• Ready-to-use orchestral textures for super-quick orchestrations
• Unique orchestral elements and effects played by a large 70-piece orchestra
• Wide variety of clusters, arpeggios, hits, runs and accents
• Multiple microphone positions, additional close mic positions
• Exceptional acoustics of the large Synchron Stage Vienna

Phrases & FX. Big Bang Orchestra: Black Eye is the second in a series of tutti orchestra recordings for the Big Bang Orchestra. It expands the series with ready-orchestrated phrases and FX for modern effect-oriented composing, enabling you to create large-scale orchestrations from scratch – effortlessly, quickly, and with a massive sound out-of-the box. Big Bang Orchestra: Black Eye provides you with all-new musical elements, such as hits, rips, runs, clusters, tension sustains, rhythms, arpeggios, grace notes, echo effects and more, all played by a large 70-piece orchestra at Synchron Stage Vienna.

From rhythmic textures to floating spheres. Hundreds of tension-charged clusters are available in several dynamic levels, short and long, with and without marcato, and as short and long crescendos. Sustained textures are grouped in several categories, some either slightly changing in pitch (microtuning) or gravitating slowly toward the root note (or vice versa). Others don’t change in pitch, but in volume, with different sections of the orchestra alternating their volume resulting in a sustained tone that’s constantly changing its colors.

A “seagull arpeggio” effect is created by flageolet glissandos played on open strings, with the accompanying wind instruments playing arpeggios that follow the overtone series of the strings. The so-called Shuffled Sustains deliver some form of controlled chaos, where different groups of the orchestra play complementary rhythmic patterns. Due to its complex structure, this effect can be used independently of tempo and provides a propelling density that lends itself well to underscores, for instance.

From rhythmic textures to floating spheres. Hundreds of tension-charged clusters are available in several dynamic levels, short and long, with and without marcato, and as short and long crescendos. Sustained textures are grouped in several categories, some either slightly changing in pitch (microtuning) or gravitating slowly toward the root note (or vice versa). Others don’t change in pitch, but in volume, with different sections of the orchestra alternating their volume resulting in a sustained tone that’s constantly changing its colors.

A “seagull arpeggio” effect is created by flageolet glissandos played on open strings, with the accompanying wind instruments playing arpeggios that follow the overtone series of the strings. The so-called Shuffled Sustains deliver some form of controlled chaos, where different groups of the orchestra play complementary rhythmic patterns. Due to its complex structure, this effect can be used independently of tempo and provides a propelling density that lends itself well to underscores, for instance.

Microphone Setup

• Main (Decca tree stereo)
• Main (Decca tree center)
• Main surround stereo
• High stereo
• High surround stereo
• High strings
• Low strings
• Woodwinds close
• Horns close
• Trumpets close
• Low brass close