u003eYES, THERE’S A MATCHING PREAMP - \u003c\/strong\u003eThe preamp is critical for optimum performance for our passive R44 models. Preamp gain should be at least +60dB or higher and it should have a very high impedance. It’s the same requirement with all passive ribbon mics. To guarantee consistent, full-range ribbon sound, we recommend AEA’s RPQ2, RPQ500 and TRP2 preamps, which were specially designed for ribbon microphones. However, preamps with above a 5K ohm impedance found in many live soundboards are adequate for guitar amps and other louder instruments. On quiet sound sources or for distance recording, an AEA preamp is highly recommended.\u003c\/div\u003e \u003cdiv class=\"text\"\u003e \u003c\/div\u003e \u003cdiv class=\"text\"\u003e\n\u003cem\u003e\u003cstrong\u003eMix\u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003e Magazine\u003c\/strong\u003e ||  “My next project was recording John Williams' score for Stepmom. We used the R44C on trumpet, a standard microphone choice for many scoring mixers. In this application, the microphone performed flawlessly. Its smooth ribbon character and overall warm sound were perfect for this application. In fact, I would unhesitatingly use these microphones for most brass applications.” – Shawn Murphy\u003c\/div\u003e \u003cdiv class=\"text\"\u003e \u003c\/div\u003e \u003cdiv class=\"text\"\u003e\n\u003cem\u003e\u003cstrong\u003eResolution\u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003e \u003cem\u003eMagazine\u003c\/em\u003e \u003c\/strong\u003e|| “What you are paying for in the A440 is that 'magic' sound - and a degree of authenticity that's as close as is possible to the original 44 - in a package that delivers the goods in a more modern recording chain. And with the RPQ ribbon pre P48 you get a preamplifier that will do it - and for that matter, any other ribbon microphone - the utmost justice.” – Jon Thornton\u003c\/div\u003e \u003cdiv class=\"text\"\u003e \u003c\/div\u003e \u003cdiv class=\"text\"\u003e\n\u003cem\u003e\u003cstrong\u003eSound On Sound\u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003e \u003c\/strong\u003e|| “As with the other RCA44 variants, though, [the A440] is enough for us cash‑starved mortals to know that such fabulous mics are still available, and easier to use now than ever before — and that they still sound utterly wonderful. When I reviewed this microphone's forebear, I suggested that it was like a vintage Bentley: expensive and revered, but not easy to justify to the accountants. The same is true of this one, only it's now been fitted with a supercharger! Unfortunately, once you've heard this mic, you'll always aspire to own it. ” – Hugh Robjohns\u003c\/div\u003e \u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTechnical Specifications\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e \u003ctable class=\"tech-spec-table\" style=\"margin-left: auto; margin-right: auto; height: 486px; width: 567px;\"\u003e \u003ctbody\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003e Operating Principle \u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003ePressure gradient transducer\u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003e Directional Pattern \u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003eBidirectional\u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eFrequency Range\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e\u0026lt; 20 Hz to \u0026gt;20 kHz\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003ePolarity\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003ePin 2 high for positive pressure\u003cbr\u003e at the front of the microphone.\u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003cp\u003e\u003cstrong\u003ePolar Response\u003c\/strong\u003e\u003c\/p\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eNative bidirectional, figure-of-8 pattern\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003cp\u003ePolar Response Horizontal\u003c\/p\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eUp to 90 dB rejection\u003cbr\u003e at right angles to the front\/back axis.\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003ePolar Response Vertical\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eLevel changes with angle of incidence,\u003cbr\u003e but frequency response is consistent.\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eTransducer Element Material\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003ePure aluminum corrugated ribbon\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003cp class=\"p1\"\u003eTransducer Thickness\u003c\/p\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e1.8 μm\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003eTransducer Width\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e0.185 in (4.7 mm)\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003eTransducer Length\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e2.35 in (59.7 mm)\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eDimensions \/Weight\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cstrong\u003eHeight:\u003c\/strong\u003e 12.25 in (31.1 cm)\u003cbr\u003e\u003cstrong\u003eWidth:\u003c\/strong\u003e 4.62 in (11.7 cm)\u003cbr\u003e \u003cspan\u003e\u003cstrong\u003eDepth: \u003c\/strong\u003e 3\u003c\/span\u003e\u003cspan\u003e.25 in (8.3 cm)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 7 lb. 9 oz. (3.43 kg)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eConnector Type\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eXLR-3M\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eShipping Weight\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003eNot Specified\u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eAccessories Included\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eVertical Case, User Manual,\u003cbr\u003e Captive 10\" (3 meter) Cable with XLR-3M Connector\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e \u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eR44C \/ CE \/ CX Passive Microphones\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eMaximum SPL\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e165+ dB SPL (1% third harmonic \u0026gt; 1 kHz)\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e2.25 mV\/Pa (-53 dBv) into unloaded circuit\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e270 Ω broadband\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003cp\u003e\u003cstrong\u003eRecommended Load Impedance\u003c\/strong\u003e\u003c\/p\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e1.2 kΩ or greater\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003ePhantom Power\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eNot required or recommended\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e \u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eA440 Phantom-Powered Microphone\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eMaximum SPL\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e136+ dB SPL (1% third harmonic \u0026gt; 1 kHz)\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e30 mV\/Pa (-33.5 dBv) into unloaded circuit\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e92 Ω broadband\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003cp\u003e\u003cstrong\u003eRecommended Load Impedance\u003c\/strong\u003e\u003c\/p\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e1.0 kΩ or greater\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003ePhantom Power\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eP48 phantom power, 7 mA\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":35203956474008,"sku":"AEA-R44-CX","price":5349.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0416\/5232\/2456\/products\/AEA-R44CX-Ribbon-Microphone-AEA-R44-CX-01__63207.png?v=1734796358"},{"product_id":"aea-r44cxe-ribbon-microphone","title":"AEA R44CXE Ribbon Microphone","description":"\u003cp\u003e\u003cstrong\u003eAEA R44CXE Ribbon Microphone\u003c\/strong\u003e\u003cbr\u003eX-Motor Mod: High-Output Version (6dB more than the original) of R44CE.\u003cbr\u003e Distinguished by One-Piece Cushion Mount \u0026amp; Formed Steel Yoke with Satin Nickel Finish \u0026amp; Red Accent.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE R44 VARIANTS - \u003c\/strong\u003e\u003cspan\u003eThe passive \u003c\/span\u003e\u003cstrong\u003eR44\u003c\/strong\u003e\u003cspan\u003e is available in two exteriors– the original museum-quality replica \u003c\/span\u003e\u003cstrong\u003eR44C\u003c\/strong\u003e\u003cspan\u003e and the aesthetically cost-effective \u003c\/span\u003e\u003cstrong\u003eR44CE\u003c\/strong\u003e\u003cspan\u003e. Both mics have an identical sound and are exactly the same on the inside. The difference between the two is only cosmetics and price. The \u003c\/span\u003e\u003cstrong\u003eR44CX \u003c\/strong\u003e\u003cspan\u003eis the \u003c\/span\u003e\u003cstrong\u003eHigh Output \u003c\/strong\u003e\u003cspan\u003eversion of the museum quality original, which is about 5dB higher. It is also available in a cost-effective edition - the \u003c\/span\u003e\u003cstrong\u003eR44CXE\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cspan\u003eThe active \u003c\/span\u003e\u003cstrong\u003eA440\u003c\/strong\u003e\u003cspan\u003e is a preamp-flexible R44 with 18dB of extra output. It is custom-painted with the RCA classic umber-colored transformer case.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003cstrong\u003eAEA R44C\u003c\/strong\u003e is an exact replica of the vintage \u003cstrong\u003eRCA 44BX\u003c\/strong\u003e ribbon microphone, considered the most musical sounding microphone ever built. Many of the 20th century’s most iconic recordings were recorded by the \u003cstrong\u003eR44.\u003c\/strong\u003e The AEA \u003cstrong\u003eR44\u003c\/strong\u003e is an exacting reproduction of the RCA 44B\/BX Velocity Microphone, circa 1936. Audio Engineering Associates had already been buying, selling, and repairing vintage RCA and other ribbon microphones for two decades, before deciding to reissue the RCA 44. The first question, however, was “Which model should we rerelease?” Many design changes had altered the microphone during the production years of 1936 through 1958. We consulted many engineers and users and decided that the earlier versions from the 30’s to mid-40’s were the all-around favorite, the ones with the ‘magic sound.’ \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003cstrong\u003eAEA R44C \/ CX\u003c\/strong\u003e is a faithful reproduction, down to one ten-thousandth of an inch. The parts are completely interchangeable with a real 44, the only difference being the magnets. Our modern \u003cstrong\u003eAEA R44C \/ CX\u003c\/strong\u003e uses Neodymium magnets, which are more powerful than the Alnico originals. This produces an output level that is about 1 dB higher than the original microphone, while our \u003cstrong\u003eR44CX\u003c\/strong\u003e High Output version is about 6 dB higher. The ribbon is made from the original RCA ribbon stock! Yes, some of the real stuff had been stored for all these years after RCA discontinued that arm of its business. We also were able to garner some help from one of the original RCA engineers. With their invaluable help, we were able to make this legendary microphone available again.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE R44 VARIANTS - \u003c\/strong\u003eThe passive \u003cstrong\u003eR44\u003c\/strong\u003e is available in two exteriors– the original museum-quality replica \u003cstrong\u003eR44C\u003c\/strong\u003e and the aesthetically cost-effective \u003cstrong\u003eR44CE\u003c\/strong\u003e. Both mics have an identical sound and are exactly the same on the inside. The difference between the two is only cosmetics and price. The \u003cstrong\u003eR44CX \u003c\/strong\u003eis the \u003cstrong\u003eHigh Output \u003c\/strong\u003eversion of the museum quality original, which is about 5dB higher. It is also available in a cost-effective edition - the \u003cstrong\u003eR44CXE\u003c\/strong\u003e.\u003cstrong\u003e \u003c\/strong\u003eThe active \u003cstrong\u003eA440\u003c\/strong\u003e is a preamp-flexible R44 with 18dB of extra output. It is custom-painted with the RCA classic umber-colored transformer case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eR44 SERIES MICROPHONE OVERVIEW\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"text\"\u003e\n\u003cul\u003e\n\u003cli\u003eUnparalleled warmth and legendary character\u003c\/li\u003e\n\u003cli\u003eFull and rich tonality with generous low end and proximity effect\u003c\/li\u003e\n\u003cli\u003eFaithful reproduction of the RCA R44BX with new old stock RCA ribbon material\u003c\/li\u003e\n\u003cli\u003eEconomy exterior R44CE exhibits same, classic sound\u003c\/li\u003e\n\u003cli\u003eActive A440 upgrade has 12db level increase and is optimized for all preamps\u003c\/li\u003e\n\u003cli\u003eMade in the U.S.A.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eThe First Great Microphone for Music. \u003c\/strong\u003eWhether it was the smooth brass section of the soundtrack of a classic Hollywood film, the velvety lushness of a jazz vocal or the larger-than-life drum sound of a classic rock recording, chances are an RCA 44-series ribbon microphone was used in the studio when the sound was created. In use for more than 80 years in recording and broadcast studios throughout the world, the RCA 44 ribbon design is as rich in history as it is in sound and character. This instantly recognizable sound produces thunderous lows due to the strong proximity effect, full and rich midrange and a unique top end taking the edge off of harsh instruments. In 1976, AEA decided to begin servicing the thousands of existing RCA ribbon mics in the world. By 1998, AEA had acquired 100 percent of the interchangeable parts used within the original RCA 44. That same year we debuted our R44 reissue — called the AEA R44C — using RCA’s original methods and techniques.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE LEGENDARY BIG RIBBON SOUND - \u003c\/strong\u003eThe AEA R44 maintains an iconic legacy of great ribbon mics by delivering a rich sound full of character and color. Effective on a broad range of instruments and rooms, the R44 bolsters mids and lows while smoothing harsh high frequencies to produce a multi-dimensional sound unlike that of any microphone the world over. Used on everything from crooning vocalists to full orchestras, the R44 is the ideal choice to capture the tone of any voice or instrument while imparting its legendary ribbon character. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDIFFERENT OUTSIDES, THE SAME SOUND - \u003c\/strong\u003e\u003cspan\u003eOur R44 Series microphones all share the authentic sound, feel and look of the 1936-38 RCA 44BX. The R44 series microphones are all detailed, hand-crafted replicas, using parts that are made to be interchangeable with an original RCA 44. We manufacture three different versions of the R44 and an optional hotrod. \u003c\/span\u003e\u003cspan\u003eAt the core, every version of the R44 sounds the same when powered with a ribbon preamp. The major differences between the versions are the exterior look and the amount of output level.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHigh-Output Upgrades - \u003c\/strong\u003eThe original R44 microphones were constantly updated during their twenty years of production, and after carefully looking at some of the technical modifications, we've created two upgrades to the original R44.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe active \u003cstrong\u003eA440\u003c\/strong\u003e is an ultra-premium version of the R44C. It is complete with a custom Lehle transformer, RPQ JFET preamp electronics and the “X” motor hotrod and is the quietest ribbon microphone ever manufactured. It retains the same sonic character of the passive R44C, but with an additional 18dB of output and greater flexibility with different preamps. Many engineers favor their A440s over their vintage RCA 44s due to the advantages in noise performance.\u003c\/li\u003e\n\u003cli\u003eWe developed a modified R44 transducer, called the \u003cstrong\u003eX-Motor\u003c\/strong\u003e, that includes two additional magnets that provide an extra 6db of output. With a sound identical to the original 44, the X-Motor ‘hot rod’ mod is useful for scoring and classical sessions and other applications demanding a wide dynamic range with the classic 44 sound. Available as an upgrade in R44C and CE models, the X-Motor version of the R44 bears a red-badge on the outside instead of the standard black badge.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eYES, THERE’S A MATCHING PREAMP - \u003c\/strong\u003eThe preamp is critical for optimum performance for our passive R44 models. Preamp gain should be at least +60dB or higher and it should have a very high impedance. It’s the same requirement with all passive ribbon mics. To guarantee consistent, full-range ribbon sound, we recommend AEA’s RPQ2, RPQ500 and TRP2 preamps, which were specially designed for ribbon microphones. However, preamps with above a 5K ohm impedance found in many live soundboards are adequate for guitar amps and other louder instruments. On quiet sound sources or for distance recording, an AEA preamp is highly recommended.\u003c\/div\u003e\n\u003cdiv class=\"text\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"text\"\u003e\n\u003cem\u003e\u003cstrong\u003eMix\u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003e Magazine\u003c\/strong\u003e ||  “My next project was recording John Williams' score for Stepmom. We used the R44C on trumpet, a standard microphone choice for many scoring mixers. In this application, the microphone performed flawlessly. Its smooth ribbon character and overall warm sound were perfect for this application. In fact, I would unhesitatingly use these microphones for most brass applications.” – Shawn Murphy\u003c\/div\u003e\n\u003cdiv class=\"text\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"text\"\u003e\n\u003cem\u003e\u003cstrong\u003eResolution\u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003e \u003cem\u003eMagazine\u003c\/em\u003e \u003c\/strong\u003e|| “What you are paying for in the A440 is that 'magic' sound - and a degree of authenticity that's as close as is possible to the original 44 - in a package that delivers the goods in a more modern recording chain. And with the RPQ ribbon pre P48 you get a preamplifier that will do it - and for that matter, any other ribbon microphone - the utmost justice.” – Jon Thornton\u003c\/div\u003e\n\u003cdiv class=\"text\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"text\"\u003e\n\u003cem\u003e\u003cstrong\u003eSound On Sound\u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003e \u003c\/strong\u003e|| “As with the other RCA44 variants, though, [the A440] is enough for us cash‑starved mortals to know that such fabulous mics are still available, and easier to use now than ever before — and that they still sound utterly wonderful. When I reviewed this microphone's forebear, I suggested that it was like a vintage Bentley: expensive and revered, but not easy to justify to the accountants. The same is true of this one, only it's now been fitted with a supercharger! Unfortunately, once you've heard this mic, you'll always aspire to own it. ” – Hugh Robjohns\u003c\/div\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTechnical Specifications\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable class=\"tech-spec-table\" style=\"margin-left: auto; margin-right: auto; height: 486px; width: 567px;\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003e Operating Principle \u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003ePressure gradient transducer\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003e Directional Pattern \u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003eBidirectional\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eFrequency Range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e\u0026lt; 20 Hz to \u0026gt;20 kHz\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003ePolarity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003ePin 2 high for positive pressure\u003cbr\u003e at the front of the microphone.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\n\u003cp\u003e\u003cstrong\u003ePolar Response\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003eNative bidirectional, figure-of-8 pattern\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\n\u003cp\u003ePolar Response Horizontal\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003eUp to 90 dB rejection\u003cbr\u003e at right angles to the front\/back axis.\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003ePolar Response Vertical\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003eLevel changes with angle of incidence,\u003cbr\u003e but frequency response is consistent.\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eTransducer Element Material\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003ePure aluminum corrugated ribbon\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\n\u003cp class=\"p1\"\u003eTransducer Thickness\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e1.8 μm\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003eTransducer Width\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e0.185 in (4.7 mm)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003eTransducer Length\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e2.35 in (59.7 mm)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eDimensions \/Weight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cstrong\u003eHeight:\u003c\/strong\u003e 12.25 in (31.1 cm)\u003cbr\u003e\u003cstrong\u003eWidth:\u003c\/strong\u003e 4.62 in (11.7 cm)\u003cbr\u003e \u003cspan\u003e\u003cstrong\u003eDepth: \u003c\/strong\u003e 3\u003c\/span\u003e\u003cspan\u003e.25 in (8.3 cm)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 7 lb. 9 oz. (3.43 kg)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eConnector Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003eXLR-3M\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eShipping Weight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003eNot Specified\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eAccessories Included\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003eVertical Case, User Manual,\u003cbr\u003e Captive 10\" (3 meter) Cable with XLR-3M Connector\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e \u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eR44C \/ CE \/ CX Passive Microphones\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e \u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eMaximum SPL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e165+ dB SPL (1% third harmonic \u0026gt; 1 kHz)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e2.25 mV\/Pa (-53 dBv) into unloaded circuit\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e270 Ω broadband\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\n\u003cp\u003e\u003cstrong\u003eRecommended Load Impedance\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e1.2 kΩ or greater\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003ePhantom Power\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003eNot required or recommended\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e \u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eA440 Phantom-Powered Microphone\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e \u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eMaximum SPL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e136+ dB SPL (1% third harmonic \u0026gt; 1 kHz)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e30 mV\/Pa (-33.5 dBv) into unloaded circuit\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e92 Ω broadband\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\n\u003cp\u003e\u003cstrong\u003eRecommended Load Impedance\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003e1.0 kΩ or greater\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr align=\"left\" valign=\"top\"\u003e\n\u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003ePhantom Power\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cp class=\"p1\"\u003eP48 phantom power, 7 mA\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":35203956506776,"sku":"AEA-R44-CXE","price":4349.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0416\/5232\/2456\/products\/AEA-R44CXE-Ribbon-Microphone-AEA-R44-CXE-01__28685.png?v=1751493610"},{"product_id":"aea-r84-ribbon-microphone","title":"AEA R84 Ribbon Microphone","description":"\u003cp\u003e\u003cstrong\u003eAEA R84 Ribbon Microphone\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan\u003eBased on the character of the legendary \u003cstrong\u003eR44, R84\u003c\/strong\u003e series ribbon mics provide classic tonality with extended top-end and reduced proximity effect for medium and close range recording. The \u003cstrong\u003eR84A\u003c\/strong\u003e is an active version of the \u003cstrong\u003eR84,\u003c\/strong\u003e allowing its use with a wider range of preamplifiers.\u003c\/span\u003e\u003c\/p\u003e \u003cul style=\"padding-left: 30px;\"\u003e \u003cli\u003eWarm, smooth and detailed classic ribbon sound\u003c\/li\u003e \u003cli\u003eFull and rich tonality with generous highs and lows\u003c\/li\u003e \u003cli\u003eVoiced like the legendary R44 Seriesbut with less proximity effect\u003c\/li\u003e \u003cli\u003eVersatile for both close and ambient applications\u003c\/li\u003e \u003cli\u003eActive R84A version has 12db level increase and is optimized for all preamps\u003c\/li\u003e \u003cli\u003eMade in the U.S.A.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eA Workhorse Ribbon - \u003c\/strong\u003e\u003cspan\u003eThe \u003cstrong\u003eR84\u003c\/strong\u003e series quickly endears itself to engineers and musicians due to its remarkably expansive frequency range complete with sweeping highs and booming lows. \u003c\/span\u003e\u003cspan\u003eThe \u003cstrong\u003eR84\u003c\/strong\u003e’s balanced and manageable proximity effect just feet away from the source bolsters the low end of vocals, drums, and brass. With a ribbon mic as multi-purpose, lightweight, and maneuverable as the \u003cstrong\u003eR84,\u003c\/strong\u003e it is well-suited for both close-up and ambient mic applications. \u003c\/span\u003e\u003cspan\u003eThe \u003cstrong\u003eR84A\u003c\/strong\u003e retains the same sonic character of the \u003cstrong\u003eR84\u003c\/strong\u003e but offers an additional 12dB of output and a stable impedance giving it even more flexibility when used with quiet sources and any preamp.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eA MODERN CLASSIC - \u003c\/strong\u003eThe \u003cstrong\u003eR84\u003c\/strong\u003e is a staple in numerous recording studios because of its unique tonality and classic sound. Its smooth, high-frequency roll-off and reduced sibilance make it the go-to choice for engineers tracking vocals and other instruments that often sound harsh when recorded with condenser mics. The \u003cstrong\u003eR84\u003c\/strong\u003e’s gorgeous mid-range captures the unique qualities of many instruments with detailed elegance. Its large low end is perfect for beefing up the sound of drum kits or thickening up the bass in thin \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eThe R84A: An Active Version -  \u003c\/strong\u003eFor those who cannot always have the right preamp available, \u003cstrong\u003eAEA\u003c\/strong\u003e offers the Active \u003cstrong\u003eR84A\u003c\/strong\u003e (formerly known as the A840), a premium version of the \u003cstrong\u003eR84\u003c\/strong\u003e complete with JFET electronics and the same custom transformer used in our active R44. It’s basically an \u003cstrong\u003eR84\u003c\/strong\u003e with a built-in preamp. \u003cspan class=\" author-d-iz88z86z86za0dz67zz78zz78zz74zz68zjz80zz71z9iz90z9z84zoz89zz88zrz85z49phz74z2rspz89z4z122zdrz65z8n7o8z76zff2\"\u003eThe active \u003c\/span\u003e\u003cstrong\u003e\u003cspan class=\" author-d-iz88z86z86za0dz67zz78zz78zz74zz68zjz80zz71z9iz90z9z84z5vz78zz70zz122zrz72zz89zz90zz72zz68zjz69z6z79zz82zz65zjz81zfz82zyyy4xhz88z6\"\u003eR84A\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\" author-d-iz88z86z86za0dz67zz78zz78zz74zz68zjz80zz71z9iz90z9z84zoz89zz88zrz85z49phz74z2rspz89z4z122zdrz65z8n7o8z76zff2\"\u003e mic retains the same sonic character of the \u003cstrong\u003eR84,\u003c\/strong\u003e but with an additional 12dB of output and a stable impedance. This gives a consistent frequency response and greater flexibility with different preamps, including those found in audio interfaces for personal computers. This is great for on-the-road musicians who might have to use a different preamp each night. \u003cspan\u003eThe extra 12db of output is a huge help when recording quiet sources like vocals and soft acoustic guitars. The active circuitry also prevents noise, interference on long cable runs or when operating near large lighting rigs. The \u003cstrong\u003eR84A\u003c\/strong\u003e requires standard 48-volt phantom power to operate the active circuitry. The \u003cstrong\u003eR84A\u003c\/strong\u003e also possesses an 18-carrot, gold-plated grill.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e\u003cspan class=\"ace-all-bold-hthree\"\u003eBIG SOUND IN COMPACT WAY - \u003c\/span\u003e\u003c\/strong\u003eIn 2000, \u003cstrong\u003eAEA\u003c\/strong\u003e sought to design a more compact, lighter and less expensive version of the hefty, eight-pound \u003cstrong\u003eRCA 44BX\u003c\/strong\u003e. The result was the \u003cstrong\u003eR84,\u003c\/strong\u003e which includes the best of the \u003cstrong\u003e44\u003c\/strong\u003e series in a lower cost, three-pound package. The R84 and original \u003cstrong\u003eRCA 44\u003c\/strong\u003e (now our \u003cstrong\u003eR44C)\u003c\/strong\u003e share the same Big Ribbon element, transformer and other elements in the design. By using modern design techniques and stronger — but smaller — magnets in the \u003cstrong\u003eR84,\u003c\/strong\u003e the classic RCA ribbon sound is retained. However, the \u003cstrong\u003eR84\u003c\/strong\u003e has improvements — including less proximity effect, better top end, vibration isolation and greater placement flexibility on tight stages and in studios. The mic’s U-shaped yoke acts as a shock mount and also enables the user to position the \u003cstrong\u003eR84\u003c\/strong\u003e at numerous angles even with a straight stand.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eWHICH MODEL IS FOR ME? - \u003c\/strong\u003eThe \u003cstrong\u003eR84\u003c\/strong\u003e and \u003cstrong\u003eR84A\u003c\/strong\u003e are almost identical in sound. The \u003cstrong\u003eR84A\u003c\/strong\u003e is an \u003cstrong\u003eR84\u003c\/strong\u003e with the addition of a custom-made Lehle transformer and active electronics. Though the two versions of the microphone sound very similar and both offer that classic ribbon sound, they have different requirements. The choice between purchasing an \u003cstrong\u003eR84\u003c\/strong\u003e and \u003cstrong\u003eR84A\u003c\/strong\u003e comes down to the decisions engineers make depending on where and how they use their ribbons.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eYES, THERE’S A MATCHING PREAMP - \u003c\/strong\u003eSince the \u003cstrong\u003eR84\u003c\/strong\u003e is a passive ribbon microphone, the preamp is critical for optimum performance. Preamp gain should be at least +60dB or higher and it should have a very high impedance. It’s the same requirement with all passive ribbon mics. To guarantee consistent, full-range ribbon sound with the passive \u003cstrong\u003eR84,\u003c\/strong\u003e we recommend AEA’s \u003cstrong\u003eRPQ2,\u003c\/strong\u003e \u003cstrong\u003eRPQ500\u003c\/strong\u003e and \u003cstrong\u003eTRP2\u003c\/strong\u003e preamps, which were specially designed for ribbon microphones. However, preamps with above a 5K ohm impedance found in many live soundboards are adequate for guitar amps and other louder instruments. On quiet sound sources or for distance recording, an AEA preamp is highly recommended. If you do not own a ribbon preamp, we recommend the active \u003cstrong\u003eR84A\u003c\/strong\u003e because of its higher output and preamp flexibility.\u003c\/p\u003e \u003cp\u003e\"I'm loving the R84 - it's such a great sounding mic! I've used it with great success on upright bass, acoustic guitar, electric guitar, piano, etc. music just sounds good through it.\" - \u003cstrong\u003eChris Eldridge\u003c\/strong\u003e (Punch Brothers, Julian Lage)\u003c\/p\u003e \u003cp\u003e\u003cem\u003e\u003cstrong\u003eSound On Sound\u003c\/strong\u003e ||  \u003c\/em\u003e“Overall, the A840 sounded wonderfully smooth, but with plenty of detail and presence that defined the soprano's voice in a very natural way. Transients were crisp and clear, without any hint of ringing or edginess, and the frequency extremes were smooth and extended. […] the A840's active buffer meant complete freedom from the vagaries of preamp impedance, which was useful.” – Hugh Robjohns\u003c\/p\u003e \u003cp\u003e\u003cem\u003e\u003cstrong\u003eMix Mag\u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003e \u003c\/strong\u003e|| “At this price, you should have at least one R84 in your locker, especially if you're looking to put some life into your digital signal chain. When using even high-quality condensers with a DAW, you forget how good things can sound and end up settling for “really good” instead of “excellent.” A quality ribbon like the R84 can take a production to the next level, injecting some butter into a margarine world.” – Kevin Becka\u003c\/p\u003e \u003cp\u003e\u003cem\u003e\u003cstrong\u003eRecording Mag\u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003e \u003c\/strong\u003e|| “I used the R84 and the RPQ500 as the only microphone\/preamp combo in a recent Folk session, with two vocal tracks, two acoustic guitars, hi-hat and brushed snare, shaker and kick drum, and it gelled the track together in a nice warm classic way. 'Smooth' does not even begin to describe it.” – Paul Vnuk Jr. \u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTechnical Specifications\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e \u003ctable class=\"tech-spec-table\" style=\"margin-left: auto; margin-right: auto; height: 486px; width: 567px;\"\u003e \u003ctbody\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003e Operating Principle \u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003ePressure gradient transducer\u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003e Directional Pattern \u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003eBidirectional\u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eFrequency Range\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e\u0026lt; 20 Hz to \u0026gt;20 kHz\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eMaximum SPL\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e165 + dB SPL (1% third harmonic \u0026gt; 1 kHz)\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e2.5 mV\/Pa (-52 dBv\/Pa) into unloaded circuit\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e270 Ω nominal\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003cp\u003e\u003cstrong\u003eRecommended Load Impedance\u003c\/strong\u003e\u003c\/p\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e1.2K Ω or greater\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003ePhantom Power\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eNot required or recommended\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003ePolarity\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003ePin 2 high for positive pressure\u003cbr\u003e at the front of the microphone.\u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003cp\u003e\u003cstrong\u003ePolar Response\u003c\/strong\u003e\u003c\/p\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eNative bidirectional, figure-of-8 pattern\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003cp\u003ePolar Response Horizontal\u003c\/p\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eUp to 90 dB rejection\u003cbr\u003e at right angles to the front\/back axis.\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003ePolar Response Vertical\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eLevel changes with angle of incidence,\u003cbr\u003e but frequency response is consistent.\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eTransducer Element Material\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003ePure aluminum corrugated ribbon\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003cp class=\"p1\"\u003eTransducer Thickness\u003c\/p\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e1.8 μm\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003eTransducer Width\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e0.185 in (4.7 mm)\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003eTransducer Length\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e2.35 in (59.7 mm)\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eDimensions \/Weight\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cstrong\u003eHeight:\u003c\/strong\u003e 11.6 in (29.5 cm)\u003cbr\u003e\u003cstrong\u003eWidth:\u003c\/strong\u003e 3.9 in (9.9 cm)\u003cbr\u003e \u003cspan\u003e\u003cstrong\u003eDepth: \u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003e2.5 in (6.4 cm)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 3 lbs (1.36 kg) (With Cable)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eConnector Type\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eXLR-3M\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eShipping Weight\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e4 lb. (1.8 kg)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eAccessories Included\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eSoftcase, User Manual,\u003cbr\u003e Captive 10\" (3 meter) Cable with XLR-3M Connector\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":35203956539544,"sku":"AEA-R84","price":1299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0416\/5232\/2456\/products\/AEA-R84-Ribbon-Microphone-01__32749.png?v=1734796360"},{"product_id":"aea-r84a-ribbon-microphone-phantom-powered","title":"AEA R84A Ribbon Microphone (Phantom-Powered)","description":"\u003cp\u003e\u003cstrong\u003eAEA R84A Ribbon Microphone (Phantom-Powered)\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan\u003eBased on the character of the legendary \u003cstrong\u003eR44, R84\u003c\/strong\u003e series ribbon mics provide classic tonality with extended top-end and reduced proximity effect for medium and close range recording. The \u003cstrong\u003eR84A\u003c\/strong\u003e is an active version of the \u003cstrong\u003eR84,\u003c\/strong\u003e allowing its use with a wider range of preamplifiers.\u003c\/span\u003e\u003c\/p\u003e \u003cul style=\"padding-left: 30px;\"\u003e \u003cli\u003eWarm, smooth and detailed classic ribbon sound\u003c\/li\u003e \u003cli\u003eFull and rich tonality with generous highs and lows\u003c\/li\u003e \u003cli\u003eVoiced like the legendary R44 Seriesbut with less proximity effect\u003c\/li\u003e \u003cli\u003eVersatile for both close and ambient applications\u003c\/li\u003e \u003cli\u003eActive R84A version has 12db level increase and is optimized for all preamps\u003c\/li\u003e \u003cli\u003eMade in the U.S.A.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eA Workhorse Ribbon - \u003c\/strong\u003e\u003cspan\u003eThe \u003cstrong\u003eR84\u003c\/strong\u003e series quickly endears itself to engineers and musicians due to its remarkably expansive frequency range complete with sweeping highs and booming lows. \u003c\/span\u003e\u003cspan\u003eThe \u003cstrong\u003eR84\u003c\/strong\u003e’s balanced and manageable proximity effect just feet away from the source bolsters the low end of vocals, drums, and brass. With a ribbon mic as multi-purpose, lightweight, and maneuverable as the \u003cstrong\u003eR84,\u003c\/strong\u003e it is well-suited for both close-up and ambient mic applications. \u003c\/span\u003e\u003cspan\u003eThe \u003cstrong\u003eR84A\u003c\/strong\u003e retains the same sonic character of the \u003cstrong\u003eR84\u003c\/strong\u003e but offers an additional 12dB of output and a stable impedance giving it even more flexibility when used with quiet sources and any preamp.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eA MODERN CLASSIC - \u003c\/strong\u003eThe \u003cstrong\u003eR84\u003c\/strong\u003e is a staple in numerous recording studios because of its unique tonality and classic sound. Its smooth, high-frequency roll-off and reduced sibilance make it the go-to choice for engineers tracking vocals and other instruments that often sound harsh when recorded with condenser mics. The \u003cstrong\u003eR84\u003c\/strong\u003e’s gorgeous mid-range captures the unique qualities of many instruments with detailed elegance. Its large low end is perfect for beefing up the sound of drum kits or thickening up the bass in thin \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eThe R84A: An Active Version -  \u003c\/strong\u003eFor those who cannot always have the right preamp available, \u003cstrong\u003eAEA\u003c\/strong\u003e offers the Active \u003cstrong\u003eR84A\u003c\/strong\u003e (formerly known as the A840), a premium version of the \u003cstrong\u003eR84\u003c\/strong\u003e complete with JFET electronics and the same custom transformer used in our active R44. It’s basically an \u003cstrong\u003eR84\u003c\/strong\u003e with a built-in preamp. \u003cspan class=\" author-d-iz88z86z86za0dz67zz78zz78zz74zz68zjz80zz71z9iz90z9z84zoz89zz88zrz85z49phz74z2rspz89z4z122zdrz65z8n7o8z76zff2\"\u003eThe active \u003c\/span\u003e\u003cstrong\u003e\u003cspan class=\" author-d-iz88z86z86za0dz67zz78zz78zz74zz68zjz80zz71z9iz90z9z84z5vz78zz70zz122zrz72zz89zz90zz72zz68zjz69z6z79zz82zz65zjz81zfz82zyyy4xhz88z6\"\u003eR84A\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\" author-d-iz88z86z86za0dz67zz78zz78zz74zz68zjz80zz71z9iz90z9z84zoz89zz88zrz85z49phz74z2rspz89z4z122zdrz65z8n7o8z76zff2\"\u003e mic retains the same sonic character of the \u003cstrong\u003eR84,\u003c\/strong\u003e but with an additional 12dB of output and a stable impedance. This gives a consistent frequency response and greater flexibility with different preamps, including those found in audio interfaces for personal computers. This is great for on-the-road musicians who might have to use a different preamp each night. \u003cspan\u003eThe extra 12db of output is a huge help when recording quiet sources like vocals and soft acoustic guitars. The active circuitry also prevents noise, interference on long cable runs or when operating near large lighting rigs. The \u003cstrong\u003eR84A\u003c\/strong\u003e requires standard 48-volt phantom power to operate the active circuitry. The \u003cstrong\u003eR84A\u003c\/strong\u003e also possesses an 18-carrot, gold-plated grill.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e\u003cspan class=\"ace-all-bold-hthree\"\u003eBIG SOUND IN COMPACT WAY - \u003c\/span\u003e\u003c\/strong\u003eIn 2000, \u003cstrong\u003eAEA\u003c\/strong\u003e sought to design a more compact, lighter and less expensive version of the hefty, eight-pound \u003cstrong\u003eRCA 44BX\u003c\/strong\u003e. The result was the \u003cstrong\u003eR84,\u003c\/strong\u003e which includes the best of the \u003cstrong\u003e44\u003c\/strong\u003e series in a lower cost, three-pound package. The R84 and original \u003cstrong\u003eRCA 44\u003c\/strong\u003e (now our \u003cstrong\u003eR44C)\u003c\/strong\u003e share the same Big Ribbon element, transformer and other elements in the design. By using modern design techniques and stronger — but smaller — magnets in the \u003cstrong\u003eR84,\u003c\/strong\u003e the classic RCA ribbon sound is retained. However, the \u003cstrong\u003eR84\u003c\/strong\u003e has improvements — including less proximity effect, better top end, vibration isolation and greater placement flexibility on tight stages and in studios. The mic’s U-shaped yoke acts as a shock mount and also enables the user to position the \u003cstrong\u003eR84\u003c\/strong\u003e at numerous angles even with a straight stand.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eWHICH MODEL IS FOR ME? - \u003c\/strong\u003eThe \u003cstrong\u003eR84\u003c\/strong\u003e and \u003cstrong\u003eR84A\u003c\/strong\u003e are almost identical in sound. The \u003cstrong\u003eR84A\u003c\/strong\u003e is an \u003cstrong\u003eR84\u003c\/strong\u003e with the addition of a custom-made Lehle transformer and active electronics. Though the two versions of the microphone sound very similar and both offer that classic ribbon sound, they have different requirements. The choice between purchasing an \u003cstrong\u003eR84\u003c\/strong\u003e and \u003cstrong\u003eR84A\u003c\/strong\u003e comes down to the decisions engineers make depending on where and how they use their ribbons.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eYES, THERE’S A MATCHING PREAMP - \u003c\/strong\u003eSince the \u003cstrong\u003eR84\u003c\/strong\u003e is a passive ribbon microphone, the preamp is critical for optimum performance. Preamp gain should be at least +60dB or higher and it should have a very high impedance. It’s the same requirement with all passive ribbon mics. To guarantee consistent, full-range ribbon sound with the passive \u003cstrong\u003eR84,\u003c\/strong\u003e we recommend AEA’s \u003cstrong\u003eRPQ2,\u003c\/strong\u003e \u003cstrong\u003eRPQ500\u003c\/strong\u003e and \u003cstrong\u003eTRP2\u003c\/strong\u003e preamps, which were specially designed for ribbon microphones. However, preamps with above a 5K ohm impedance found in many live soundboards are adequate for guitar amps and other louder instruments. On quiet sound sources or for distance recording, an AEA preamp is highly recommended. If you do not own a ribbon preamp, we recommend the active \u003cstrong\u003eR84A\u003c\/strong\u003e because of its higher output and preamp flexibility.\u003c\/p\u003e \u003cp\u003e\"I'm loving the R84 - it's such a great sounding mic! I've used it with great success on upright bass, acoustic guitar, electric guitar, piano, etc. music just sounds good through it.\" - \u003cstrong\u003eChris Eldridge\u003c\/strong\u003e (Punch Brothers, Julian Lage)\u003c\/p\u003e \u003cp\u003e\u003cem\u003e\u003cstrong\u003eSound On Sound\u003c\/strong\u003e ||  \u003c\/em\u003e“Overall, the A840 sounded wonderfully smooth, but with plenty of detail and presence that defined the soprano's voice in a very natural way. Transients were crisp and clear, without any hint of ringing or edginess, and the frequency extremes were smooth and extended. […] the A840's active buffer meant complete freedom from the vagaries of preamp impedance, which was useful.” – Hugh Robjohns\u003c\/p\u003e \u003cp\u003e\u003cem\u003e\u003cstrong\u003eMix Mag\u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003e \u003c\/strong\u003e|| “At this price, you should have at least one R84 in your locker, especially if you're looking to put some life into your digital signal chain. When using even high-quality condensers with a DAW, you forget how good things can sound and end up settling for “really good” instead of “excellent.” A quality ribbon like the R84 can take a production to the next level, injecting some butter into a margarine world.” – Kevin Becka\u003c\/p\u003e \u003cp\u003e\u003cem\u003e\u003cstrong\u003eRecording Mag\u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003e \u003c\/strong\u003e|| “I used the R84 and the RPQ500 as the only microphone\/preamp combo in a recent Folk session, with two vocal tracks, two acoustic guitars, hi-hat and brushed snare, shaker and kick drum, and it gelled the track together in a nice warm classic way. 'Smooth' does not even begin to describe it.” – Paul Vnuk Jr. \u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTechnical Specifications\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e \u003ctable class=\"tech-spec-table\" style=\"margin-left: auto; margin-right: auto; height: 486px; width: 567px;\"\u003e \u003ctbody\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003e Operating Principle \u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003ePressure gradient transducer\u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003e Directional Pattern \u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003eBidirectional\u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eFrequency Range\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e\u0026lt; 20 Hz to \u0026gt;20 kHz\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eMaximum SPL\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e141 dB SPL (1% third harmonic \u0026gt; 1 kHz)\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e6.3 mV\/Pa (-44 dBv\/Pa) into unloaded circuit\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e92 Ω broadband\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003cp\u003e\u003cstrong\u003eRecommended Load Impedance\u003c\/strong\u003e\u003c\/p\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e1.0 kΩ or greater\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003ePhantom Power\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eP48 phantom power, 7 mA\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003ePolarity\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003ePin 2 high for positive pressure\u003cbr\u003e at the front of the microphone.\u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003cp\u003e\u003cstrong\u003ePolar Response\u003c\/strong\u003e\u003c\/p\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eNative bidirectional, figure-of-8 pattern\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003cp\u003ePolar Response Horizontal\u003c\/p\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eUp to 90 dB rejection\u003cbr\u003e at right angles to the front\/back axis.\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003ePolar Response Vertical\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eLevel changes with angle of incidence,\u003cbr\u003e but frequency response is consistent.\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eTransducer Element Material\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003ePure aluminum corrugated ribbon\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003cp class=\"p1\"\u003eTransducer Thickness\u003c\/p\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e1.8 μm\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003eTransducer Width\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e0.185 in (4.7 mm)\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003eTransducer Length\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e2.35 in (59.7 mm)\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eDimensions \/Weight\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cstrong\u003eHeight:\u003c\/strong\u003e 11.6 in (29.5 cm)\u003cbr\u003e\u003cstrong\u003eWidth:\u003c\/strong\u003e 3.9 in (9.9 cm)\u003cbr\u003e \u003cspan\u003e\u003cstrong\u003eDepth: \u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003e2.5 in (6.4 cm)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 3 lbs (1.36 kg) (With Cable)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eConnector Type\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eXLR-3M\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eShipping Weight\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e4 lb. (1.8 kg)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eAccessories Included\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eSoftcase, User Manual,\u003cbr\u003e Captive 10\" (3 meter) Cable with XLR-3M Connector\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":35203956605080,"sku":"AEA-R84A","price":1599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0416\/5232\/2456\/products\/AEA-R84-Ribbon-Microphone-01__79223.png?v=1734796361"},{"product_id":"aea-r88-stereo-ribbon-microphone","title":"AEA R88 Stereo Ribbon Microphone","description":"\u003cp\u003e\u003cstrong\u003eAEA R88 Stereo Ribbon Microphone\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan\u003eThe stereo \u003cstrong\u003eR88mk2\u003c\/strong\u003e ribbon mic captures sound as your ears hear it, with an honest and open tonality. The R88 effortlessly records complex sources like drums, strings, piano, and other instruments that produce intricate transients, harsher highs, and bellowing lows.\u003c\/span\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eFeatures two Big Ribbons™ in a fixed Blumlein and mid-side configuration\u003c\/li\u003e \u003cli\u003eAstonishingly open and natural sound\u003c\/li\u003e \u003cli\u003eFar-field ribbon mic designed to retain low end and top end at a distance\u003c\/li\u003e \u003cli\u003eStereo version of the AEA N8\u003c\/li\u003e \u003cli\u003eMade in the U.S.A.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eA STEREO MICROPHONE LIKE YOUR OWN EARS - \u003c\/strong\u003e\u003cspan\u003eThe stereo \u003cstrong\u003eR88\u003c\/strong\u003e captures a space as it sounds live and in person, with all the present subtlety and nuance. Its expansive frequency response and balanced low end make it superbly effective when capturing the full breadth of sound from the back of a room or above a drum set.  \u003c\/span\u003e\u003cspan\u003eAlongside the mono \u003c\/span\u003e\u003cstrong\u003eAEA N8\u003c\/strong\u003e\u003cspan\u003e, it boasts the widest frequency range of any mic in the \u003cstrong\u003eAEA\u003c\/strong\u003e lineup and effortlessly manages more complex source audio like drums, strings, piano, and other instruments that produce intricate transients, harsher highs, and bellowing lows. The \u003c\/span\u003eBlumlein\u003cspan\u003e configuration of the ribbons allows for a sweeping range of perspective, so an entire ensemble and room can be captured by the \u003cstrong\u003eR88\u003c\/strong\u003e alone.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eTHE ENGINEER’S SECRET WEAPON - \u003c\/strong\u003eThe \u003cstrong\u003eR88mk2\u003c\/strong\u003e is the engineer’s secret weapon, offering a level of detail and balance in recording like no other microphone available. Packaged in a sleek, five-pound black shell designed for quick setup, it’s an excellent choice for remote recording. Particularly well suited for the rock, roots, classical, Americana and jazz genres, the \u003cstrong\u003eR88mk2\u003c\/strong\u003e has such versatility that engineers like John Cuniberti use it as their one mic to capture an entire band performing live in the same room. There is a reason that legendary Blackbird Studios in Nashville owns five \u003cstrong\u003eR88s.\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e“The \u003cstrong\u003eR88\u003c\/strong\u003e is the most realistic mic iIve ever used. I still get confused if during playback the piano is coming out of the speakers or if the pianist is still playing in the room.” - \u003cstrong\u003eJon Castelli\u003c\/strong\u003e (Lady Gaga, Ariana Grande, Kesha)\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eA Rich History - \u003c\/strong\u003eThe design of the \u003cstrong\u003eR88mk2\u003c\/strong\u003e borrows from serious stereo recording tradition. In 1931, EMI engineer \u003cstrong\u003eAlan Blumlein\u003c\/strong\u003e invented stereo recording by demonstrating the natural reproduction of the soundstage in one of the Abbey Road studios in London. Today, Blumlein’s XY coincident recording technique lives on in the \u003cstrong\u003eAEA R88mk2\u003c\/strong\u003e, which uses two figure-of-8 ribbons for producing an authentic representation of a performance. The pair of elements are angled in perfect phase at 90 degrees and mounted in close proximity to each other along the vertical axis of the microphone. As an alternative to Blumlein’s technique, the microphone can also be used for mid-side (MS) stereo, providing excellent mono compatibility and full control over the width of the stereo image. Either way, the \u003cstrong\u003eR88mk2\u003c\/strong\u003e is so easy to use that any recording novice can do it. Simply choose where to place the mic and hit record. It’s that easy.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eA FAR-FIELD RIBBON FOR CREATIVE RECORDING - \u003c\/strong\u003eAs a stereo far-field ribbon microphone, the \u003cstrong\u003eR88mk2\u003c\/strong\u003e was designed to capture balanced sound from long distances. Sound sources should be measured in feet rather than inches away from the mic. From 16 inches to 20 feet, the mic retains its full spectrum and incredible low end. When positioned closer than 16 inches, the mic adds proximity effect. When carefully used, this proximity effect can beef up thin sounds — either voices or instruments. Don’t worry about loud sources, either. The \u003cstrong\u003eR88mk2\u003c\/strong\u003e can handle 165+ dB SPL at 1 kHz allowing you to position it up-close to avoid room tone if needed. It will not be hurt by loud sources and can be positioned against a stereo guitar amp and other loud instruments.\u003c\/p\u003e \u003cdiv class=\"flex-item three-col-item\"\u003e\n\u003cstrong\u003eYES, THERE’S A MATCHING PREAMP - \u003c\/strong\u003eSince the \u003cstrong\u003eR88mk2\u003c\/strong\u003e is a dual passive ribbon microphone, the preamp is critical for optimum performance. Preamp gain should be at least +60dB or higher and the preamp should have a very high impedance. It’s the same requirement with all passive ribbon mics. To guarantee consistent, full-range ribbon sound, we recommend AEA’s RPQ2, RPQ500 and TRP2preamps, which were specially designed for ribbon microphones. However, preamps with above a 5K ohm impedance found in many live soundboards are adequate for guitar amps and other louder instruments. On quiet sound sources or for distance recording, an AEA preamp is highly recommended.\u003c\/div\u003e \u003cdiv class=\"flex-item three-col-item\"\u003e \u003c\/div\u003e \u003cdiv class=\"flex-item three-col-item\"\u003e\"The \u003cstrong\u003eAEA R88\u003c\/strong\u003e has been an important part of my drum recording technique for the 6 years or more. it’s been on every session from Alanis Morissette to Jason Mraz and from The Strokes to the White Stripes. it handles high levels well. it’s tone is warm but with with great detail and takes well to heavy processing. i wouldn’t be without it on a tracking session.\" - \u003cstrong\u003eJoe Chiccarelli\u003c\/strong\u003e (The White Stripes, The Strokes, Morrissey)\u003c\/div\u003e \u003cdiv class=\"flex-item three-col-item\"\u003e \u003c\/div\u003e \u003cdiv class=\"flex-item three-col-item\"\u003e\n\u003cem\u003e\u003cstrong\u003eMix\u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003e \u003c\/strong\u003e||  “The R88 sounded absolutely delicious on upright bass, delivering a round, warm, fat bottom without being tubby. The roll-off on the top of the R88 fit perfectly with this instrument, making it sit nicely in the mix. The mic nicely rounds the attack consistently up the neck, providing great definition. On playback, the upright player was astonished at the sound.” \u003cspan\u003e– Kevin Becka\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv class=\"flex-item three-col-item\"\u003e \u003c\/div\u003e \u003cdiv class=\"flex-item three-col-item\"\u003e\n\u003cem\u003e\u003cstrong\u003eSound On Sound\u003c\/strong\u003e \u003c\/em\u003e|| “This is a very impressive microphone and one which is without equal as far as I know. It will appeal to the purist classical-music engineer without doubt, but it also has a much wider role in the studio. Long live the ribbon revolution!” \u003cspan\u003e\u003cspan\u003e– Hugh Robjohns\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv class=\"flex-item three-col-item\"\u003e \u003c\/div\u003e \u003cdiv class=\"flex-item three-col-item\"\u003e\n\u003cem\u003e\u003cstrong\u003eTape Op\u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003e \u003c\/strong\u003e|| “I've also had great success using the combo on a horn section 15 ft from the drum kit. Recording two Ampeg Gemini guitar amps in stereo was totally killer. On piano, I was able to use the placement and nulls to effectively control the bleed and frequency response of a baby grand track. As a room mic for percussion ensemble overdubs, for backing vocals, etc. - all amazing.” \u003cspan\u003e\u003cspan\u003e\u003cspan\u003e– Chris Koltay\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e \u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTechnical Specifications\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e \u003ctable class=\"tech-spec-table\" style=\"margin-left: auto; margin-right: auto; height: 486px; width: 567px;\"\u003e \u003ctbody\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003e Operating Principle \u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003ePressure gradient transducer\u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003e Directional Pattern \u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003eBidirectional\u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eFrequency Range\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e\u0026lt; 20 Hz to 20 kHz\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eMaximum SPL\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e165 dB SPL (1% third harmonic \u0026gt; 1 kHz)\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e2.5 mV\/Pa (-52 dBV) into unloaded circuit\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e270 Ω broadband\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003cp\u003e\u003cstrong\u003eRecommended Load Impedance\u003c\/strong\u003e\u003c\/p\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e 1.2 kΩ or greater\u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003ePhantom Power\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e\u003cspan\u003eNot required or recommended\u003c\/span\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003ePolarity\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003ePin 2 \u0026amp; 4 high for positive pressure\u003cbr\u003e at the front of the microphone.\u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003cp\u003e\u003cstrong\u003eOff Axis Response\u003c\/strong\u003e\u003c\/p\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003eBidirectional\u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003cp\u003e\u003cstrong\u003ePolar Response Horizontal\u003c\/strong\u003e\u003c\/p\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eLevel changes with angle,\u003cbr\u003e frequency response is consistent,\u003cbr\u003e -35dB null at 90º \/ 270º\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003ePolar Response Vertical\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eLevel changes with angle,\u003cbr\u003e reduced HF response above and below 0º \/ 180º,\u003cbr\u003e -25 dB null at 90º \/ 270º\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eTransducer Element Material\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003ePure aluminum corrugated ribbon\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003cp class=\"p1\"\u003eTransducer Thickness\u003c\/p\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e1.8 μm\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003eTransducer Width\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e0.185 in (4.7 mm)\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003eTransducer Length\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e2.35 in (59.7 mm)\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eDimensions \/Weight\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cstrong\u003eHeight:\u003c\/strong\u003e 2.35 in (59.7 mm)\u003cbr\u003e\u003cstrong\u003eWidth:\u003c\/strong\u003e 15 in (38.1 cm)\u003cbr\u003e \u003cspan\u003e\u003cstrong\u003eDepth: \u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003e3 in (7.62 cm)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 2 lbs. 9.8 oz. (1.19 kg)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eConnector Type\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eXLR-5M, includes breakout cable - 2 XLR-3M\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eShipping Weight\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e5 lbs. 3 oz. (2.36 kg)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003cp class=\"p1\"\u003e\u003cstrong\u003eAccessories Included\u003c\/strong\u003e\u003c\/p\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003eStorage \/Shipping case\u003cbr\u003e User Manual\u003cbr\u003e Swivel Adapter\u003cbr\u003eCustom Protective Mic Sleeve\u003cbr\u003e XLR-5M Breakout Cable\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":35203956670616,"sku":"AEA-R88","price":2399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0416\/5232\/2456\/products\/AEA-R88-Stereo-Ribbon-Microphone-03__75748.png?v=1734796362"},{"product_id":"aea-r88a-stereo-ribbon-microphone-active","title":"AEA R88A Stereo Ribbon Microphone (Active)","description":"\u003cp\u003e\u003cstrong\u003eAEA R88A Stereo Ribbon Microphone (Active)\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eTHE NEW STEREO R88A : MORE BANDWIDTH, LESS COLOR. \u003c\/strong\u003eThe new stereo R88A active ribbon microphone with custom toroid transformers captures sound as your ears hear it with an honest, open tonality. The R88A effortlessly records the sonic intricacies of drums, strings, piano, and other instruments that produce complex transients. The extra 12dB of transformer gain is advantageous when recording quiet sources like vocals or soft acoustic guitars. The active impedance buffers help prevent noise interference on long cable runs or when operating near large lighting rigs. The R88A requires standard 48V phantom power to operate. \u003cspan\u003eActive microphones are the same as passive microphones with one major difference – they have electronics in them that require phantom power to operate. Yes, that’s right. These ribbon mics actually require phantom power to operate.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eThe R88A: An Active Version. \u003c\/strong\u003eFor those without access to an ideal preamp, AEA offers the \u003cstrong\u003eActive R88A\u003c\/strong\u003e, a premium version of the R88 complete with JFET electronics and the same custom transformer used in our active R44. It’s basically an R88 with a built-in preamp.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe active \u003cstrong\u003eR88A\u003c\/strong\u003e mic retains the same sonic character of the R88, but with an additional 12dB of output and a stable impedance. This gives a consistent frequency response and greater flexibility with different preamps, including those found in audio interfaces for personal computers. This is great for on-the-road musicians who might have to use a different preamp each night.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eThe extra 12db of output is vital when recording quiet sources like vocals or soft acoustic guitars. The active circuitry also prevents noise interference on long cable runs or when operating near large lighting rigs. The \u003cstrong\u003eR88A\u003c\/strong\u003e’s active circuitry requires standard 48-volt phantom power to operate. The premium R88A is visually distinguished by a red cable at its base.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eWHICH MODEL IS RIGHT FOR ME? \u003c\/strong\u003eThe R88 and R88A are almost identical in sound.The R88A is an R88, but equipped with custom-made Lehle transformer and active electronics. Though the two versions of the microphone sound very similar and both deliver the classic ribbon sound, they have different requirements. The choice between the R88 and R88A is contingent on the specific needs of an engineer and their environment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eList of Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSame award-winning stereo perspective as the passive R88\u003c\/li\u003e\n\u003cli\u003ePhantom powered (48V) version of AEA's classic R88 with 12dB more\u003c\/li\u003e\n\u003cli\u003etransformer gain\u003c\/li\u003e\n\u003cli\u003eCompatible with any preamp and input impedance\u003c\/li\u003e\n\u003cli\u003eFast, accurate transient reproduction\u003c\/li\u003e\n\u003cli\u003eStereo ribbon microphone that offers a natural sound\u003c\/li\u003e\n\u003cli\u003eCaptures amazingly precise stereo imagery with a single mic\u003c\/li\u003e\n\u003cli\u003eLarger-than-normal ribbon elements handle high SPLs with ease\u003c\/li\u003e\n\u003cli\u003eFigure-8, Blumlein Configuration (90 degrees) polar pattern\u003c\/li\u003e\n\u003cli\u003e141dB Max SPL\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eR88 Series\u003c\/strong\u003e ribbon mics capture sound as your ears hear it, with an honest and open tonality. The R88 and R88A effortlessly record complex sources like drums, strings, piano, and other instruments that produce intricate transients, harsher highs, and bellowing lows.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA STEREO MICROPHONE LIKE YOUR OWN EARS - \u003c\/strong\u003eThe stereo \u003cstrong\u003eR88\u003c\/strong\u003e captures a space as it sounds live and in person, with all the present subtlety and nuance. Its expansive frequency response and balanced low end make it superbly effective when capturing the full breadth of sound from the back of a room or above a drum set.  Alongside the mono \u003cstrong\u003eAEA N8\u003c\/strong\u003e, it boasts the widest frequency range of any mic in the \u003cstrong\u003eAEA\u003c\/strong\u003e lineup and effortlessly manages more complex source audio like drums, strings, piano, and other instruments that produce intricate transients, harsher highs, and bellowing lows. The Blumlein configuration of the ribbons allows for a sweeping range of perspective, so an entire ensemble and room can be captured by the \u003cstrong\u003eR88\u003c\/strong\u003e alone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE ENGINEER’S SECRET WEAPON - \u003c\/strong\u003eThe \u003cstrong\u003eR88\u003c\/strong\u003e is the engineer’s secret weapon, offering a level of detail and balance in recording like no other microphone available. Packaged in a sleek, five-pound black shell designed for quick setup, it’s an excellent choice for remote recording. Particularly well suited for the rock, roots, classical, Americana and jazz genres, the \u003cstrong\u003eR88\u003c\/strong\u003e has such versatility that engineers like John Cuniberti use it as their one mic to capture an entire band performing live in the same room. There is a reason that legendary Blackbird Studios in Nashville owns five \u003cstrong\u003eR88s.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“The \u003cstrong\u003eR88\u003c\/strong\u003e is the most realistic mic iIve ever used. I still get confused if during playback the piano is coming out of the speakers or if the pianist is still playing in the room.” - \u003cstrong\u003eJon Castelli\u003c\/strong\u003e (Lady Gaga, Ariana Grande, Kesha)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA Rich History - \u003c\/strong\u003eThe design of the \u003cstrong\u003eR88\u003c\/strong\u003e borrows from serious stereo recording tradition. In 1931, EMI engineer \u003cstrong\u003eAlan Blumlein\u003c\/strong\u003e invented stereo recording by demonstrating the natural reproduction of the soundstage in one of the Abbey Road studios in London. Today, Blumlein’s XY coincident recording technique lives on in the \u003cstrong\u003eAEA R88\u003c\/strong\u003e, which uses two figure-of-8 ribbons for producing an authentic representation of a performance. The pair of elements are angled in perfect phase at 90 degrees and mounted in close proximity to each other along the vertical axis of the microphone. As an alternative to Blumlein’s technique, the microphone can also be used for mid-side (MS) stereo, providing excellent mono compatibility and full control over the width of the stereo image. Either way, the \u003cstrong\u003eR88\u003c\/strong\u003e is so easy to use that any recording novice can do it. Simply choose where to place the mic and hit record. It’s that easy.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA FAR-FIELD RIBBON FOR CREATIVE RECORDING - \u003c\/strong\u003eAs a stereo far-field ribbon microphone, the \u003cstrong\u003eR88\u003c\/strong\u003e was designed to capture balanced sound from long distances. Sound sources should be measured in feet rather than inches away from the mic. From 16 inches to 20 feet, the mic retains its full spectrum and incredible low end. When positioned closer than 16 inches, the mic adds proximity effect. When carefully used, this proximity effect can beef up thin sounds — either voices or instruments. Don’t worry about loud sources, either. The \u003cstrong\u003eR88\u003c\/strong\u003e can handle 165+ dB SPL at 1 kHz allowing you to position it up-close to avoid room tone if needed. It will not be hurt by loud sources and can be positioned against a stereo guitar amp and other loud instruments.\u003c\/p\u003e\n\u003cdiv class=\"flex-item three-col-item\"\u003e\n\u003cstrong\u003eYES, THERE’S A MATCHING PREAMP - \u003c\/strong\u003eSince the \u003cstrong\u003eR88\u003c\/strong\u003e is a dual passive ribbon microphone, the preamp is critical for optimum performance. Preamp gain should be at least +60dB or higher and the preamp should have a very high impedance. It’s the same requirement with all passive ribbon mics. To guarantee consistent, full-range ribbon sound, we recommend AEA’s RPQ2, RPQ500 and TRP2preamps, which were specially designed for ribbon microphones. However, preamps with above a 5K ohm impedance found in many live soundboards are adequate for guitar amps and other louder instruments. On quiet sound sources or for distance recording, an AEA preamp is highly recommended.\u003c\/div\u003e\n\u003cdiv class=\"flex-item three-col-item\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"flex-item three-col-item\"\u003e\"The \u003cstrong\u003eAEA R88\u003c\/strong\u003e has been an important part of my drum recording technique for the 6 years or more. it’s been on every session from Alanis Morissette to Jason Mraz and from The Strokes to the White Stripes. it handles high levels well. it’s tone is warm but with with great detail and takes well to heavy processing. i wouldn’t be without it on a tracking session.\" - \u003cstrong\u003eJoe Chiccarelli\u003c\/strong\u003e (The White Stripes, The Strokes, Morrissey)\u003c\/div\u003e\n\u003cdiv class=\"flex-item three-col-item\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"flex-item three-col-item\"\u003e\n\u003cem\u003e\u003cstrong\u003eMix\u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003e \u003c\/strong\u003e||  “The R88 sounded absolutely delicious on upright bass, delivering a round, warm, fat bottom without being tubby. The roll-off on the top of the R88 fit perfectly with this instrument, making it sit nicely in the mix. The mic nicely rounds the attack consistently up the neck, providing great definition. On playback, the upright player was astonished at the sound.” – Kevin Becka\u003c\/div\u003e\n\u003cdiv class=\"flex-item three-col-item\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"flex-item three-col-item\"\u003e\n\u003cem\u003e\u003cstrong\u003eSound On Sound\u003c\/strong\u003e \u003c\/em\u003e|| “This is a very impressive microphone and one which is without equal as far as I know. It will appeal to the purist classical-music engineer without doubt, but it also has a much wider role in the studio. Long live the ribbon revolution!” – Hugh Robjohns\u003c\/div\u003e\n\u003cdiv class=\"flex-item three-col-item\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"flex-item three-col-item\"\u003e\n\u003cem\u003e\u003cstrong\u003eTape Op\u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003e \u003c\/strong\u003e|| “I've also had great success using the combo on a horn section 15 ft from the drum kit. Recording two Ampeg Gemini guitar amps in stereo was totally killer. On piano, I was able to use the placement and nulls to effectively control the bleed and frequency response of a baby grand track. As a room mic for percussion ensemble overdubs, for backing vocals, etc. - all amazing.” – Chris Koltay\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":35203956703384,"sku":"AEA-R88A","price":2799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0416\/5232\/2456\/products\/AEA_R88A_Stereo_Ribbon_Microphone_Active__05401.png?v=1734796364"},{"product_id":"aea-r92-ribbon-microphone","title":"AEA R92 Ribbon Microphone","description":"\u003cp\u003e\u003cstrong\u003eAEA R92 Ribbon Microphone\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan\u003eWith a thick low-end and hefty midrange, the dual-toned and near-field R92 ribbon mic is an exceptional tool when building a classic sound. \u003c\/span\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eRich low-end, warm detailed mid-range and a smooth top-end\u003c\/li\u003e \u003cli\u003eDifferent tonality on front and back sides, giving users a sonic choice\u003c\/li\u003e \u003cli\u003eHas a similar character to the classic R84 with less proximity effect\u003c\/li\u003e \u003cli\u003eNear-field ribbon mic with reduced proximity effect\u003c\/li\u003e \u003cli\u003eMade in the U.S.A.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eA Classic Ribbon Microphone - \u003c\/strong\u003e\u003cspan\u003eOffering a classic ribbon character in the form of a near-field, the dual-tone R92 functions as a versatile creative tool with innumerable possibilities. Similar in sound to the AEA R84, but with a more pronounced midrange and minimized proximity effect, the R92 performs brilliantly when up close to brass, guitar amps, kick drum, and percussion. \u003cspan\u003eOne side of the R92 yields a tonality distinct from the other, essentially providing two mics in one giving options on different sources. When supplemented with a brighter mic signal, the R92 serves to balance the scales in a mix with its low-end clarity and warm midrange. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eTWO SIDES — A CHOICE OF SONIC TONES - \u003c\/strong\u003eWith its dual sonic character, the R92 offers limitless creative options for capturing a signature sound. The front side offers a crisp sonic signature — tailored to have a bright sound. The back side is darker and smoother. It is ideal for taming harsh sounds such as trumpets and strings in a refined and flattering way. The bass reproduction of the mic extends to the lowest audible bass frequencies.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eA Near-field Mic with Character - \u003c\/strong\u003e\u003cspan\u003eThe R92 was designed to be positioned between 1 and 18 inches from the sound source. It retains a balanced frequency response across the spectrum with limited proximity effect. The R92 naturally reduces proximity effect while also avoiding the room tone that can cause problems in smaller spaces or iso booths.\u003c\/span\u003e\u003cspan\u003eNaturally rolling off the low-end before it hits the ribbon creates a much different sound than using electronic equalization to roll off the low-end in post. In a traditional ribbon mic, the proximity effect can be so strong that it obscures the mid-range, which can be extremely difficult to correct.\u003c\/span\u003e\u003cspan\u003eUnlike traditional ribbon mics, think of the R92s placement in terms of inches instead of feet. Of course, near-field mics can be positioned at a distance, but they have a more balanced sound close to the sound source.\u003c\/span\u003e\u003cspan\u003eThe R92 not only handles the SPL levels of a high-gain amplifier and loud trombone with ease, but it also translates all the gritty details of an instrument that musicians seek.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e\u003cspan class=\"ace-all-bold-hthree\"\u003eDESIGNED FOR EASY PLACEMENT - \u003c\/span\u003e\u003c\/strong\u003eThe R92’s U-shaped yoke acts as a shock mount and also enables the user to position the mic at various angles even with a straight stand. This shock mount is attached to an integrated 360-degree swivel mount that enables easy setup and positioning in tight spaces. Weighing only two pounds, the R92 can easily be accommodated on cramped stages.\u003c\/p\u003e \u003cdiv class=\"flex-item three-col-item\"\u003e\n\u003cstrong\u003eYES, THERE’S A MATCHING PREAMP - \u003c\/strong\u003eSince the R92 is a dual passive ribbon microphone, the preamp is critical for optimum performance. Preamp gain should be at least +60dB or higher and the preamp should have a very high impedance. It’s the same requirement with all passive ribbon mics. To guarantee consistent, full-range ribbon sound, we recommend AEA’s RPQ2, RPQ500 and TRP2preamps, which were specially designed for ribbon microphones. However, preamps with above a 5K ohm impedance found in many live soundboards are adequate for guitar amps and other louder instruments. On quiet sound sources or for distance recording, an AEA preamp is highly recommended.\u003c\/div\u003e \u003cdiv class=\"flex-item three-col-item\"\u003e \u003c\/div\u003e \u003cdiv class=\"flex-item three-col-item\"\u003e\"I hate you guys! now i have to buy them. I used the R92 on Al's Di Meola's guitar amp, and the 84's about a foot away, fantastic!!! Al loved the sound. I used the R88 on the drum overheads, sweet!!!!\" - \u003cstrong\u003ePaul Antonell\u003c\/strong\u003e (Al Di Meola, Natalie Merchant)\u003c\/div\u003e \u003cdiv class=\"flex-item three-col-item\"\u003e \u003c\/div\u003e \u003cdiv class=\"flex-item three-col-item\"\u003e\n\u003cem\u003e\u003cstrong\u003eElectronic Musician\u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003e \u003c\/strong\u003e||  “The super-cool app, however, is the ability to grab an articulate sheen or some juicy warmth simply by facing the front or rear of the R92 at the source sound—it’s like having two mics in one!” \u003cspan\u003e– Michael Molenda\u003c\/span\u003e\n\u003c\/div\u003e \u003cdiv class=\"flex-item three-col-item\"\u003e \u003c\/div\u003e \u003cdiv class=\"flex-item three-col-item\"\u003e\n\u003cem\u003e\u003cstrong\u003eSound On Sound\u003c\/strong\u003e\u003c\/em\u003e || “If you are considering investing in the smooth, natural character of a ribbon mic, this is certainly one worth auditioning first hand. I've fallen in love with it! ” – Hugh Robjohns\u003c\/div\u003e \u003cdiv class=\"flex-item three-col-item\"\u003e \u003c\/div\u003e \u003cdiv class=\"flex-item three-col-item\"\u003e\n\u003cstrong\u003e\u003cem\u003eMix Mag\u003c\/em\u003e \u003c\/strong\u003e|| “It rounds off transients in true ribbon fashion, adding a naturally compressed sound that flatters even the most strident source. This tendency and its tailored frequency response make the R92 a hands-down winner at close quarters. You don't need to be afraid to get this mic in a singer's face or right up on a speaker. The R92 – like its forefathers carrying the same engine, the R84 and R88 – is unequaled in its price range. I almost felt guilty.” – Kevin Becca\u003c\/div\u003e \u003cdiv class=\"flex-item three-col-item\"\u003e \u003c\/div\u003e \u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTechnical Specifications\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e \u003ctable class=\"tech-spec-table\" style=\"margin-left: auto; margin-right: auto; height: 486px; width: 567px;\"\u003e \u003ctbody\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003e Operating Principle \u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003ePressure gradient transducer\u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003e Directional Pattern \u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003eBidirectional\u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eFrequency Range\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e\u003cspan\u003e\u0026lt;20 Hz to \u0026gt;20 kHz\u003c\/span\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eMaximum SPL\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp\u003e165+ dB SPL (1% third harmonic \u0026gt; 1 kHz)\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e\u003cspan\u003e1.8 mV\/Pa (-55 dBV) into unloaded circuit \u003c\/span\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e\u003cspan\u003e270 Ω Broadband\u003c\/span\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003cp\u003e\u003cstrong\u003eRecommended Load Impedance\u003c\/strong\u003e\u003c\/p\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e 1.2k Ω or greater\u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003ePhantom Power\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e\u003cspan\u003eNot required or recommended\u003c\/span\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003ePolarity\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e\u003cspan\u003ePin 2 high for positive pressure at the front of the microphone.\u003c\/span\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003cp\u003e\u003cstrong\u003ePolar Response Horizontal\u003c\/strong\u003e\u003c\/p\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp\u003eNative bidirectional, figure-of-8 pattern.\u003cbr\u003e Up to 90 dB rejection at right angles to the front\/back axis.\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003ePolar Response Vertical\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e\u003cspan\u003eLevel changes with angle of incidence,\u003cbr\u003eBut frequency response is consistent.\u003c\/span\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eTransducer Element Material\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003ePure aluminum corrugated ribbon\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003cp class=\"p1\"\u003eTransducer Thickness\u003c\/p\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e1.8 μm\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003eTransducer Width\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e0.185 in (4.7 mm)\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003eTransducer Length\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e2.35 in (59.7 mm)\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003eTransducer Width:\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003e0.185 in (4.7 mm)\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eDimensions \/Weight\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e\n\u003cstrong\u003eHeight:\u003c\/strong\u003e 7.5 in (19.1 cm) \u003cbr\u003e \u003cspan\u003e\u003cstrong\u003eWidth:\u003c\/strong\u003e 2.9 in (7.4 cm)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e\u003cstrong\u003eDepth: \u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003e2.5 in (6.4 cm)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 1.97 lb (893 g)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eConnector Type\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e \u003cp class=\"p1\"\u003eXLR-3M\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr style=\"background-color: #f5f5f5;\" align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e\u003cstrong\u003eShipping Weight\u003c\/strong\u003e\u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003e2 lbs (0.9 kg)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr align=\"left\" valign=\"top\"\u003e \u003ctd class=\"tech-spec-table-label\"\u003e \u003cp class=\"p1\"\u003e\u003cstrong\u003eAccessories Included\u003c\/strong\u003e\u003c\/p\u003e \u003c\/td\u003e \u003ctd class=\"tech-spec-table-item\"\u003eStorage \/Shipping case\u003cbr\u003e User Manual\u003cbr\u003e Captive 10” (3 meter) Cable (XLR-3M Connector)\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":35203956768920,"sku":"AEA-R92","price":1199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0416\/5232\/2456\/products\/AEA-R92-Ribbon-Microphone-01__57902.png?v=1734796365"},{"product_id":"akg-c1000s-condenser-microphone","title":"AKG C1000S Condenser Microphone","description":"\u003cp\u003e\u003cstrong\u003eAKG C1000S Condenser Microphone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGold sputtered microphone capsule and XLR pins. Give high immunity against humidity.\u003c\/li\u003e\n\u003cli\u003ePowered by internal AA batteries or by phantom power. For use with any equipment and every application.\u003c\/li\u003e\n\u003cli\u003eBass cut and -10 dB switchable. For amazing versatility in every situation.\u003c\/li\u003e\n\u003cli\u003ePresence boost adapter. Provides three frequency settings for different sound sources.\u003c\/li\u003e\n\u003cli\u003eUnique polar pattern converter. Allows the microphone to be switched from cardioid to hyper-cardioid.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eThe Swiss Army Knife of microphones.\u003c\/strong\u003e The updated version of the C1000 S multipurpose small-diaphragm condenser microphone is extremely popular for its versatility. It is suitable for recording and live-sound applications as well as for ENG\/EFP and video productions. Its gold sputtered capsule housing makes the microphone extremely rugged against humidity. If no phantom power is available, the C1000 S can be powered by two standard AA batteries for up to 120 hours. More versatile than ever before, the new C1000 S features a bass-cut switch and a switchable -10 dB pad.\u003c\/p\u003e\n\u003cp\u003eThe polar pattern can quickly be switched from cardioid to hyper-cardioid. Three different frequency settings are adding more clarity to speech and instrument sounds.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAudio frequency bandwidth:\u003c\/strong\u003e 50 - 20000 Hz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEquivalent noise level:\u003c\/strong\u003e 21 dB-A\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity: \u003c\/strong\u003e6 mV\/Pa\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal to Noise: \u003c\/strong\u003e73 dB-A\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePre-attenuation Pad: \u003c\/strong\u003e10 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBass cut filter:\u003c\/strong\u003e 80 Hz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eElectrical impedance: \u003c\/strong\u003e200 Ohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecommended load impedance: \u003c\/strong\u003e2000 Ohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePolar Patterns: \u003c\/strong\u003eCardioid, Hypercardioid\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLength: \u003c\/strong\u003e229 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHeight: \u003c\/strong\u003e34 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDiameter: \u003c\/strong\u003e34 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNet Weight: \u003c\/strong\u003e320 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBodymetal: \u003c\/strong\u003eFinish matte grayish blue\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eType: \u003c\/strong\u003eBalanced XLR\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGender: \u003c\/strong\u003eMale\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eContacts: \u003c\/strong\u003e3-pin\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVoltage: \u003c\/strong\u003e9 to 52 V\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCurrent: \u003c\/strong\u003e3 mA\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":35204192632984,"sku":"AKG-C1000S","price":335.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0416\/5232\/2456\/products\/AKGC1000SCondenserMicrophone.jpg?v=1756083586"},{"product_id":"akg-c12-vr-condenser-microphone","title":"AKG C12 VR Condenser Microphone","description":"\u003cp\u003eThe \u003cstrong\u003eC12 VR\u003c\/strong\u003e is the reference multi-pattern tube studio condenser microphone with nine polar patterns selectable by a remote control. Among sound engineers, the \u003cstrong\u003eAKG C12\u003c\/strong\u003e is considered the holy grail of microphones. 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Its patented Varimotion diaphragm uses a unique laminated material to damp high resonance peaks, leading to a quantum leap in audio performance. The transducer is protected by a sturdy wire-mesh cap and can take extremely high sound pressure levels with ease.\u003c\/p\u003e\n\u003cp\u003eAn integrated stand adapter in combination with the included H440 mounting bracket makes the \u003cstrong\u003eD40\u003c\/strong\u003e a highly versatile tool for use on drums, percussion, wind instruments and guitar amps.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDual-thickness Varimotion diapraghm. Provides crisp, powerful sound in all frequency ranges.\u003c\/li\u003e\n\u003cli\u003eCardioid polar pattern. For trouble-free use in narrow stage environments\u003c\/li\u003e\n\u003cli\u003eRugged wire-mesh cap and sturdy die-cast metal body. Withstand tough day-by-day stage use.\u003c\/li\u003e\n\u003cli\u003eIntegrated stand adapter and external bracket. For easy mounting on drums and mic stands\u003c\/li\u003e\n\u003cli\u003eDual-thickness Varimotion diapraghm. Provides crisp, powerful sound in all frequency ranges\u003c\/li\u003e\n\u003cli\u003eHighest sound pressure levels up to 156dB. For extreme situations without any distortion.\u003c\/li\u003e\n\u003cli\u003eCardioid polar pattern. For trouble-free use in narrow stage environments\u003c\/li\u003e\n\u003cli\u003eRugged wire-mesh cap and sturdy die-cast metal body. Withstand tough day-by-day stage use.\u003c\/li\u003e\n\u003cli\u003eIntegrated stand adapter and external bracket. 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The audience will hear the pristine sound of your voice! The D5 S has the same mechanical, electrical, and acoustic characteristics as the D5 and features a noiseless on\/off switch.\u003c\/p\u003e\n\u003cp\u003eThe AKG D 5 is a supercardioid dynamic microphone. It has been designed specifically as a vocal microphone for rough onstage use. The wide frequency response of the D 5 slightly favors the midfrequency and treble regions to ensures good intelligibility of speech. The term \"supercardioid polar response\" means that the D 5 is most sensitive to sound arriving from in front of it, less sensitive to sound arriving from the sides and rear. This pickup pattern is virtually the same for all frequencies or, in other words, from the lowest to the highest notes (\"frequency independent\"). A shock mount on the transducer minimizes handling and cable noise. An integrated windscreen reduces pop, wind, and breath noise to a minimum. A rugged front grill made of spring-steel wire mesh that is extremely resistant to deformation and a sturdy zinc alloy die-cast body effectively protect the microphone and transducer element from damage on stage and on the road.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePatented laminated Varimotion diaphragm for crisp sound that cuts through every mix\u003c\/li\u003e\n\u003cli\u003eHigh feedback suppression with supercardioid polar pattern - For trouble-free use with on stage monitoring\u003c\/li\u003e\n\u003cli\u003eDual shock mount of microphone capsule - Eliminates any kind of handling noise\u003c\/li\u003e\n\u003cli\u003eIntegrated pop filter - For elimination of pops and wind noise\u003c\/li\u003e\n\u003cli\u003eSpring-steel wire-mesh grille and rugged die-cast housing - Withstand every live performance\u003c\/li\u003e\n\u003cli\u003eThe microphone provides a balanced output on a 3-pin male XLR connector: Pin 1: ground Pin 2: hot Pin 3: return.\u003c\/li\u003e\n\u003cli\u003eYou can connect the microphone either to a balanced or an unbalanced microphone input.\u003c\/li\u003e\n\u003cli\u003eTo connect the microphone to a balanced input (XLR connector), use a commercial XLR cable.\u003c\/li\u003e\n\u003cli\u003eTo connect the microphone to an unbalanced microphone input (1\/4\" jack), use a cable with a female XLR connector and a 1\/4\" TS jack plug.\u003c\/li\u003e\n\u003cli\u003ePlease note that unbalanced cables may pick up interference from stray magnetic fields near power or lighting cables, electric motors, etc. like an antenna.\u003c\/li\u003e\n\u003cli\u003eThis may cause hum or similar noise when you use a cable that is longer than 16 feet (5 m).\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAudio Frequency Bandwidth:\u003c\/strong\u003e 70 - 20000 Hz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity:\u003c\/strong\u003e 2.6 mV\/Pa\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eElectrical impedance:\u003c\/strong\u003e 600 Ohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecommended load impedance:\u003c\/strong\u003e 2000 Ohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePolar Pattern:\u003c\/strong\u003e Supercardioid\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions: \u003c\/strong\u003e\u003cstrong\u003eLength:\u003c\/strong\u003e 185 mm \/ \u003cstrong\u003eDiameter:\u003c\/strong\u003e 51 mm \/ \u003cstrong\u003eNet Weight\u003c\/strong\u003e: 320 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBody:\u003c\/strong\u003e metal\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFinish:\u003c\/strong\u003e dark stage blue\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAudio Output\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Balanced XLR\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGender:\u003c\/strong\u003e Male\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eContacts:\u003c\/strong\u003e 3-pin\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLive Vocal:\u003c\/strong\u003e Yes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLive Instrument:\u003c\/strong\u003e Yes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePiano \/ Strings:\u003c\/strong\u003e Yes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHorns \/ Woodwinds:\u003c\/strong\u003e Yes\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":35204193943704,"sku":"AKG-D5","price":139.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0416\/5232\/2456\/products\/AKG-D5-Dynamic-Microphone-Supercardioid__41444.png?v=1756083597"},{"product_id":"akg-drumset-concert-1-professional-microphone-set","title":"AKG Drum Set Concert 1 Professional Microphone Set","description":"\u003cp\u003e\u003cstrong\u003eAKG Drumset Concert 1 Professional Microphone Set\u003c\/strong\u003e\u003cbr\u003eProfessional drum microphone set\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCool under pressure. \u003c\/strong\u003eThe Drum Set Concert I professional drum microphone set provides a complete collection of mics designed to withstand even the toughest stage environments. 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With pristine clarity and sparkling high end, the C7 allows lead and background vocals to shine through. And thanks to specially engineered circuitry and custom-designed components, C7 prevents feedback, spill, handling noise, and pop noise from interfering with your performance. No matter where you're performing, C7 delivers premium, worry-free vocal reproduction so you can focus on what really matters.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWorld-famous AKG condenser sound quality.\u003c\/strong\u003e When it comes to premium studio-quality sound, it's what's on the inside that counts. The C7 microphone features a custom-tuned supercardioid condenser capsule with hand-selected components, so your voice is reproduced with pristine clarity and sparkling highs. 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source\u003c\/li\u003e\n\u003cli\u003eCardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source\u003c\/li\u003e\n\u003cli\u003eRobust design for enduring dependability on the road\u003c\/li\u003e\n\u003cli\u003eIntegral 80 Hz HPF switch and 10 dB pad\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eElement:\u003c\/strong\u003e Fixed-charge back plate, permanently polarized condenser\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePolar Pattern:\u003c\/strong\u003e Cardioid\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response:\u003c\/strong\u003e 20-20,000 Hz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLow Frequency Roll Off:\u003c\/strong\u003e 80 Hz, 12 dB\/octave\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOpen Circuit Sensitivity:\u003c\/strong\u003e -43 dB (7.0 mV) re 1V at 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long,\u003c\/li\u003e\n\u003cli\u003e1.89\" (48.0 mm) maximum diameter\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput Connector: \u003c\/strong\u003eIntegral 3-pin XLRM-type\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAccessories Included: \u003c\/strong\u003eAT8471 isolation clamp for 5\/8\"-27 threaded stands; 5\/8\"-27 to 3\/8\"-16 threaded adapter; soft protective pouch\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAudio-Technica Case Style:\u003c\/strong\u003e R6\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":35204972773528,"sku":"Audio-Technica-AE3000","price":329.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0416\/5232\/2456\/products\/Audio-TechnicaAE3000CondenserMicrophone_Cardioid__01.png?v=1747255710"},{"product_id":"audio-technica-at2010-condenser-microphone","title":"Audio-Technica AT2010 Condenser Microphone","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"c-product-hero-banner__subtitle\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eAudio-Technica AT2010 Condenser Microphone\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"c-product-hero-banner__subtitle\" data-mce-fragment=\"1\"\u003eCardioid Condenser Handheld Microphone\u003c\/div\u003e\n\u003cdiv class=\"c-product-hero-banner__subtitle\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"c-product-hero-banner__subtitle\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003eThe \u003cstrong\u003eAT2010\u003c\/strong\u003e is designed to bring the studio-quality articulation and intelligibility of Audio-Technica’s renowned 20 Series to the stage, for crystal-clear vocal performances. Featuring the same 16 mm low-mass diaphragm found in the critically acclaimed AT2020 side-address studio condenser, the AT2010 excels wherever articulate vocals are needed: in houses of worship, for solo performances, jazz vocalists, singer\/songwriters, and more.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eExtended frequency response and superior transient response for smooth, natural sonic characteristics\u003c\/li\u003e\n\u003cli\u003eHigh SPL-handling and wide dynamic range provide unmatched versatility\u003c\/li\u003e\n\u003cli\u003eCardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source\u003c\/li\u003e\n\u003cli\u003eMulti-stage grille design offers excellent protection against plosives and sibilance without compromising high-frequency clarity\u003c\/li\u003e\n\u003cli\u003eCorrosion-resistant contacts from gold-plated XLRM-type connector\u003c\/li\u003e\n\u003cli\u003eRugged, all-metal and construction for years of trouble-free service\u003c\/li\u003e\n\u003cli\u003eQuiet-Flex™ stand clamp provides silent, flexible microphone positioning\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eElement:\u003c\/strong\u003e Fixed-charge back plate permanently polarized condenser\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePolar Pattern:\u003c\/strong\u003e Cardioid\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response: \u003c\/strong\u003e40-20,000 Hz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOpen Circuit Sensitivity: \u003c\/strong\u003e–48 dB (3.9 mV) re 1V at 1 Pa\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum Input Sound Level:\u003c\/strong\u003e 136 dB SPL, 1 kHz at 1% T.H.D.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic Range: \u003c\/strong\u003e113 dB, 1 kHz at Max SPL\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal-to-Noise Ratio:\u003c\/strong\u003e 71 dB, 1 kHz at 1 Pa\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePhantom Power Requirements:\u003c\/strong\u003e 48V DC, 2 mA typical\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight: \u003c\/strong\u003e233 g (8.2 oz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 179.1 mm (7.05\") long, 50.8 mm (2.00\") maximum body diameter\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput Connector: \u003c\/strong\u003eIntegral 3-pin XLRM-type\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAccessories Included:\u003c\/strong\u003e AT8470 Quiet-Flex stand clamp for 5\/8\"-27 threaded stands; 5\/8\"-27 to 3\/8\"-16 threaded adapter; soft protective pouch\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAudio-Technica Case Style:\u003c\/strong\u003e T7\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":35204973166744,"sku":"Audio-Technica-AT2010","price":139.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0416\/5232\/2456\/products\/Audio-TechnicaAT2010CondenserMicrophone_01.png?v=1747255716"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0416\/5232\/2456\/collections\/R44CXLEtransparent.jpg?v=1762302029","url":"https:\/\/guildwatergear.com\/collections\/microphones.oembed?page=12","provider":"Guildwater Gear","version":"1.0","type":"link"}