Vienna Studio Upright Bass - Crossgrade from VI Upright Bass || Your Digital Software Registration Code and Instructions Will Be Sent to You, Along With an URL Connecting You Directly to The Manufacturer, Who Will Provide You With Your Software Digitally. Please Be Aware That Software Is Non-Cancelable and Non-Returnable. If you have any questions about this product please do not hesitate to contact us. Guildwater Gear is an Authorized Vienna Symphonic Library Dealer via ILIO.
All That Jazz. Studio Upright Bass features recordings of a plucked bass with a variety of jazz playing techniques, implemented for playing on a keyboard. The instrument was recorded in the relatively dry and controlled environment of our second studio, the Silent Stage.
Overview
- Upright bass with jazz articulations
- Improved playabilty for fluid, authentic performances
- Mixer Presets for authentic placement at Vienna Synchron Stage
- Switch off internal reverb for placement in any virtual acoustic environment
Pain-staking Efforts. The instrument was played by Bernd Konzett, a well-known jazz bassist from the Austrian state of Vorarlberg. Following numerous test recordings, he equipped his 4-string, three-quarter bass with a 113 cm scale with thinner E and A strings, and thicker D and G strings. A short while thereafter, Bernd realized just how painful it can be to record samples for Vienna Symphonic Library. As opposed to a several-hour-long gig at a jazz club, a glissandos recording session can be torturous, leaving the musician with veritable burns on the fingertips. The strings themselves heat up to high temperatures, resulting in regular blistering of the fingertips, even leaving behind a certain smell of burned and blistered skin in the Silent Stage.
A Little History. The double bass began to be used in jazz music by the end of the 19th century, supporting the harmonic structure of the chord progressions as walking bass. However, it soon began to gain prominence as a solo instrument in its own right, with famous players such as Charles Mingus, Ron Carter, Esperanza Spalding, and Charlie Haden, just to name a few.
Sampling. The samples were recorded in a relatively dry environment on the Silent Stage, allowing you to position the instrument anywhere in the stereo field or on your virtual stage with complete flexibility. Utilize the included mixer presets with built-in convolution reverb for ideal placement on Stage A of the Vienna Synchron Stage, or turn off any internal reverb and use an external placement and reverberation tool of your choice, such as the rooms of our Vienna MIR Pro 3D.