Leapwing Audio StageOne Width & Depth Plug-In
Leapwing Audio StageOne Width & Depth Plug-In
Leapwing Audio StageOne Width & Depth Plug-In
Leapwing Audio StageOne Width & Depth Plug-In
Leapwing Audio StageOne Width & Depth Plug-In
  • Sale
  • $199.00

Leapwing Audio StageOne Width & Depth Plug-In || Your Digital Software Registration Code and Instructions Will Be Sent to You, Along With an URL Connecting You Directly to The Manufacturer, Who Will Provide You With Your Software Digitally. Please Be Aware That Software Is Non-Cancelable and Non-Returnable. If you have any questions about this product please do not hesitate to contact us. Guildwater Gear is an Authorized Leapwing Audio Dealer through the Xchange Market. There, You Can Find Us Among Their List of Authorized Resellers.

DynOne Dynamics Plugin. The ultimate smart parallel multi-band dynamics processor.

DynOne Features. Many multiband compressors take too much time to set up and tweak. DynOne has been designed with fixed bands so you can literally mix in the compressed signal. DynOne has min-max values for attack and release, and applies variable timing values depending on whether the signal is transient in nature or not.

EXQUISITE CROSSOVER FILTERS. 5 bands with custom-built linear-phase gentle crossovers at 160Hz, 800Hz, 4kHz and 11kHz.

ENHANCED CONTROL FOR MIXING AND MASTERING. From variable RMS vs peak detection, to stereo linking percentages, all the way to smart variable controls.

SIMPLE YET BEAUTIFUL DESIGN. Beautiful Retina interface with unique design, focused on the optimal workflow.

EXTREMELY GOOD FILTERS. The highest quality FIR filtering we can run on modern CPU.

MULTIPLE DAW & OS COMPATIBILLITY. Available on Mac OSX (10.9 +), Windows 8, 10 (64-bit only) in AAX-Native, VST, VST3 and AU.

LEAPWING 3 KEY POINTS

1. HIGHEST QUALITY XO FILTERS. Our crossover filters have been custom designed to interact with each other, in order to avoid phase alignment issues between bands, something you do have with traditional multi-band compressors.

2. ADAPTIVE ATTACK/RELEASE TIMING. We felt that having traditional attack and release times didn’t really give you the best sounding result. When you’re working with transients vs sustained sounds, you often want to have different attack and release times. This is why we use min and max attack/release times.

3. EASY TO USE AND INTUITIVE GUI. We aim to build plugins that sound good from the moment you start using them, not having to waste precious creative time. We spent countless hours of R&D time to look at the best ways of visualising all the bands so you can tweak everything intuitively.